The street art and murals of artist Okuda San Miguel drip with color and burst with energy, until they are no longer held on a brick wall, but spilling out into real life, in three-dimensional form. The Madrid-based artist uses a pop surrealist style to create large scale murals that transform public spaces into places of geometric, vibrant color and imagery. His work is so incredibly stunning, that it is almost as if the street walls cannot contain them. Public works like his painted phone booth contain an element that explodes from the piece. Color drips from the phone booth, fusing Okuda’s work with the real world. He often transforms his murals into three dimensional sculptures, creating an even more dynamic and captivating piece. As if Okuda’s mural that resembles a multicolored starburst didn’t demand our attention enough, he has a sculpture piece that brings the mural into the third dimension.
Okuda’s beautifully fractured, geometric style is applied to murals, street art, smaller scale paintings, and sculptures. Whichever medium the artist so chooses, he creates works that are both mesermizing and transfixing. His paintings often use similar imagery, such as velumptuous, nude bodies, animal heads, and skulls. A fascinating juxtoposition is formed when certain subjects of Okuda’s paintings are covered in colorful shapes, while others have a smoother texture rendered in black and white. It is interesting that often the face or head will be full of color, while the more organic forms such as a nude body or a tree branch will be absent of it. Okuda portrays what lies underneath the bright shapes as monochromatic forms, exposing our sameness and human connection below our exteriors.
Like most people, when I was a kid I loved playing with a kaleidoscope. Pointing it at different light sources and twisting the chamber caused a morphing geometric mandala to take shape before my eyes, magically shifting sunshine and the colored bits inside into a series of hypnotizing designs. The same part of me that was enamored with a kaleidoscope is the same part of me that loves juicy colored highly geometric contemporary art.
As the highly influential artist and color theorist of the Bauhaus, Josef Albers, says so succinctly in his classic book Interaction of Color, “As with tones in music, so with color- dissonance is as desirable as its opposite, consonance.” The dance of tension and fluidity in an ever changing kaleidoscopic pattern is a rhythm of light and hue, which there is an abundance of in contemporary art. There are so many artists out there these days who use these components in their visual art, however the five artists included here emerge with unique strength, vision and technical ability that is worth noting. Artists include: Dalek (James Marshall), Maya Hayuk, Richard Colman, Amanda Airs and Jeff Depner
Gestural fluid abstraction and geometric patterns usually don’t well together but Kent Michael Smith has figured out a way to make them live harmoniously on the same surface. By using resin inbetween layers of paint he manages to combine these two disparate forms of mark making that reference Nascar color schematics, hunting gear, camouflage, and graffiti.