Toronto based artist Trevor Wheatley takes common slang to the streets, placing words and lingo in the public sphere where you cannot ignore it. He constructs large-scale sculptures of words like “real talk” and “nah” and installs them amongst trees and in rivers. Can you imagine hiking and seeing the word “squad” as you looked up into the trees? His often boldly colored text becomes so out of place in the wilderness, creating a very surreal site. Each installation displays strong pop-culture references of phrases commonly used. Interested in typography, Wheatley’s text-based work is range in font, color, and materials.
Wheatley takes this common language and makes it static, giving it a more permanent element. Language and slang changes so frequently, a word or phrase could be outdated as soon as Wheatley has completed the installation. Nevertheless, they bring back nostalgia and even add a bit of humor to their environment. Slang and lingo can often bring to mind a certain type of person or stereotype that we associate with the word or phrase. Wheatley’s sculptures take us beyond these preconceived notions of language by taking them out of their usual context and placing them in a new environment. Like taking a word out of its original context can change it’s meaning, the artist gives new meaning and life to the lingo, as they are located in serene nature. (via Juxtapoz)
The installations of artist Travis Rice crush you with their intense, waves of color. Made from thousands of pieces of shredded paper, his installations resemble cascading rainbows as they explode from the ceiling and swallow up their surroundings. Each installation of his is a 3-dimensional painting, using colored paper as paint. Rice uses these tiny paper strips and applies them like paint suspended in the air, adding an element of motion to his work. Being interested in mark-making, this artist uses a balance of order and chaos to form such complex installations. The color-strips are grouped together in his work to create a larger body of color, using the chaotic and unpredictable part to construct the larger whole.
Rice’s installations roll like waves of water from the ceiling to the floor in beams of color. It is as if they possess a life of their own, becoming living organisms that seem to expand and consume everything in their path. Many of his pieces form hills and ripples, resembling landscapes and bodies of water. The thousands of pieces of paper imply a constant motion, even though the installation itself is static. Travis Rice further explains his artistic process and what inspires him to use such a tedious, yet dynamic method in his work.
I am interested in the most fundamental element of the graphic arts, the mark. I am currently exploring the idea of marks as objects and modules that repeat and evolve into larger forms. My installations explore marks as modules that accumulate to create ordered masses. The approach is similar to that of the impressionist painter but the brush stroke has been replaced by individual thin strips of paper that are the resultant product of a mechanical shredder.
Imagine using your wildest imagination to create your dream fortress. What would it have inside? Scott Hove has taken a fairy-tale, dream-world created entirely out of what appears to be pastel sweets and turned it into an reality. His sickening sweet installation, titled Cakeland, uses sculpture, installation, and paint to construct a dramatic scene of cake-like decoration with a rococo flair, only instead of stucco molding, this sugary paradise is composed of delicately placed oranges, strawberries, and swirling, white icing. His elaborate work completely fills the building that holds it, which is labeled with an appropriate bright, neon sign displaying the word “Cakeland.” I cannot decide if Hove’s work is so alluring because of its fluffy, pastel details or the fact that it looks exactly like it is made up entirely of delicious, edible cake!
Hove explains that his process involves taking dark undertones and transforming them into something inviting and beautiful…and what is more pleasant than a place that surrounds and engulfs you in this never-ending, candy-colored comfort food? Hove’s artistic process uses endless imagination and creativity to allow his ideas of Cakeland to come to fruition.
I walk around my house, and see imaginary pieces on my wall, and then pick out the ones that I would most like to actually see hanging on the wall. Then I use every and any type of material to scratch the piece into existence. So much about making a piece of art is creating problems and solving them.
Lee Bul’s transformative installations pull you into a fractured space of infinite mirrors. The Korean artist, both well versed in illustration as well as installation and sculpture, forms complex, maze-like structures with interiors made of mirrors that reflect in all different directions, creating a disorienting effect. Bul takes seemingly small, secluded spaces and magnifies its size by making the space seem never-ending, keeping you exploring each layer of the multi-faceted structure. The highly industrial installations create such intricate depths and perspectives that allow you to fall into a place of vertigo. Each fractured mirror bounces back color and light in a way that transforms and bends the space around you into an intense kaleidoscope. Bul’s interactive artwork gives way to a fractured universe of distorted shapes and space.
