There is never a dull moment in Jeremy Bailey’s performances – I’d like go ahead the deliveries of his stand-up/software demos/karaoke sessions as the funnier “artistic” Steve Jobs. In “The Future of Theatre” debuting tonight, he plays “this hopeless and foolish slave trying desperately to conjure his machine to do increasingly absurd tasks of questionable use. Computers are the new chauvinist modernists.”
I am curating, along with lovely cohort Megan Daalder, a video/performance titled Videos Collide in Real 3D Space (probably the most apt title ever) art show debuting at Los Angeles loft space Five Thirty Three Gallery next weekend. What does a video/performance art show consist of, you ask? First off, we’d like to pose this question: when any and all media is available online, what added value, if any, do physical exhibition spaces offer? The artists (coming to LA from as far as Berlin, Canada, and Colorado) participating in this LIVE (!!) event offer their bodies as a mode of communication between media, the audience, and performance. There will be choreographed large-scale projected animations, a projector used in a way that you’ve never thought, 7ft tall cacti sculptures, the augmented reality “future of theater”, a tribute to Karl Sims though body slamming imitations, video-game playing taxidermy animatronics, and general havoc breaking and re-building of general theater conventions. The relationship between you and screen will have never seemed so real and and so much of an experience. I’ll be putting up some interviews with the artists soon, look out for them!
Check out the details after the jump, as well as artist Jeremy Bailey’s promo vid above.
For the next couple weeks, I will be posting up some of my favorite applications (as well as previous works) of the Rhizome Commissions (Rhizome at the New Museum, one of my favorite media art blogs), a program which provides grants to new media artists exhibiting a large amount of potential but maybe aren’t yet fully recognized in their field.
Jeremy Bailey’s proposal, DIALECTICAL SOFTWARE GUNDAM SUIT, “intends to create a new live performance involving a software “suit” that augments and extends both the creative and destructive abilities of the performer. The image of the suit will be superimposed in real-time over the artist during the performance. The work will be satirical, but will appear as a sincere attempt by the artist to create a more advanced human form.”