Jewelry Collection Featuring Dust Particles Disintegrates And Decays Over Time

Ágústa-Sveinsdóttir-Design-1 Ágústa-Sveinsdóttir-Design-2 Ágústa-Sveinsdóttir-Design-3 Ágústa-Sveinsdóttir-Design-4

A jewelry collection by Icelandic designer Ágústa Sveinsdóttir explores the transience of all earthly pursuits by incorporating one unusual material, dust. Her metallic wearables allow their owners to experience the transformation and disintegration as the jewelry changes and decays over time.

“In this world everything existing is linked to the process of birth, decay and disappearance. That is the way of life, the way of nature. Inspired by the tradition of the symbolic Vanitas paintings, the Dust collection is a reminder of the transience of all earthly pursuits and how it can be a motive for design.”

Designer wanted to break the traditions of material use and employ materials that have been considered worthless. She chose dust as the ultimate result of disintegration: “It’s everywhere and ever-present <…> It is everything and yet metaphorically the embodiment of nothingness.” Sveinsdóttir questions the material worth by juxtaposing jewelry, a sign of beauty and wealth, and dust, an inconvenient mundane matter that people always try to get rid off. 

The dust was collected from abandoned Icelandic farms. Designer pursued to find dust at its purest form, thus derelict places where time has stopped, man has left and nature has taken over were perfect. Using a biodegradable adhesive, dust particles were transformed into a jewel coating and used to cover the metallic bangles and rings. With time, the dust fades away unveiling the manmade skeleton of the object. (via designboom)

Read More >


Currently Trending

Advertise here !!!

Damien Hirst’s New Pill-Shaped Jewelry Line

hirst_jewelry2

hirst_jewelry1

hirst_jewelry5

Artist Damien Hirst is a polarizing figure in the art world. Hugely prolific, Hirst has been called both an inspiring innovator and a wealth-obsessed marketer. His new collection of jewelry, Cathedral Collection, from Hoorsenbuhs and Other Criteria supports both of these roles: with prices up to £43,200 ($68,000) for a single piece, buyers are paying for the materials and the concept.

The Cathedral Collection consists of “Pill Ring,” a cocktail ring of piled precious metal pills, some visibly filled with rubies and black and white diamonds, and “Pill Rosary,” a variation of the traditional Catholic string of beads. Where the cross would typically sit is instead a Hirst pill, opened and spilling out its literally precious contents. The collection is a limited edition of 25 pieces per design.

Hirst’s focus over the years has continually returned to pharmaceuticals and their role, literally and symbolically, in our lives. His first Pill Cabinet in 2007, “Standing Alone on the Precipice and Overlooking the Arctic Wastelands of Pure Terror,” includes thousands of resin pill replicas displayed on its shelves. He pursed this topic through at least 17 more Pill Cabinet installations, removing the pills from their therapeutic context in order to make new connections with content.

The aesthetic allure of the pills is rendered useless in the face of their unknown medical purpose; Hirst’s suggestion being that their power relies on an unquestioning belief that somehow our ills will be cured.

In 2007 Hirst re-imagined the pills from the cabinets as a limited edition Pill Charm Bracelet, which he sold through his website. 2011 saw Pill Cufflinks.

In this newest collection, the Pill Ring could be a cocktail party conversation starter. The Pill Rosary, though, with its co-opted religious overtones, begs the question: What are we revering? Is it science, bringing medication to placate the world? Or is it Damien Hirst?  Read More >


Currently Trending

Advertise here !!!

Beautiful Fordite Stones Made With Layered Paint From Old Car Factories

fordite-1Image via Talyer Jewelryfordite-2Image via m e sweeney  fordite-41Image via Forditefordite-31image via Nebbie

Years ago, the American automotive industry was an unparalleled success not only in productivity, but also in the quality of their beautiful car designs. Unbeknownst to these automotive designers, they were also creating something beautiful that would last long after the processes they pioneered went extinct. Fordite (or Motor Agate, or Detroit Agate) as it has become known, was created by the process of hand-spraying cars with enamel-paint. A byproduct of the process, paint slag called “rough” was baked in the ovens, which hardened the automotive paint, creating layered slabs which crafty autoworkers realized could easily be polished, much like the naturally occurring agates they so resembled. Since this process has long been , these remaining stones have found a particular following, as they can never be created again.

