Kit King’s Hyperrealistic Paintings Will Swallow You Up In Their Transfixed Eyes

Kit King - Oil on Wood PanelKit King - Oil on Belgium LinenKit King - Oil on Belgium Linen

Hyperrealist Kit King has created an extraordinary body of work filled with realistic rendering of intense portraiture. This Ontario based artist possesses an unbelievable skill in painting, which she used to create her larger than life images of emotionally charged faces. She does not merely recreate a person’s face in her paintings, but adds a focus on the moment behind the still image on what the person expresses. Many of her subjects look tormented, as their eyes appear weary, stunned, or bloodshot. The lighting King uses in her work adds a force of drama, drawing you into the transfixed gaze of the subject. She aims to spark your attention and capture a transient moment in time where one might feel the sting of these emotions.

The texture is as palpable as the complexity that is often found in the eyes of her subjects. We can almost feel the tangibly wet eyes in Kit King’s paintings as well as the smoothness of the skin. Even the make up in her paintings seem to be flaking right off the canvas. Her husband Oda King also being a talented artist, she often collaborates with him on several of her paintings. Kit King explains the intentions behind her concentrated skill and focus.

“Through a focus on hyperrealism, my paintings are reflections of the ephemeral visual relationships around us. Capturing fleeting moments that affect our emotional state from a singular glance, under the aegis of a heightened sense of reality.”

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Patricia Piccinini’s Hyperreal, Mutated Creatures Raise Questions Of Genetic Manipulation and Cloning

Patricia Piccinini - Silicone, Acrylic, FiberglassPatricia Piccinini - Silicone, Acrylic, FiberglassPatricia Piccinini - Silicone, Acrylic, Fiberglass

Patricia Piccinini - Silicone, Acrylic, Fiberglass

Artist Patricia Piccinini has a very impressive and eclectic range of artistic talents. Her body of work includes drawings, installations, and even a giant hot-air balloon that has floated across Australia. Her astonishingly hyper-real sculptures, however, truly give you an image that you will not soon forget. Made from silicone, acrylic, and fiberglass, Patricia Piccinini forms creatures that appear to be somewhat human, but altogether alien. They seem to be alive, as they stare back at you with emotion-filled eyes. They exhibit traits of humans, like lifelike hair and fleshy skin, but are unmistakably not. It is as if they are hybrid animals living amongst us. Many of her sculptures include one of her hairless, mutated creatures alongside of what appears to be a real human. The dichotomy between this possible mutated creatures and a “human” is interesting, because neither one is actually real.

Patricia Piccinini’s work explores ethical issues surrounding cloning, DNA, and genetic mutation. Her shocking sculptures point a firm finger at human kind’s manipulation of nature and the possible consequences. The effect science has on the natural world and the creatures inhabiting it are a reoccurring theme in Piccinini’s work. We see her sculptures that look so realistic; it is as if these grotesque creatures really do exist. Portraying them with human-like features gives way to pity and empathy for the creatures. The artist’s incredibly intriguing work is one of unbelievable skill that holds a strong, often controversial, message on genetic alteration and mankind’s hand in nature.
(via Hi-Fructose)

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Robin Eley’s Hyper-Real Paintings Dissect The Human Body With Fractals Of Color

Robin Eley - Oil on LinenRobin Eley - Oil on LinenRobin Eley - Oil on Linen

Unbelievably, the stunning and incredibly realistic works of artist Robin Eley are not photographs, but meticulously created paintings! The artist uses oil paint to render hyper-real portraits with fragmented hues and picturesque, nude figures.  Each figure looks so photorealistic, it is hard to believe that it is a painting. Every last element is executed perfectly, as you can even see every detail in the tattoos on the figures. As if painting realistic nudes with this high level of skill was not impressive enough, Eley displays his figures through fractals of color, as if they are behind stained glass. The geometric shapes cutting through the composition offer us a stark juxtaposition to the organic, soft bodies that are behind them. This sharp pattern dissects the human body into segments so that we may see it in a different light.

