Artist Paule Gu gives us a kaleidoscope of dark and hypnotic visions in his intense series of remarkably detailed drawings. Although they may look like monochromatic collages at first glance, this skillful artist has rendered these illustrations by hand. Each piece contains a plethora of eclectic images ranging from seductive nudes to deathly skulls, which are a repeating motif in his work. Small details can be discovered when examining the intricate lines and forms rendered by Gu in his work. A mysterious beauty lures you in closer, as symbols of death and the occult can also be found.
Gu’s work is an interesting mix of objects that are all connected in a balanced composition, perfectly mirrored. He often brings shapes like triangles and circles into the background, creating harmony to the piece and unifying its diverse imagery. The seamlessly symmetrical compositions transfix us, pulling us into a trance. Although Gu’s work consists of many different objects, they are all part of one single piece, morphing and fitting into one another. Various textures, themes, and worlds collide as sea horses live side-by-side three-eyed bats, and nude women dance around tigers and bones. Gu’s work will completely mesmerize you, as you will find another unexpected, bizarre detail every time you see his work. (via Supersonic)
The incredibly detailed pen and ink illustrators of Toronto based artist Paul Jackson take on the form of animals and humans, with their insides ascending from their bodies. His rendering of skeletal structures of wolves, dinosaurs, and humans is anatomically something to be admired. His illustrations have a dark aura, as he portrays different animals with layers of organs erupting from their skin. We can see Jackson’s well-refined skill in the very believable texture of the fur, skin, and bone in his work. Each illustration remains very realistic, despite their mystical nature. His creatures are like spirit-animals that are attempting to rise out of their earthly shell, erupting out of their exteriors.
There is a strong element of life and death his Jackson’s work, as many of his drawings contain half living creature and half skeleton. Pushing this boundary of the living world even further, many of Jackson’s works contain a visible “glitch.” There is a disruption in the composition. A face slowly turns into waves of “white noise,” like a sound wave encountering interference. This interference literally blurs the line between a creature, like Jackson’s bear, that is alive, with one that is dead. The artist has created his work on a large and small scale, and even has many of them available as prints, t-shirts, and patches. Make sure to check out his website for more astonishing illustrations and a great time-lapse video of the artist in action.
The artwork of Audrey Kawasaki is completely irresistible in its portrayal of stunning technique and beautiful women. Her skilled illustration using ink, oil paint, and graphite is a sharp contrast to the natural grain of the wood panel in which she paints on. The warmth of the wood combined with the reds and oranges found in her work create a soft glow that radiates from her work. Each of her women contains an iridescent aura that invites you in, pulling you closer into the frame. There is an unmistakable seductiveness in their eyes, or in one case, the third eye, that is both intriguing and mysterious. As you examine Kawasaki’s work, something begins to feel peculiar. The beauty of her women blinds us before a strange, bizarre element creeps up on us. We slowly realize something is off, when we see things like pink, glowing rabbits circling around the figures or even a snake skeleton sprouting out of the roots of a woman’s hair.
Kawasaki flawlessly offers us women of quiet beauty that leaves us questioning each situation. She pulls her inspiration for her gorgeous paintings from both the distinct style of Manga comics and the swirling, elegance of Art Noveau. The enormously talented artist will have work up at a group show starting this June on the 26th at the Long Beach Museum of Art. Her work is included in the exhibition, Vitality and Verve: Transforming the Urban Landscape.
Artist Ana Strumpf uses creative color schemes and patterns to redesign fashion magazine covers. In her series Recover, trend-setting magazine like Vogue and Vanity Fair are transformed into whimsical worlds with eye-popping patterns complete with quirky make-up added on to the models. Striking, beautiful women posing for the camera are given pink hair, rosy cheeks, and green eye shadow, turning them into silly, fun characters. The primary colors and simple shapes are reminiscent of childhood and dress up games. Although her clashing patterns and neon colors at first may remind you of doodles, they all somehow look amazing. The interesting color palettes Strumpf chooses to add work beautifully in their own unique way.
