Paule Gu Transfixes Us With His Highly Detailed Drawings Of Hypnotic, Dark Imagery

Paule Gu - Graphite on Paper

Paule Gu - Graphite on Paper

Paule Gu - Graphite on Paper

Paule Gu - Graphite on PaperArtist Paule Gu gives us a kaleidoscope of dark and hypnotic visions in his intense series of remarkably detailed drawings. Although they may look like monochromatic collages at first glance, this skillful artist has rendered these illustrations by hand. Each piece contains a plethora of eclectic images ranging from seductive nudes to deathly skulls, which are a repeating motif in his work. Small details can be discovered when examining the intricate lines and forms rendered by Gu in his work. A mysterious beauty lures you in closer, as symbols of death and the occult can also be found.

Gu’s work is an interesting mix of objects that are all connected in a balanced composition, perfectly mirrored. He often brings shapes like triangles and circles into the background, creating harmony to the piece and unifying its diverse imagery. The seamlessly symmetrical compositions transfix us, pulling us into a trance. Although Gu’s work consists of many different objects, they are all part of one single piece, morphing and fitting into one another. Various textures, themes, and worlds collide as sea horses live side-by-side three-eyed bats, and nude women dance around tigers and bones. Gu’s work will completely mesmerize you, as you will find another unexpected, bizarre detail every time you see his work. (via Supersonic)

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Melissa Cooke Drawings of beauty, fantasy, And Violence

Melissa Cooke’s accomplished powdered graphite on paper works explore themes of beauty, fantasy, violence, vulnerability and identity, with the artist casting herself as subject in a myriad of thematic scenarios.

 ” I take photographs as I paint and pour liquids onto myself, using my face as a canvas.  The photo shoots reference the practice of drawing and painting; then the final graphite drawing references photography.  The boundaries between the mediums are broken down and the processes are interwoven.

The images depart from the framing of traditional portraiture.  The viewer is not given an entire bust of the subject; rather the frame zooms into up-close sections of the face.  The cropping pushes the face to the surface of the paper, making the figure more ambiguous.  Flesh becomes abstracted: obliterated by paint on the skin, distorted by the eye of the camera lens, or smeared by the glass of a Xerox machine.

Photographs are used as inspiration for drawing and mark making.  The drawings are made by dusting thin layers of graphite onto paper with a dry brush.  The softness of the graphite provides a smooth surface that can be augmented by erasing in details.  Gestural marks are apparent, while still creating dimension.  Textures are given precedence over portraying a likeness to the figure.   The act of drawing becomes the focus.”

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