Eley not only paints his figures behind brightly colored, intersecting shapes, but also wrapped in materials like plastic. This highly textural element also gives an interesting contrast to the bare skin of the figures. The crinkles and creases in the plastic create a sort of fractured impression, just like Eley’s pieces with the “stained glass.” Originally from Australia, this L.A-based artist has had his work exhibited internationally and also has work in private collections all over the world. If you have the chance to see Eley’s prolific work in person, make sure to take advantage of it and experience every tiny detail of these hyper-real paintings.

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The Hyper-Real Drawings Of Alexandra Bastien Illustrate Life, Death, And Transformation

Alexandra Bastien - Color PencilAlexandra Bastien - Color PencilAlexandra Bastien - Color Pencil

At first glance, the artwork of Alexandra Bastien appears to be photographs of a nude woman with a variety of skulls. However, the artist unbelievably renders her hyper-realistic drawings from layer upon layers of color pencil. Bastien’s astonishing ability to create such incredibly detailed drawings allows her to beautifully show the human body in a state of transition. The heavy symbolism that has long been attached to the skull in art history represents death. Bastien illustrates this concept in contrast to the soft, warm body of the nude woman. The women in her work are holding the skulls, embracing whatever darkness they may bring. In one drawing, both skull and human have even merged together in perfect balance. This balance of life and death is shown in a state of transition and transformation, exploring themes of rebirth and the afterlife. Seeing the many different skulls amongst a human in its natural state may be reminiscent to human origins and ancestry.

Bastien’s incredible, artistic skill and talent can be seen in this photorealistic series titled Taming the Beast. She finds inspiration in her natural fascination with the human body and form. The accomplishments of this Canadian artist are just as impressive as her skill. Her work has been included in several publications and magazines as well as been exhibited all over the world.

(via Hi-Fructose)

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Dan Witz’s Epic Paintings Take You Into The Heart Of Violent And Energetic Mosh Pits

Dan Witz - Oil and Digital Media on Canvas

Dan Witz - Oil and Digital Media on Canvas

Dan Witz - Oil and Digital Media on Canvas

Dan Witz - Oil and Digital Media on Canvas

Artist Dan Witz seamlessly combines traditional, academic realism with rebellious vibes of the underground punk scene to create his massive paintings of mosh pits. His impeccable technical skill allows him to paint photorealistic scenes that embody the pulse and energy of the punk music scene. Each painting is an energetic force to be reckoned that demands a serious presence. The amount of people crammed into each piece accurately captures the chaos and action involved in mosh pits in real life. Dan Witz’s work is packed full of incredible movement and human energy that can be felt in the viewer. Because in almost all of these paintings the image is completely devoid of an environment or setting, they have a deeply psychological affect. An excitement and anxiety is created as you see the range of expressions on each person’s face in the sea of bodies. As Witz fills each frame from right to left with herds of people, an unmistakable flow of powerful strength is formed.

Based in Brooklyn, Witz is a painter as well as a street artist. Spending time in punk clubs and playing in bands when he was younger influenced the subject in which he paints. However, we can also see the influence of classical painters due to his more traditional painting style. This type of hyper-real approach is often associated with a more academic way of thinking within the establishment. He is able to take this conventional method of painting and use it to rebel and revolt. Dan Witz’s Mosh Pits series has recently been featured in this past month’s issue of Juxtapoz. This quote from the interview explains the influence and effect punk rock has had on Dan Witz.

“Punk rock had opened my eyes enough for me to understand that art could be about more than providing expensive wall candy for rich people. I could actually speak truth to power…”


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Powerfully Disturbing And Certainly Controversial Art By The Kid





Powerfully disturbing, and certainly controversial, the art that 22-year old artist The Kid creates spans genres. He describes his work as “forever caught between innocence and corruption,” and the well-executed pieces are compelling with their huge, detailed, Bic pen-drawn faces and hyper-realistic sculpted bodies. Photos of his sculptures, made from materials such as platinum silicon, glass fiber, oil paint, human hair, cotton, and mixed fabrics, force you to look, and look again, in order to believe that they are, in fact, inanimate objects.

