Erica Svec’s paintings draw inspiration directly from her environment. Influenced by the detritus found in her Brooklyn neighborhood, Svec finds hidden beauty in the sidewalk trash, litter, graffiti, and spilled paint and tar that she encounters in her everyday life. Intrigued by the residual human energy retained by discarded items, Svec collects things cast off by others and reassembles them into small still lifes which she uses as the basis for larger painted compositions. The humanness of these objects is articulated both literally and metaphorically in her paintings as figurative shapes are expressed or implied by elaborate collections of items.
While Svec’s vivid, evocative paintings betray diverse influences such as the late work of Georges Braque and Audrey Flack, the result is a visual language that is uniquely hers. Drawing on abandoned objects and indexical marks of human occupation, the resulting works depict vibrant and invitingly dream-like alien environments.