Johnny Strategy, who documented much of the story for Colossal, writes, “Old car factories had a harmful impact on the environment, releasing toxic chemicals into the air, land and water. But it wasn’t all ugly. Oddly enough, one of the by-products of car production was Fordite, also known as Detroit agate. The colorful layered objects take their name from agate stones for their visual resemblance. But instead of forming from microscopically crystallized silica over millions of years, Fordite was formed from layers of paint over several tens of years. Back in the day, old automobile paint would drip onto the metal racks that transported cars through the paint shop and into the oven. The paint was hardened to a rock-like state thanks to high heats from the baking process. As the urban legend goes, plant workers would take pieces home in their lunch pails as a souvenir for their wife or kids.” (via mymodernmet, fordite.com, colossal)

Read More >


Currently Trending

Geeky Engagement Rings For Your Sci-Fi Loving Special Someone

star-wars-rings-2-650x650

paul-michael-design-4-650x650star-wars-rings-1-650x650il_570xn563775819_omiw

If traditional engagement rings aren’t really your thing, Pittsburg based jewelry designer Paul Michael Bierker has some unique designs that might just float your boat. As the jeweler to science fiction buffs everywhere, he creates custom-made pieces inspired by everything from the Star Wars franchise to Marvel comic books. Bierker has built for himself quite the fan base of young, eager clients, and he is proud to have worked with several US troops over seas in Afghanistan towards creating one-of-a-kind engagement bands.

Popular designs include an R2D2 -inspired engagement ring and a band featuring a diamond encrusted TARDIS from popular television show Doctor Who. Though evocative of these pop culture treasures, Bierker’s collection maintains an elegant subtlety. Rings modeled after the TIE fighter or the X-wing shed the unwieldy bulk of the star ships in favor of clean, sophisticated lines. The X-wing ring becomes a delicate ornament, its bands stylishly crisscrossing in the center the finger. Bierker’s tender references to geek culture meld effortlessly with the maturity of his craftsmanship, appealing both to playful and refined clients.

Bierker occupies a groundbreaking space in a one of our countries biggest industries, subverting elitist limitations on what and what does not constitute an engagement ring. This symbol of lifelong commitment should be as individual and the couple who wears it, and amid the mass of conformity, it’s nice to see something new. As we move into the adult responsibilities of marriage, we hope to carry with us each of our childhood pleasures, and Bierker’s original work certainly reminds us that marriage should be as much of an adventure as a trip into space. Take a look. (via Lost at E Minor)
Read More >


Currently Trending

Grotesque Rings Made Of Actual Human Skin Are Utterly Fascinating

02b2d49a7573ffe5971b0e6aa51257d3

71a0e6189f60bb89b0657300fe0a3258

2fbd365f3a6c2f28f64820c26e7b1921

22b5942fc6f3783bbb4a5e0229da83fc

For your consideration: a $500,000 ring mounted with a tanned sliver of hairy human skin. The piece, titled the Forget Me Knot ring, is the creation of boundary-pushing Icelandic fashion and jewelry designer Sruli Recht. For these one-of-a-kind works of art, Recht had a 110 by 10 millimeter a strip of his skin surgically removed from his abdomen; the artist then salted it, tanned it, and embedded it on a gold ring.

The work, though grisly, carries with it a raw sexual potency. Its title refers, of course, to marriage, or “tying the knot;” in this way, the piece is unabashedly intimate, tying literal bodily fleshiness with the idea of love and intimacy. The ring’s beauty lies in its refusal to be pretty; its hairy, gray, and it’s gruesome physicality operates as a strangely comforting promise that two people might become “one flesh.”

The medicinal and scientific references of the rings strangely reinforce this idea of devotion. Complicating the relationship between jeweler and client, the ring comes with a certificate of authenticity, providing DNA validation that the slash is in fact the artist’s, and a DVD graphically documenting the making of the ring, including the surgical removal of flesh. With these items, Recht creates a personal catalog of both his molecular and artistic existence, offering himself to a potential wearer in uncomfortable yet touching ways.

