London-based illustrator Ricardo Fumanal creates tight graphite drawings that combine many elements to create an almost collage-like effect. The drawings might have come off as cold and without human touch if it hadn’t been for Fumanal’s skill in capturing the expressions of his subects. And then again, if you get so good at rendering in graphite that people find it hard to see a human touch in the first place, maybe that’s not such a bad thing. See more of the artist’s work after the jump. Read More >
London designer/artist Arran Gregory recently opened “Wolf”, a solo exhibition of sculpture and illustration at Print House Gallery in London. The show features these reflective, mirrored wolf and rhinocerous taxidermy heads cut in angular geometry. The mirrors sort of remove the animal from the equation, leaving gallery patron staring back at his or herself, left to ponder our relationship with animals- dead and alive. The end result is kind of jarring, as though accountability for our own actions is a scarier concept then sharp teeth in open jaws. More pics below. (via) Read More >
London based artist Emma Mcnally makes abstract graphite drawings that look like city grids and star maps. But this description doesn’t come close to doing them justice. Usually large in scale, the drawings emit a wizened, emotive quality. Somehow, each miniscule mark of graphite takes on endless personality. In the end, the works are just as effective as maps of life’s random chaos as they are as any type of reference to formal cartography. (via) Read More >
Originally from France, graphic designer Jean Julien lives in London. Julien designed “Le Nid”, a bar in the shape of a bird, which stretches 40 meters and sits on the top floor at the Tour de Bretagne in Nantes, France. It’s clear that lots of thought went into this detailed project. The bird’s eyes blink, and chairs are shaped as eggs. (via) Read More >
Trevor Appleson is a photographer out of London. Appleson travels the world, stumbling upon one fascinating subject after another. Overall, he has a very dramatic, forthright style that stems, often, from his placement of solitary figures against stark, black backgrounds. Read More >
Melvin Galapon’s digital aesthetic has been adapted and applied to an extremely diverse range of projects. yet his strong ability within his medium and highly creative compositions remain a constant. His thought-provoking, visually pleasing take on the search for warmth in a cold, modern existence is equally impacting in his high-profile illustration and design work as it is in a more intimate format, like a small-scale installation piece. Read More >
The graphics-heavy street work of Malark, found primarily in and around London and Barcelona, dominates space with color block characters of quirk. But it’s not Malark’s attractive, sharp-toothed chroma buddies that make this stuff so special. What is so attractive about this artist is that he gets up relentlessly, and on all surfaces- walls, cars, trucks, storefronts; and, benevolently, our brains.
Mark Adams, Managing Director of Vitsoe, discusses Dieter Ram’s 10 principles of good design during a visit to Vitsoe headquarters in London. Mr. Adams gives unique insight into the history of the brand and its meaning to Dieter Rams. He also demonstrates how Rams’ principles relate directly to the style and success of the Vitsoe name.