Born in Tehran, amidst the 1980s political suffering and strife, Nouar’s family fled to Germany and then the US, where she resides today. Her oil and acrylic paintings touch on vintage commercial Americana with a sinister twist– but without being too cynical. Instead, each dollop of cream or slice of pie provokes a more tempting side of advertising, where the taste of nostalgia and its childlike promises are the main indulgence.
On this theme, the artist elaborates, “I have always been completely fascinated by our massive consumer culture and often feel everything around us is a commercial, constantly manipulating us into desiring things we don’t really have a need for, or shouldn’t want in the first place.”
The cities of Amy Casey exist precariously. Buildings tower, tilt, and balance about to topple. Much like actual city life, the metropolis’ in Casey’s paintings can seem like a hard-fought existence bound by community. Further tying her paintings with actual cities are the buildings that actually inhabit both worlds – amazingly, every single home and building in Casey’s paintings is based on one of her numerous photographs of actual structures. In her statement, Casey says of her work:
“Cities are fascinating creatures that I am just beginning to scratch the surface of. The work and organization that goes into a city’s creation and evolution, the constant shifting and adaptations, and the sometimes hidden history of these changes and a city’s dependence on civilian cooperation are things I like to think about.”
Also, check out a short documentary on Amy Casey here.
Light painting or light illustration has been a trending technique of late. Darren Pearson‘s skeletal pieces, though, are much more complex than most of the work we often seem to come across. While the camera shutter is open Pearson moves a light much like a brush which leaves its trail on the resulting photograph. The image appears to take up physical space and leave a haunting glow on its surroundings. Each piece also interacts with the surrounding scene, the California landscape which figures largely in much of Pearson’s work. [via]
Romanian artist Mircea Popescu‘s series Head Stock unravels the typical portrait. These obsessively detailed pieces are linocut prints – the image etched, inked, and impressed on paper. Portraits often become stand-in’s for the sitter they identify. Instead, Popescu’s faces float independent of bodies and clear facial features. The images seem to be piled with countless layers hinting at a physical face and pointing to something deeper behind it. The complexities of the Popescu’s faces reflect the intricacy of identities behind portraits.
Angela Dalinger’s illustrations are difficult not to fall in love with. They are funny, whimsical, strangely stiff, and make us nostalgic for our own lofty teenage renditions of music, art, and adulthood.
The playful bio on her website only adds to the cryptic childlike mystique-
“I’m 29. I live in a very small town very close to Hamburg since I escaped from there. I am busy working on my career in illustration, means I’m mostly busy painting and drawing and being nuts. I’m born as Sandra Angela Wichmann and use my artist name since 2 years, simply because I really hate my real surname.”
Rob Sato’s watercolor paintings are whimsical clashes of documented history and personal dreaming: a magpie pictorial narrative of his own internal processing system or as he says, an “extension of writing” and “sifting through garbage. Getting a lot of trash out of my head.” His ability to condense worlds, communities, and landscapes into one surreal solid depiction, interestingly enough, conceptually harkens back to Vincent VanGogh’s statement on the watercolor medium itself as “a splendid thing” to “express atmosphere and distance, so that the figure is surrounded by air and can breathe in it.”
It’s difficult to not get nostalgic seeing these little lunches. Graphic designer David Laferriere had already been making lunch for his children. One morning he found a permanent marker near the sandwiches. Five years later, Laferriere has drawn illustrations on nearly 1,100 of his children’s lunch bags. Depending on his morning inspiration, Laferriere will draw a different image each morning – animals, robots, monsters, even images that play with the shape of the sandwich. [via]
The illustrations of Ville Savimaa are smooth. The soft curves and soft colors combine to produce dreamy scenes. He fuses elements of nature, animals, people, and fashion, to complete very complex compositions that are not overly busy. Savimaa begins his pieces in pencil and completes them digitally. His clean and fluid style as an illustrator has won him several high profile clients including Adidas, Disney, Nokia, and Sony.