Recht’s other rings, composed of rare black diamonds and other precious stones, remain authentic to his gritty, viscerally demanding aesthetic. Take a look, and let us know what you think! (via Oddity Central)

Read More >


Currently Trending

Human Teeth And Hair Replace Gemstones In This Perfectly Grotesque Jewelry

img_0184_copyil_570xn136997428masaya_kuschino_vs_polly_van_der_glasil_570xn197130837

Imagine a ring encrusted with finely sterilized teeth—or chunks of imported hair— and you have the work of jewelry designer Polly van der Glas. To the artist, these works of wearable art aim to address notions of beauty; as part of the overall gestalt of the human form, hair and teeth are signifiers of vitality and virility, but when ripped from the gums or snipped from the scalp, they become morbid, reminding us of the fragility of youth, beauty, and the body.

Van der Glas’s pieces speak to the allure of all jewelry. The ring itself carries iconographic weight; the idea of the wedding engagement ring—and even a promise ring— pivots around its circular shape, which serves as a vaginal symbol as well as one of eternity. The magic of van der Glas’s work lies in this tension between the sensuality and permanence of precious metal jewelry and the morbidity and temporality evoked by the deconstruction of the body.

Somehow, though, the work is not entirely grotesque. The careful treatment perfectly rounded teeth is reminiscent of a child’s play with the tooth fairy fantasy; shining locks harken back to romance tales in which locks of hair are gifted as promises to forbidden lovers. In this way, the work is playful and young, but set within metallic frames and coated with dark metal, that innocence veers into a dangerous realm, reminiscent of violent helmeted warfare. As it turns from gentle to wicked, from everlasting to painfully mortal, each piece invites us to examine and grasp onto the most precious and poignant treasures of our own jewelry boxes. (via Oddity Central, Ecouterre, and Gold Delicatessen)

Read More >


Currently Trending

Dismembered Barbie Jewelry Inspires Complex Meditations On The Doll

ml44-300dpi

ml29_300dpi

ml12_300dpi

ml20_300dpi

In deconstructing Barbie dolls and repurposing them as jewelry for “Plastic Bodies Series,” the designer Margaux Lange forces us to enter an uncomfortable space between disgust and worship of the iconic toy. Barbie, who has been a target of the last decades’ feminist debate, occupies an ambiguous role in the social and sexual development of girls; she exudes sexuality with her adult figure, but she also remains virginal, never revealing her nipples or genitalia.

Lange’s work powerfully evokes the girlhood tension between reverence and anger felt towards the doll and its conflicting representation of female eroticism. At its most practical, the art is a function of style; elevated to the status of precious jewels, Barbie’s eyes and breasts inspire nostalgia and desire. Yet the doll is so clearly dismembered, and therefore violently objectified, and her selfhood becomes reduced to a series of nearly identical body parts, arranged for your consumption.

Arguably, the most compelling of the works include Barbie’s male companion doll Ken. Although the dolls often serve as play actors for a child’s early exploration of sexual desire and experience, their plastic forms obscure and confuse concepts of intimacy. In isolating the dolls’ features, Lange is able to express more clearly-seen longings within the previously sterile dolls; they become fixated between metal filigrees, robbed of their eyes but permanently in contact with one another. In use, the relationship between the owner and the doll also reaches new levels of fetishistic fascination. In one pair of earrings, doll hands reach out to touch the curve of the human neck; a necklace allows a tiny pair of metal lungs, filled with the breath of Barbie and Ken, to lay atop the wearer’s own chest.  Take a look. (via Margaux Lange and BUST)

Read More >


Currently Trending

Liesbet Bussche Accesorizes the City with Oversized Jewelry Street Art

Liesbet Bussche is doing some really creative, involved work in the street right now. I really like her “Urban Jewellery” campaign, which integrates over sized pieces of jewelry into public, urban space. Stone roadblocks become cufflinks. Pendants are placed upon chain barriers to create “necklaces”. The project exposes the city’s characteristics as highly individual, asserting that it is appropriate to accessorize public space in the same manner we would accessorize ourselves. It reminds us that urban areas have just as much personality as a living, breathing entity. (via) Read More >


Currently Trending