French GIF artist Axel de Stampa creates Architecture Animée, a series of GIFS that show various buildings in motion, precisely to show them off through different perspectives. In opposition to the real life experience- one where the viewer moves around the building- these GIFS let the spectator remain static as the buildings shift and change positions.
Fagerholm’s lovely work is infused with a playful sense of anxiety; his characters, both human and otherwise, curl on the ground of tightly enclosed spaces like affrighted children. Wide-eyed and appearing to move manically back and forth, they hold their knees close to their chest. In these strange, surreal narratives, we are invited to feel the claustrophobia of a time out, recalling the lonesomeness and isolation of being bound to our rooms. One girl seems to be trapped within a TV screen, seemingly sucked into a blue, static-filled haze by her own imagination, peering curiously and excitedly outward.
These sweet, solitary creatures play and daydream in a dark state of nighttime unease. A seven-headed dragon evokes images of the beast from the biblical text Revelations, recalling (in an unexpectedly adorable way) frightful notions of eternity and punishment. As if pulled from films like The Shining or Poltergeist, Fagerholm’s characters transcend the real world, reaching instead for a chaotic, nervous aesthetic. With eyes dazed like hypnotic spirals, these little monsters seem to wait impatiently for sunrise and open air, for someone to keep them company. (via Demilked)
Paul Robertson is an Australian animator and digital artist who is known for his pixel art used in short films and video games. He is mostly known for Scott Pilgrim Vs. the World: The Game and the recent release, Mercenary Kings. Apart from his seasoned career as a game designer and movie creator, Robertson has been recently spotted on Tumblr with these GIFS.
Alicia Eggert creates kinetic, electronic, and interactive sculpture and installation work. With a background in interior and architectural design, Eggert builds her work with a temporal conception reflected in the stillness and movement of her pieces. Implementing a variety of objects in her designs, such as clocks, flashing LED text, a perpetually spinning bicycle wheel, and re-usable ceramic coffee cups that shatter down a perceived assembly line, Eggert uses simple ideas to convey a world of depth. Some of her work is created in collaboration with other artists, as she values sharing the creative experience with another person. She currently lives in Portland, Maine, and teaches sculpture and architecture at Bowdoin College.
Ibon Mainar uses visual multimedia to create whimsical and colorful work. Whether he is creating gifs, torn cardboard designs, Instagram videos, video projections onto foil and tinsel, or sculpting gum and popcorn, Mainar’s aesthetic is contemporary and playful. His interjections into Edward Hopper’s paintings create a curious juxtaposition of modern and contemporary aesthetics. With simplicity and humor, Mainar develops a visual language across various media that feels novel and universal. Mainar lives in San Sebastian, Spain.
Ben DeHaan‘s “Uncured” series captures the decay of a printed photograph as a result of the removal of the UV light used to instantly dry the ink on the page and cure the image. These portraits appear as if they are melting and evoke a surreal aesthetic, creating a completely unique visual experience that questions the idea of simple replication. In this series, Dehaan also seeks to address the role of machinery and the physical environment in the response to forces that construct the image. (via)
In a way, endlessness is a fundamental characteristic of gifs. However, the work of Turkish artist Erdal Inci, highlights this aspect of a medium in a style that is especially hypnotic and creepy. Inci has worked in video for nearly ten years. He’s since translated work into gifs using his same clone and light effects. In them, he seems to produce an endless hoodied army of himself marching, sliding down handrails, hopping up and down stairs. Though the action is brief, its repetitive nature makes it difficult to pull away your eyes. All of the Erdal Inci clones in lockstep trudge on together until we manage to close the window. [via]
There are many many dumb ways to die and the latest campaign from the Melbourne Metro illustrates a handful of them set to an original song for a video appropriately titled “Dumb Ways to Die.” Featuring a downloadable song by Tangerine Kitty, the video is one piece of a campaign that includes a website hub and tumblr full of gifs.
Bop your head along to the full video after the jump.