Hannah Kunkle’s Controversial Project Turns Kim Kardashian Into The Devil, The Virgin Mary And Even Jesus

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Brooklyn-based artist Hannah Kunkle puts Kim Kardashian on the altar, literally. Kunkle delivers Kardashian as the Virgin Mary, Medusa, the devil and even Kleopatra. With a flashy net-art inspired aesthetic, the artist takes Kim’s iconic, worshiped image and puts it to work, naturally, with religious/cultish iconography. The controversial juxtaposition is rather riveting  as its subtle insights perfectly captures the absurdity of our nation’s obsession with Kardashian and celeb idolatry in general. “We have accepted her into our lives via television screens, memes, and Instagram feeds”, she says. “If Jay Z is the father and Yeezus is the son, then she is the ever-present holy ghost of pop culture.”

According to the Huffpost, Kunkle’s recent exhibition in Bushwich titled “The Passion of Kim Kardashian” caused some controversy amongst the religious community in New York. “It’s deplorable,” Pastor Reggie Stutzman of Real Life Church told The New York Daily News. “It’s sacrilegious, irrelevant, and disrespectful… It’s idol worship.” The Hindu community had opinions about it too. “I am certainly not happy about this,” said Dr. Uma Mysorekar, of the Hindu Temple Society of North America. “Any religious symbol should not be used or abused.” (Via Huff Post)

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Clever Photos Make Fun Of Celebrity Selfies

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For “Phonies,” the UK photographer Dan Rubin turns celebrity selfies into works of fine art. In his unusual street photographs, the smartphone itself stands in for the face of passersby,  projecting the grins of social media-savvy stars like Kim Kardashian, James Franco, and Harry Styles. Rubin’s series is equal parts playful and scathing, capturing the narcissism of celebrity in the 21st century in such a way that highlights the anonymity of the digital age.

Within the medium of street photography, normally characterized by raw and gritty from-the-hip shots, Rubin replaces candid captures with shiny screens projecting perfectly made-up celebrity faces. In these clever doubles, these photographs of photographs, notions of identity are complicated. Our faces, especially in photographs, have the power to betray our innermost selves and to define our perceptions of that self; here, the subject’s visage is shown only to be a reflection of the media we consume. As we are continuously bombarded with social media, how do we shape our egos in relation to the rich and famous?

From images, we derive meaning. Flawlessly inserting the HTC One mini 2 phone into his compositions, the artist creates a hybrid human that is simultaneously a celebrity and just another face in the crowd. As we become more vain and the innocent selfie borders on arrogant self-indulgence, do we stifle our individuality? Here, the realm of social media is ambiguously seen, a powerful force that is both fun and disconcerting. Take a look.
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Celebrity Nipple Slips Turned Into Probing Works Of Art

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The now-infamous Playboy image later re-appropriated by Shinji

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For his project “Nipple,” the multimedia artist Shinji Murakami approaches female eroticism in an unexpected way, creating 8-bit images from photographs of Janet Jackson’s Superbowl “nip-slip,” Paris Hilton’s breast-baring bikini, and Kim Kardashian’s Playboy images. In constructing the pixilated images, the artist focuses solely on a tiny square area of each celebrity’s nipple.

In bringing the erogenous zone into the digital age, Shinji paradoxically desexualizes this part of the female body; while the original images are intended to be or considered to arousing, the blown-up nipple’s abstract, geometric pixel patterns inspire no erotic response. In this way, the work might be seen as a brutal reminder that, try as it might, digital media cannot stand in for true sexual intimacy.

Or perhaps “Nipple” is an unsettling prophecy: as we rely more upon technology, this series represents a more modern “sexy.” Erotic images of women’s bodies are becoming more accessible and more mass-produced; the video game industry, whose advanced technology serves as Shinji’s inspiration, has been criticized for its objectification of women. “Nipple” is that idea taken to the extreme; in these works, these female subjects are reduced to a single body part, and in turn, that body part is pixelated and transformed into an utterly dehumanized abstraction.

That is not to say that the images don’t contain beauty; in fact, the simplicity of their geometric form spotlights lovely hues. Each woman’s flesh becomes a digital tapestry of unexpected color variances. Like a modern take on the work of French Impressionists, “Nipple” precisely examines and deconstructs its subjects into tiny sections; here, in the place of a heavy brushstroke, is a pixel. What do you think of this conceptual take on the cultural connotations of the female body? Is it offensive or refreshing?

Take a look at more of Shinji’s brilliant and fun pixilated, video game-inspired work below! (via Spoon & TamagoShinji Murakami, and Game Scenes)
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The Kim Kardashian Party by XVALA

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XVALA is the artist behind the #FearGoogle campaign, which caused him to be rife with controversy when he put up wheat pastes featuring nude photos of Scarlett Johansson. However, for the past year, he’s been working on a much larger project, in which he went digging through celebrity’s trashcans to re-purpose their discarded objects into art. Early on in his gatherings though, Forbes Magazine received leaked information that he had been to both Steve Jobs’ and Mark Zuckerberg’s residences – where he discovered one of Zuckerberg’s coat hangers and had it fabricated into an almost indestructible phallic sculpture.

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