Wendy White And Five Other Artists Deconstruct Text In Paintings

Wendy White

Wendy White

Feodor Vornov

Feodor Vornov

Glenn Ligon

Glenn Ligon

Jose Parla

Jose Parla

Text phrases, words and letters abound in contemporary art, ranging widely from direct witty phrases to text that has become illegible in its adaptation.  With increased crossover between different fields of art, the craft of editing text in literary arts is a skill and practice that has been incorporated into the visual arts more frequently.  Jenny Holzer is an artist who comes to mind in this regard.

However, in this article I am examining the other polarity of text in art.  As an artist who regularly uses text in my own art work, I am always interested in discovering the ways in which other artists step beyond the all too prevalent witty-one-liner on the wall into an artistic language that is far more expansive and uniquely cultivated.  The artists included here demonstrate the beautiful grey area that emerges between abstract painting, graffiti, constructivist painting and the written word, to name a few.  Here text becomes a vehicle for additional forms of communication, used as a foundation to expand upon with the artist’s particular vision or agenda.

Wendy White, Feodor Voronov, Glenn Ligon, Annie Vought, Jose Parla and Jel Martinez are all artists whose work takes text and language and pushes way outside the box.  Wendy White’s use of the lines and structure of letters themselves is deconstructed and echoed in lines that emerge within her abstracted and color washed work.  In the images of her work shared here, I particularly love the way in which she goes beyond the canvas in architecturally reconstructing the text-like elements along the border.

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Video Watch: Fashion Designer Jeff Staple Interviews Jose Parla

A little over a week ago, we featured an interview between James Jean and Jeff Staple. This week, check out another vid of Staple stirring up some insightful chatter with a talented artist.

NYC artist Jose Parla is known for bringing the most subtle graff references to his abstract expressionist paintings. Tags and drips meld seamlessly with texture and scale in his atmospheric work, eschewing the familiar graffiti-aesthetic-as-gimmick-syndrome.

Full interview after the jump.

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