Strumpf is a jack of all trades in the arts, as she designs and fabricates chairs, couches, lamps, and pillows on top of being an interior designer. Based out of New York, the artist studied fashion design at the Fashion Institute of Technology, which accounts for her love of high fashion magazines! Her cover redesigns are funky enough to be album covers, with the models now radiating lines and shapes along with the occasional third eye. Her wild stripes and spots form fresh new designs that really look like they belong on the cover of a magazine, like they are the next big trend in fashion. (via Honestly WTF)
The dissecting cuts and lines shooting across the work of artist Jason Thielke create incredible images of figures full of expression. His incredible, illustrative art is made by laser cutting wood panels, with acrylic paint and ink to add color and highlight details. Many of his pieces have so many lines etched into the work; it is difficult to tell the negative space from the positive. Thielke makes great use of negative space in his etchings, forming intricate and dynamic shape and composition. Each figure contains so many marks streaking across their body, adding shapes and patterns that form constellations within them.
Thielke’s lines seem organic, swirling around the figures hair and face, forming expression. However, the etched lines are also highly geometric and architectural, building a blue print for the body. Such drastic, harsh angles create a dramatic atmosphere with striking faces filled with piercing eyes. These intersecting lines express,
“conflict between one’s ability to implement self control and compulsion to manipulate and constantly self-gratify.”
Thielke’s fragmented bodies cut through you with a powerful emotion as they keep pulling you deep under their spell, inviting you to examine every cut in the composition. The artist does not only uses the technique of laser etching to create his figures, but has also inked his cut wood panels like a woodblock and then used them to make prints. Thielke has exhibited all across the U.S. from Boston to San Francisco. His work can be found at David B. Smith Gallery in Denver, Colorado, where Thielke currently lives.
Like melting wax drips and forms new shapes, so does Januz Miralles’ digital manipulations mold his once recognizable subject. The artist digitally applies paint and illustration to change photographs of faces and bodies into otherworldly beings. The figures in his work are left partially untouched, some with only a mouth or an eye peaking through, while the rest is covered by stunning, organic strokes of paint traveling up and across the composition. Although the women in his work look conventionally beautiful, they look even more alluring with globs of thick, digitally applied paint covering most of their faces. Miralles’ highly textural technique alters each figure’s state of being, as if they are ascending to another world or perhaps disintegrating completely.
His captivating, multilayered work shapes form, personality, and identity with his amazing techniques, created mostly digitally on a laptop. His art is quietly beautiful, as you can get lost in the many swirls of color and texture that he integrates into his work, completely transforming the mood. As the artist digitally breaks down his figures, the structure and details seem to break down as well, as if chemicals have been poured over each face. There is a sense of torment and melancholy that surrounds his subjects, like something is being extracted from them, leaving their bodies through the seeping paint. The deep, psychological effect that Miralles’ work holds draws you in to further examine what it is you are looking at, leaving you in mystery.
Missing the cult classic post-punk musicians that changed the course of music history? Never fear! They are back in action…but as superheroes! Illustrator “Butcher Billy” has taken your favorite Post-Punk icons and transformed them into Marvel superheroes. Each legendary musician becomes an ever-popular hero by giving them just a few character essentials like a spandex outfit, bold lines and color, and a catchy comic title behind them. If these unforgettable musicians weren’t already your heroes, they will be after you see them on these specially created comic cover mock-ups that cleverly match each icon with their appropriate superhero counterpart. These incredibly on-point mash-ups include bright, eye-catching titles displaying various infamous lyrics such as “I don’t care if Monday’s blue,” from The Cure or “When a problem comes along” from Devo. After seeing these re-imagined icons, you realize how much they already looked like superheroes, or perhaps villains.
Mixing together cult classic comic characters with equally popular musical icons is genius. Not only do they both have “super powers,” whether it be possessing super strength or being a lyrical genius, but also often adorn themselves with spandex clothing. The best part about these hybrid hero/musicians is that us super fans or comic nerds are not the only ones that love these illustrations. Shown is a photo of Morrissey wearing a shirt showing himself in full hulk form, and another includes Siouxsie Sioux proudly displaying clothing with her own superhero alter ego, complete with her audacious hair and signature make up. (via Shortlist)
LOL, I have so many visas, would you like to marry me? No kidding, Leonard Combier. He takes ordinary passports and transforms them into a magnificent compact world of intrinquite drawings, quotes, tiny details and intertwined stamps. Depths of ink cover these passports with Gotham Googly looking characters with large bubble eyes.
His carefully calculated doodles are constructed with hundreds of shapes, forcing you to take a closer look at the passport and dissect the different stories. Eyeballs are common throughout his drawings and staring back at you-makes sense on a passport. This circus spectacle must be a sight for customs officer!