Illustrator and film lover Andrew DeGraff crafted a series of maps to help us navigate some of our favorite films. In long, epic journeys like Star Wars, Indiana Jones and the Temple of Doom, and even goofy comedies Wet Hot American Summer, it’s easy to forget where we’ve travelled over the course of the story. DeGraff highlights some key events, like Luke Skywalker’s trek in The Empire Strikes Back. If you are big fan of any of the movies that he’s illustrated, then the painstaking details will delight you.
Using gouache, the illustrator carefully draws spaceships, architecture, and foreign lands. While they are clearly maps without being the conventional road map, DeGraff’s limited color palette offers the most important information in vibrant colors, while the secondary (but still interesting) details remain less conspicuous. (Via Flavorwire)
Combining Western cinema and traditional Ottoman motifs, Turkish artist Murat Palta designed a series of images that blend the style of the Ottoman empire with films like Pulp Fiction,Alien, and Clockwork Orange. They are made to look historic and aged, and once you see past that, Palta has illustrated some of the iconic scenes of the particular film.
The Ottoman Empire, also known as the Turkish Empire, was one of the longest running empires in history. Palta’s works recall the Miniature Style of the Ottomans, which was a part of Ottoman book arts that included illumination, calligraphy, paper marbling, and bookbinding. Miniatures were usually not signed because they were not created entirely by one person. Production included the head painter who designed the composition, and his apprentices that drew the contours and then painted the scene.
Like the Miniature Style, Palta has included stylized two-dimensional characters, flattened views of architecture, and a lot of contrasting patterns. He references the Ottoman tradition while still making it his own – After all, I don’t think that the old illuminations included men beating someone senseless with a nightstick or a tiny green Yoda. (Via That’s Like, Whoa!)
Artist Randy Ortiz has been tantalizing the eyes of illustration fans for years, illuminating concert and movie posters both professionally and as creative tasks for a great imagination. While past work emphasized ink line work and detailed black and white charcoal drawings, recent work has become more colorful, with flat background colors which perhaps surprisingly emphasize the darker thematic weight in the mystical figures and composition.
The self-taught Canadian artist uses evolved techniques to illicit a near-Surrealistic response from his often-human figures, draped in masterfully rendered drapery and fabrics. Despite the often serious undertones immediately noticeable in his work, the obvious sense of humor is evident (mutant visual remixes of Drake’s oft-mocked album cover seen below for example). In other works hooded figures clamor over each other, all reaching for a disembodied hand holding a small heart talisman representing love, or mystical-triangle-eyed cats eye floating balls of string. With Ortiz’s visual narratives and painting style evolving at a rapid pace, he is definitely ahead of other illustrator/artist to watch.
The work of Dillon Boy (né James Dillon Wright) emerged from a street art and graffiti background, combining pop culture, branding, advertising, and perhaps most importantly, the ability to take these sources further than they were intended. This evolution (or devolution) is evident in his series DIRTYLAND, where the artist takes the ever-popular childhood icons of Disney’s princesses and removes their context, and clothes.
In works which collage smut magazine backgrounds with spraypaint stencils, drips and graffiti scrawls, these princesses become transformed representations of our combined high and lowbrow society, and take aim at the falsely marketed ideas of perfection and innocence. In an exclusive talk with Beautiful/Decay, Dillon talks about the series. “Most of my audience were kids when these princesses ruled their world, so now that they are all adults (and sexually active) they are all ready to hang paintings of naked Disney chicks all over the house. [laughs]. No for real though, I believe it’s my job as an artist to question the very things around me and to continuously break down the traditional and more conventional ways of making art. It is my intention to raise or lower your eyebrows in one way or another.”
