Artist Creates Elaborate Black And White Scratchboard Illustrations By Etching Into The Black Ink

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Paris-based illustrator Nicolas Delort creates mysterious black and white scratchboard illustrations. Using nothing but black ink and sharp tools, Delort etches his elaborate drawings into the surface of a clayboard. Despite the monochromatic palette, his works carry out a sense of colorfulness through their dynamic and wondrous scenarios.

Because of his scratchboard technique, Delort‘s works are focusing more on the negative space and its function in the art world. His high-contrast illustrations are full of apocalyptic dynamism, accentuated by the eccentric compositions, intrinsic etching and attention to every minuscule detail. Despite that, artist says his workflow is pretty chaotic.

“Up until the final inking stage, my work is mostly improvisation, because I’m basically never happy with my stuff until it’s finished <…> I start out with a bunch of thumbnails and when I find one that I like open it up in Photoshop and move stuff around until I’m satisfied. I make a final sketch, transfer it on to the scratchboard and scratch away till my wrist hurts.“

While some of Delort‘s narratives might be utterly unknown, others illustrate scenes from literary works such as Harry Potter, American Gods, or are designated movie posters. Although modern in content, Delort‘s works remind us of such artists as Gustav Doré and even Albrecht Dürer who‘ve been advocating the noteworthy art of etching years past. (via Lost At E Minor; Hypocrite Design)

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Kristy Milliken’s Drawings Of Luscious Fat People Confronts Body Image Issues

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Australian artist Kristy Milliken knows nudity. A former photographer in the amateur porn industry, she became inured to capturing images of stereotypically attractive, thin women on film and moved to paper and ink and a new point of view.

“We see skinny women everywhere. I always forced ‘flaws’ into any of the skinny women I painted, the bigger ladies are what they evolved into. Something far more interesting, of course different pieces have different intent behind them, but there’s a naivety to them. An unaffectedness that I aspire to in my own life. I draw them as beautiful because I think they are.” Source

Milliken’s ink drawings are adorably subversive. The women are gorgeously fat, rosy and delicious. They look luscious, like ripe fruit, plump and sweet. Round tummies, thick thighs, heavy breasts, all kissed with pink and purple, topped with adorable round cheeked faces. They’re sexy, these large women, bound and gagged, smoking and eating, covered with food. The whimsical execution contrasts with the overtly sexual nature of the work.

“It’s a weird time for fat. Fat is both confronting and can be the most normal thing in the world, It’s the context that’s important. Plus I’m sick of all the pictures of skinny girls that seem to be everywhere.” Source

According to the artist, the themes of greed and beauty reoccur in her work, paired in an unusual way. Luxuriant pasta cascades over the women, sating and draping and entangling them. But despite her claim that these images are about avarice, the images feel affirming, even charming.

Body positive art can sometimes be confrontational, taking a focused, warts and all approach. Asserting that she’s not attempting to be political, Milliken’s work feels joyous and sweet— a light perspective on a weighty subject.

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Chaim Machlev’s Stunning Op-Art And Geometric Tattoos

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Israeli artist Chaim Machlev is a Berlin-based tattoo artist, otherwise known as Dots to Lines. Working primarily with black ink (“I believe that black is the nicest color for tattoos; it is closer to our source than any other color,” he said in a recent interview), Machlev’s designs are complex line-based works that weave across skin with fluid, stunning precision. Incorporating mandalas, insects, and other images into his geometric tattoos, Machlev’s work go beyond simple designs into minimal, extraordinarily detailed works of permanent art. It makes sense, then, that Machlev bristles at the idea of grouping his work into any kind of predetermined genre. “I actually started to make those designs because it was weird for me that people try to categorize tattoos and other art forms. I could say that I have that split in my designs, just like in my personality; I make those art-minimalistic lines — the computer kid inside me — and very detailed mandalas, the spiritual man inside me.”

That spiritual motif makes way for some of Machlev’s most beautiful designs, such as symmetrical forearm mandalas and Joy Division-riffing chest designs of warped seismic waves. Machlev draws from his experiences traveling in India for the spiritual imagery in his designs, but for the more symmetrical designs, there is a prominent mathematical sense to the work. His line and dot work flows seamlessly over flesh in a way that looks similar to vectors on a computer, sprawling across chests and ribs with stunning exactitude.

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Evan Roth’s Ink Fingerprint Paintings Track Touchscreen Routines

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Evan Roth - ink

Evan Roth - ink

Evan Roth - ink

American artist Evan Roth is no stranger to subverting digital culture into progressive art. In the past, Roth has developed a wall of gifs for Occupy the Internet and hacked the internet cache to create self-portraits, both of which fit neatly into his artist statement of “visualizing and archiving culture through unintended uses of technologies”. Drawing inspiration from hacker culture and philosophy, Roth helped found the Graffiti Research Lab, which merges graffiti with technology via projectile LEDs, which he used to famously tag the Brooklyn Bridge in 2008. For his Multi-Touch Paintings series, Roth tapped quite literally into a newly universal habit among people fully plugged into the digital era: that of using touchscreen devices. Created by “performing routine tasks on milt-touch hand held computing devices,” Roth used tracing paper and an ink pad to turn impressions of each finger swipe into stark paintings.