In his latest work, The Kid is influenced by bullying inflicted on him by fellow students and teachers when he was younger. The sculpture “Do you believe in God?” which depicts the artist kneeling and holding a gun in his own mouth, was in response to the Columbine killers, who he feels he understands and sees as “victims of a social context.”

“All subjects of my drawings for the exhibition “endgame” really exist and are currently being held in prison-even in the United States-with exactly these tattoos. They are not imaginary and no detail is invented. They are all serving life sentences without the possibility of parole, until they die in prison. There is no other hope for them-a life in adult prison at the beginning of their sentence, that’s all, even though they have been convicted of violent crimes they committed before the age of 18.” (Source)

It’s clear that The Kid empathizes with these stigmatized subjects and hopes to give them back some humanity by evoking compassion from the viewer. Many share his view that social determinism condemns people from birth because of their familial circumstances, but by depicting, in such a graphic way, a sampling of those who are affected, he brings attention to the issue. It’s not empty sentiment, either. The Kid donated a portion of the profits from this work to the non-profit organization Human Rights Watch, which defends the rights of people worldwide. (Via yatzer)

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Jan Esmann’s Hyper-Realistic Paintings Of Sleeping People For The Voyeur In All Of Us


At first glance, the oil paintings of Jan Esmann could easily be confused with photographs; seen in heightened resolution and depth of field, the portraits capture the remarkable tangibility of the human face. Also unlike your typical photographic subject, all of the painter’s characters are sleeping, caught wide-mouthed in their own personal dreamscapes, allowing viewers an uncomfortable and enchanting intimacy with the private imaginings of the unconscious mind.

Seen from above and as if lit by candlelight, Esmann’s strange and transfixing portraits evoke narratives like that of the mythological Psyche, who, against her lover Cupid’s warnings and prohibitions, snuck a candle into their bedchamber so that she might glimpse his face. The painted faces seem to stand at the precipice of wakefulness, their folded, glistening eyelids precariously shut. The viewer is allowed to witness the most vulnerable of states, yet (s)he does not escape the unnerving sense that s(he) might be caught, found out.

The consistent open mouths betray sleepy yearnings, unabashed moments of ecstasy in slumber. As if possessed by spiritual or erotic climax, Esmann’s subjects are sensuous and blissful; saliva glitters on canines, and sweat sets the face aglow. Unconfined to a more truthful representation of human perception (either photographic or otherwise), the artist’s hyper-realist style enables her to picture every inch of flesh with the same breathtaking clarity. Viewers may examine every feature, while the objects of our attentions remain frozen in time and space. In this beautifully bizarre series, we are permitted our voyeuristic impulses. (via Lost at E Minor)

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TipToland’s Hyper Realistic Ceramic Sculptures

The characters in Tip Toland’s hyper realistic sculptures are fragile creatures that find themselves at the end of adulthood or at the beginning of childhood. Those stages in life have a certain vulnerability, isolation and innocence in common. Toland attempts to demonstrate the decline preceding death, and the increased separation from others it brings. Their expressions are unengaged and convey a sense of deep psychological detachment that is sad and enigmatic as well as dignified by the process of natural aging. In his article for, Ceramics: Art and Perception, Glen Brown states, “[The works] weigh upon [the viewer] for the simple reason that they reflect the profound, inevitable solitude that envelops the beginning and the end of life.”

While exploring age and aging, Toland’s work attempts to give voice to inner psychological and spiritual states of being. What is of primary importance to her is that the figures contain particular aspects of humanity, which they mirror back to the viewer. It’s the fragility and transient aspect of mankind that the artist is after. That is one reason for choosing very old or very young subjects; they both portray innocence as well as complexity.  While her subjects are sometimes self-portraits, they are meant to convey universal truths about humanity, society and the self.

The hyper realism of Toland’s figures comes from her attention to detail and unique use of materials. Using an encaustic technique, Toland creates a waxy finish for the skin that mimics real flesh. She even goes so far as to incorporate actual human hair into the works. The porcelain eyes create a doll-like realism that is both haunting and entrancing, while carefully defined wrinkles, skin tone, tooth enamel, and bone structure, are remarkably realistic.

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