This reappropriation of pop culture icons is nothing new, but seems to be happening at a rapidly increasing pace (Beautiful/Decay has recently featured several such reimaginings of pop culture symbols), indicating that artists are remaining relevant to many audiences by constantly questioning what we collectively see daily. Dillon Boy (surprisingly?) notes that he has not seen much in the way of criticism of his DIRTYLAND series, and that is his job as an artist to take things one step further. “Well, one thing is for sure, we live in a sexually charged culture. Walk outside and you will quickly find a billboard or an ad in a publication showcasing a woman as a sex object. Sex sells remember. I simply used the pure, untainted characters of Walt Disney to convey that message. But that’s obvious, I’m not doing anything that hasn’t been done before… but I’m ready to do it again!”
Chris Labrooy (previously featured here) is United Kingdom based artist and graphic designer who thrives in small projects which take a small idea and run with it. His most recent project, Auto Aerobics began as an exercise in place and context. Inspired by a winter trip to Brooklyn, La Brooy began to manipulate a Pontiac car which originally only served as a background object, but became the focus of the entire series.
By taking the familiar shapes and forms of the American Auto’s chassis, La Brooy digitally manipulates them by bending, stretching and combining, and seemlessly building them into the landscapes which they were inspired by. The bizarre, impossible, and totally impracticle images result in strikingly memorable floating sculptures that feel both alien and familiar. (via ignant)
This weekend on Beautiful Decay we want to welcome you over to the dark side, where a vast amount of artists are churning out contemporary art fueled by the fire of Metal. A multitude of artists these days are making art inspired by the crushing sounds and dark spirit of Heavy Metal, Death Metal and Doom music, all of which weave in and out of several other genres.
I’ve been a huge fan for a while now of the work made by artists Skinner, Ben Venom and Martin Durazo, which are strongly informed by Heavy Metal. This past week after chatting with artist and Beautiful Decay owner, Amir H. Fallah and artist Skinner and reaching out on Facebook to learn more about artists tied into this music scene, I was turned onto a breadth of incredible artists. A lot of artists working with metal as inspiration have strong crossover into design and illustration, album art, posters (especially for the band Mastadon), band merch and murals. There’s also a strong genre of work that explores dark spiritual matter, mythology and death that is absolutely captivating. You can expect upcoming coverage of these sub-genres in coming weeks.
When I met Jonny Negron at the Small Press Expo two years ago, I had him sign a copy of his book, Negron, for me. Rather than just signing his name, he drew on the back cover, which coincidentally is a large picture of his face. Negron completed his doodle with a lizard tongue, drawn with a gold paint pen. This act of an excessive signature is a metaphor for the type of work that he creates. It’s in your face and unapologetic, as well as being stylish, humorous and at times, scary.
Negron is best known for his comics and propensity for drawing large women. They are extremely curvy and wear crop tops, bikinis, and leggings, or nothing at all. Couples engage in sexual acts, and while often NSFW, the drawings don’t have the same vulgarity of something like an ad for a porn site. In an interview with The Comics Journal, Negron says that he doesn’t fetishize these women, and that he’s gotten a very positive response from women regarding his drawings. He goes on to say, “You go to a magazine stand and half the magazines are the same very thin woman. Beauty is not limited to that kind of person. Anyone can be beautiful. That’s part of the statement I’m trying to make with those drawings.”
Oftentimes, Negron’s work is without context. His characters exist in blank space, and his comics focus on a moment rather than a long passage of time. Negron cites films as an inspiration to his work, using their sense of lighting and stasis as a way to pace his sequential art. Looking at his style of drawing, it’s evident that he enjoys manga and video games, but it is more well rounded than that.
Negron is really active on Tumblr and is constantly listing his work for sale in his online shop. He is also an artist with PictureBox, a small press publisher.
Artist Steve Kim‘s series Perfect (2) draws from an unexpected inspiration. These elegant portraits are based on the avatars of Tumblr users. Kim sourced material from the blogging platform that attracts so many creatives. Avatars are often quickly executed and little thought over photographic portraits. Kim rededicates time to each photo in order to render each as a proper piece of art. Interestingly, each portrait’s title is also the repective blogger’s username.