I really like these illustrations from Sandra Beer of Frankfurt, Germany. They somehow have a dirty and nostalgic feel all at once. If I encountered the animals and youngsters of Beer’s portfolio in the real world, I wouldn’t know whether to go in for the hug or run to safety. Where others may have tried for crowd pleasingly cuteness on some of her subjects, Beer’s not afraid to bring out the ink splotches and faded palette. Also, this aesthetic carries throughout all of her work, including the digital stuff. (via) Read More >
Brooklyn artist John Breiner never seems to pin himself down to one medium. Whether he’s using watercolor or ink, he always brings a lot of humanity to the table without sacrificing any aesthetic value. Breiner creates work that is really full- both in composition and technique. He’s also pretty heavily involved with music as well. Seems like he’s got too much going on creatively to really be pinned down in any one place. Definitely not something for us to complain about. Read More >
I felt like I was peering into Debra Scacco’s personal journals as I walked around her exhibit BIRDS OF PASSAGE at Marine Contemporary. Her large and small works on paper feature her solid penmanship, which she glides across the surface into geographical formations like States and Countries. “I Cannot Reach You” and “Hold Me” are just a couple of the repeated lines running throughout their corresponding paintings and although this may sound strange, there is almost a psychic connection between the viewer and the work that gives off the feeling of the syntax without actually having to read it. So, even if Debra wrote them in Itallian and I don’t speak or read Itallian, I would still be able to grasp the emotion trying to reach out for me. These are elegant and beautiful works that can take months and months to complete, especially the installation in the center of the room where she had to glue over 1000 golden pins together to form what looks like a map of all the pieces in the show combined onto one plane.
Diggin’ on these illustrative ink and watercolor works by James Ulmer. His repetitious, almost vintage-looking characters roll on and on across the page in a flood of really earnest, straight-up human appeal.
According to the artist’s website, we can look forward to seeing his work in a group exhibition at Grass Hut in Portland very soon. Read More >
Rebecca Manson, one of the current sculptors in residence at Cal State University Long Bech [CSULB], told me I had to drive out to the campus to see what Christopher Miller was working on in his studio. So, with my full trust in her hands, I took the hour long and then some drive from Los Angeles to Long Beach to scope it out. And when I got to Miller’s studio I couldn’t believe what I was looking at. It was a painting machine, but one made out of organic materials like bamboo instead of steel, with markers hanging from strings stretched 5 ft high. The whole thing was powered by several fans that would cause the pens to sway back and forth across a massive sheet of paper, which was taped to the ground. Christopher then had various obstacles placed around his painting surface that the pen could work around. For instance, there was one sculpture composed of about 50 triangles that restricted the motion of the pen as well as one of Rebecca’s ceramic pieces that blocked out certain areas of the paper to create an ever -evolving, uniquely beautiful, and chaotic masterpiece. I especially love how you can really feel the heart of Christopher’s piece when you see it in person, since every single element is either hand painted or constructed. Even the strings that are holding the pens have little paper accessories attached to them, which remind me of tie-died Mondrian mobiles. Christopher is still working on this particular sculpture and can always use donations of various painting supplies like inks and markers to help progress the work. If you’re interested in helping him out, you can send him a direct email at Chrismmiller[at]hotmail[dot]com. Watch a video of the piece in action after the jump.
I can’t look at Warwick Saint’s portfolio without blushing. His Ink series is dripping with bad girl sex appeal that will have you clicking the next button over and over to see all 85 images from the series. If that’s not enough reason to check out his work he also is an accomplished portrait, music, and celebrity photographer.
Hugo Arias is a Toronto based artist. He describes himself as an illustrator with the ambitions of a writer: “I want to have the world see what I see because for whatever reason I have come to the conclusion that my head is an interesting place to be, and I would enjoy some company.” To check out other works, or just discover the wonders that is the mind of Hugo Arias, check out his blog!
Allan Ludwig’s simple paintings are curious. The majority of his work online is painted primarily in only three colors – black, blue, and white. His variety in brush strokes and weight of the ink color change his minimal compositions, which often include references to eyes, basic representations of landscape, and barriers or obstructions. More after the jump!