
Colors and shapes run wild in Meghan Brady‘s abstract paintings. To look at her work is to feel like Alice, tumbling head first down the kaleidoscopic rabbit hole.

Colors and shapes run wild in Meghan Brady‘s abstract paintings. To look at her work is to feel like Alice, tumbling head first down the kaleidoscopic rabbit hole.
Gestural fluid abstraction and geometric patterns usually don’t well together but Kent Michael Smith has figured out a way to make them live harmoniously on the same surface. By using resin inbetween layers of paint he manages to combine these two disparate forms of mark making that reference Nascar color schematics, hunting gear, camouflage, and graffiti.