The artist, being multi-talented, mixes elements of architecture in her work to design the sleek exteriors of her installations. Adding to the lustrous, reflective surfaces of the interior walls are the reflective floors of the exhibition, creating even more confusing space perception. This unique work creates a range of emotions from the anxiety caused by the ambiguity of depth, to the overwhelming awe from the beauty and sublime of the endless space around you. Each installation is a portal to another world, absorbing you in its abstracted images that include your own reflection. This unearthly theme is present in much of Bul’s work, as her illustrations often include unknown beings and aliens. Bul’s stunning mirrored labyrinths are now on view at the Museé d’Art Moderne in Saint –Eitienne in France. (via Design Boom)
Artist Romain Crelier has transformed the already ornate and beautiful interior of Bellelay Abbey with reflective pools of used motor oil. This unique and unlikely installation is created by pouring pools of motor oil into an extensive and organic-shaped vessel that holds the oil into its form, brilliantly complimenting the architecture. This Swiss Abbey contains intricate and ornate 12th century architecture, including Baroque style monasteries and elaborate stucco paintings. The dark, glossy oil is a stark contrast to the bright, white interior, creating a harsh but remarkable juxtaposition. The already dramatic interior is complimented by this reflective source, mirroring not only its complex architecture, but also the viewer.
Motor oil is not the first thing that comes to mind when you think of an attractive, shiny material. This is definitely not your traditional installation. Normally thought of as a messy material, the deep, sleek liquid creates a deep impact on the viewer, full of mystery and awe. The church is often a place of reflection, where you can go to experience a sense of stillness or tranquility. Crelier furthers this experience by giving you a literal reflective liquid to gaze into while you roam this space. The wonder you might feel by entering such a monumental place is magnified through this installation, moving you to a place of awe. This installation has a seemingly simple concept, but results in an immeasurable effect on the viewer, creating layers of visual possibilities. Romain Crelier’s installation, titled La Mise en Abime, is just one of the incredibly colossal installations the very talented, Swiss artist has under his belt. (via MyModernMet)
Netherlands-based artist John Breed uses a myriad of materials in his work, and mannequin legs and womens’ shoes are on that list. He paints the individual body parts and their accessories, arranging them so they form an eye-catching design from afar. Depending on your vantage point, you might not even realize what you’re looking at. His all-gold piece titled Medusa’s Shoes features the different heels placed closely together so that they collectively resemble the monster’s wild hair instead of separate parts.
Breed’s other large-scale installation, titled Shoe Salon Breuniger, features an undulating, rainbow-colored collection of heels that sprout from a wall. Bent at different angles and cut at various lengths, each can be admired individually for its detail and accessorizing. It looks as though it was eventually installed somewhere with an escalator, like a mall. This candy-coated display seems like the perfect way to bring some fresh artistic air into a space that can seem stale.
Internationally renowned artist Theo Mercier has created an incredible monster of a sculpture made entirely of spaghetti! This textural, monumental piece is around 10 feet tall, and that’s when it is sitting—which is all the time. The spaghetti monster sits upon a small chair that is way too small for him as he stairs sadly down at the ground. Titled Le Solitaire, or, “The Loner,” this creature looks isolated and alone in a world where he is the only spaghetti-creature. Although the colossal sculpture seems very melancholy, Mercier’s work tend to not be without a bit of humor. A monster made of spaghetti is an absurd and silly creation, so why is it so glum? Maybe it is afraid that us humans will eat his spaghetti!
Mercier’s work is often large and textural, as Le Solitaire’s tactile spaghetti-skin begs to be touched. The noodles form an endless series of lines bending and forming across the body of the creature. They imitate scribbles of continuous lines doodled on a piece of paper. A self-taught artist, Mercier is an expert at inducing strong emotions with such a bizarre and surreal sculpture. We cannot help to feel sorry for this dripping, sorrowful beast. Its wide, striking eyes that stare directly at the viewer are also in other works for Mercier’s. His other installations include funny creatures made by adding these same bright eyes onto cars, piles of hay, and even smoke seeping out from a fireplace. This French artist’s unusual and mysterious sculptures give inanimate objects such emotion and personality that steal our hearts and earn our love.
A person’s a person, no matter how small! Creating work under the name “Slinkachu,” this artist reminds us to pay attention to the little things in life in his miniature scenes. Photographed in London, Slinkachu constructs clever and irresistibly tiny scenes of people living their lives in the cracks of urban life. One small girl is swinging from a bent weed while other little people are diving off a Popsicle stick to swim in its melting juices. These photographs seem to capture a secret, pocket-sized world that exists right under our noses, reminding us to stop a while and take in our surroundings. This series also includes photographs of the little scenes in its real surroundings, giving it a sense of scale, revealing how small they really are.
These inch-high people are somewhat like the normal-sized urbanite, living in the shadows of tall buildings, just as Slinkachu’s people live in shadow. They are playing, swimming, and horseback riding in a concrete jungle, commenting on our own detachment from nature. However, this does not deter us from searching for it. We create our own nature in the form of city parks, just as Slinkachu’s playful little people find nature in a spilled soda pop, which they hop over like a pond. These hopeful scenes of miniature realities might criticize our separation from the natural world, but humorously point out our optimism and resourcefulness.
An exhibition of Slinkachu’s photographs titled Miniaturesque will be opening March 13th at Andipa Contemporary, located in London.