New York artist James Clar lived in the globalized city of Dubai from 2007-2012 where he was immersed in the arts and culture scene. Fueled by an interest in visual media communication, this experience and the larger themes of globalism, nationalism, and pop culture are apparent in his work. Clar’s light-based installations address the boundaries of technology and the way that it creates and limits new communications within our culture. Some of his work uses light more directly than others, but they all respond to the relationship of light with its surroundings. Clar’s line or geometric-based designs reflect the connections and networks that abound in our culture. His manipulation of this technology expresses the softness of light and the hardness of the forms that contain it.