I have never heard anyone utter a word of dislike towards Yuichi Yokoyama‘s work, and for good reason. Personally, I have never come across a comic artist this flawless and complete. His style is immediately recognizable, but never tedious, and his works are as spectacular as Hollywood action films, yet they can be about visiting a garden, traveling on a train, or building strange forms of shelter. He reinvigorated my interest in comics, and I hope he can do the same for you (if needed).
Like clues in a crime scene, Tetsuya Ishida’s paintings use a million tiny details to tell their story. The note on the table, the eerie playtime carnage–Ishida’s work often speaks of the uncertain union between Man and Machine. But I think the most unsettling thing about his paintings is that the human figures’ reactions range only from complacency to mild concern, as if I re-enacted deadly car accidents with my toys on a daily basis. In a tragic act of irony, Ishida himself was hit and killed by a train in 2005.
Nam is a Japanese graphic art collective established by Takayuki Nakazawa (Graphic Designer) and Hiroshi Manaka (Photographer). This is their special project for Digital Temple magazine.
Taisuke Koyama describes his works as “organic abstract photography”. He shoots surfaces and various states of degradation of artifacts in a city and thinks about those changes in state as the city’s metabolism- it’s an organism that’s changing every moment. It’s such a simple and beautiful idea.
My Chopsticks Bra: Enables a user to store foldable compact chopsticks in a side pocket. The bra is designed with bowls of rice and hot miso soup.
Speaking of boobs, Japanese lingerie company Triumph unveiled its Make-The-Putt Bra today. Triumph creates two novelty bras each year, typically centered on important issues in Tokyo. In the past, some have involved solar panels, miso soup, voting and baseball. Take a look at all of them on Huffington Post and make a vote to which you think are best and which are a bust (haha…)!
Speaking of “festering goodness/grossness”, check out these music videos directed by artist, pervy collage-ist, animator and I guess sort of a Japanese equivalent of Paper Rad, Sekitani Norihiro. They’ll be sure to accompany you into seizures induced by metal death, mashed sound bits and flailing bloody organs. Also be sure to get a good look at the artwork on Sekitani’s site (which is hosted on Geocities, RIP Geocities free hosting!).
Japanese photographer Daikichi Amano creates strangely sexual tableux that bring to life the ancient woodblock tradition of “Shunga” erotica. Vaulting bizarre fetishes to the next level, animals twist into obscure props in some kind of alternate world vision, in which powerful sirens are enveloped by sea creatures and warriors posture. Amano’s White Witch parallel universe is as enchanting as it is macabre. The figures all have a certain allure and potency radiating from them that I can’t explain…. I read somewhere that Amano eats all the animals after the shoots so as to not waste them in a weird, extended, Tantric-magician performative move, perhaps….
I’ve noticed this with many Japanese photographers: the simplicity yet complex compositions, familiar yet abstracted subject matter, and their ability to bring me back to a moment from a movie where I think definitively, “I’ve felt this before”. Photographer Ryo Kawanishi is no exception to this. Looking at his site, I feel almost like I’m listening to a Happy End soundtrack (oh wait, I am) in some Asian suburb. Without really using any mentions of locality in his work, he is able to take me there. He seems to be represented by the webgallery TRYNOME which houses other talents.
is a printed book series and daily art blog with a focus on experimental, grotesque, and groundbreaking art.
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