Each of Roth’s ink paintings are named after the task they’re depicting, from an entire wall of levels from Angry Birds to Twitter and e-mail check-ins. By turning mundane procedures we make on a day to day basis on our phones and tablets into textural studies, Roth blurs the line between the corporeal and the digital. One can’t help but be reminded of fingerprinting for identification when looking at the paintings, drawing a connection between the all-encompassing nature of technology in modern society and the lasting effects that may hold over our identities in the future. With iPhones that now literally use your fingerprint to access the device, it seems as though Roth’s paintings are even more prescient now than they were when he first premiered them in 2011.

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This Is What Getting A Tattoo Looks Like In Slow-Motion

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The Parisian tattoo artist Gaëtan Le Gargasson, also known as GueT Deep, recently released a seductive and hypnotic slow-motion video of himself tattooing the arm of a woman named Fabrice. Needless to say, the fascinating video immediately went viral, and it has since being posted, it has accrued over 600,000 views. Even today, tattoo art carries a stigma, associated mostly with toughness, roughness, and grit; GueT’s stunning video highlights the more delicate side of the work, documenting the intense precision needed to craft the perfect piece. As the needle pulsates, the artist’s hand effortlessly tames the mechanical beast, breaking it to his will and vision.

Part of what makes this video (and the subsequent gifs, created by Design Boom) so striking is the apparent harmony between the organic body and the mechanical tattoo gun; as the tool ticks and marks the passage of time with unending accuracy, the human flesh bubbles, rises and falls with the ink. Like a heartbeat, each plunge of the needle causes the skin to ripple rhythmically. The piece on which GueT is working figures into these theme effortlessly; it appears to be a design composed of both geometric and natural, organic shapes.

In this slow-motion experience, the tattoo itself matters little; the artwork here is the action of the ink, not the end result. The video is more akin to a dance piece than to a painting. Deeply theatrical and performative, it is simultaneously soothing— mesmerizing, even— and anxiety-inducing. We watch the drama unfold, hoping that the hand does not slip, that everything goes according to plan. Take a look. (via DesignBoom and HuffPost)

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Randy Ortiz’s Mutant Drake Covers And Other Surreal Wonders

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Artist Randy Ortiz has been tantalizing the eyes of illustration fans for years, illuminating concert and movie posters both professionally and as creative tasks for a great imagination. While past work emphasized ink line work and detailed black and white charcoal drawings, recent work has become more colorful, with flat background colors which perhaps surprisingly emphasize the darker thematic weight in the mystical figures and composition.

The self-taught Canadian artist uses evolved techniques to illicit a near-Surrealistic response from his often-human figures, draped in masterfully rendered drapery and fabrics. Despite the often serious undertones immediately noticeable in his work, the obvious sense of humor is evident (mutant visual remixes of Drake’s oft-mocked album cover seen below for example). In other works hooded figures clamor over each other, all reaching for a disembodied hand holding a small heart talisman representing love, or mystical-triangle-eyed cats eye floating balls of string. With Ortiz’s visual narratives and painting style evolving at a rapid pace, he is definitely ahead of other illustrator/artist to watch.

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Alex Konahin’s Intensely Intricate Boroque Drawings

Alex Konahin

Alex Konahin

Alex Konahin

Alex Konahin

Alex Konahin is a draughtsman who works with an almost Maximalist desire to fill a blank page with intricate detail. Working on A3 paper and using fineliners and india ink, Konahin renders with shading and line-work that simultaneously resemble mechanical, architectural and floral drawing styles.

The Latvian-based artist’s most recent series, Little Wings, uses various insects as the starting point for what turn out to be intensely detailed, baroque-esque drawings.  Says the artist and graphic designer, “I’ve been inspired to create this series last summer in the Netherlands. It was a fantastic time living in the countryside away from noisy cities…” Common insects such as flies, bees and dragonflies become the base for the draping hard-edged, and perfectly shaded lines of Konahin’s pen.

To see more of Konahin’s work, also visit his Tumblr. (via from89)

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Documenting Ephemeral Underwater Ink Sculptures

Alberto Seveso - Photography

Alberto Seveso - PhotographyAlberto Seveso - Photography

Alberto Seveso’s high speed photographs of ink mixing with water are hypnotic and fascinating. Each shot depicts pushes of color twisting and bending with an emotive cadence, lulling itself into an ephemeral sculpture, detailed with sharp visceral attention.

Although such imagery is not new, per se, this specific collection feels intrinsically magnetic due to the captive nature of submerged color naturally bonding or relating before diluting. It’s more about documenting the ease of abstraction than pushing a forced abstract agenda.

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