At first glance at London-based Benedict Radcliffe’s work, I thought, “Oh, a computer generated drawing of a car…okay.” Then I immediately realize it is not as boring as I had first assumed! No! These are, full scale, actual wire-frame representations of a Lamborghini, Subaru, etc. Read More >
London based painter Andrew Salgado enjoys focusing on the language of emotion through the male body, and media usage. His paints are generously and passionately applied onto the canvas, as are his explorations through masculinity, identity, sexuality, etc. Read More >
London based artist Nathan James argues the idea that mass media and materialism can deliver the kind of leisure and happiness it promises but at the expense of one’s humanity. His photo based paintings are of young, trend-oriented people who are interrupted with strips of neon, cuts, graphics, typography, etc.
Phil Hale, a London based illustrator, knows what to do. His illustrations are incredibly rich with disjointed movement, explosive energy, and raw masculinity that which all combines into an overwhelming visit to drama itself.
London based artist Issac Cordal created a series of small (but very interesting) installations titled, Cement Eclipses. Through this series, Issac explores the relationship between urban spaces and humans slowly becoming part of its furniture. Cement Eclipses started in 2006 as a nomad project, but its photographs were later realized around 2009.
Peter Bowen, a London based illustrator, creates detailed works that carry a whole lot of raw energy and humor. A wide range of influences put a hand into his work, as he derives inspiration from lowbrow counter-culture to dense Victorian engravings.
London based artist Michelle Reader‘s work is influenced by environmental concerns, in particular the over consumption of resources. Much of her sculptures are commissioned to promote the reuse and recycling of trash Reader also creates props, like the image above, for theater, events, and photo shoots. Read More >
Hailing grom London, artist Neil Morley creates his multi-layered works using college techniques. Morley is influenced by artists like Sigmar Polke, and uses reproductions of nineteenth century reportage etchings from the London Illustrated News and satirical magazines such as Punch. His work is a reflection on his research on travel, tourism, colonialism, and post-colonialism. The paintings create parallels between nineteenth century colonialism and twenty-first century tourism: “Tourism is one of the largest industries in the world and has arguably had the most influence on First World perceptions of utopia such as white, sandy beaches, clear blue sea, simplicity and adventure couched in luxury. Tourism has the propensity to mask realities such as poverty, poor infrastructure, and dictatorship. The all–inclusive resort and the heavily structured guided tour itineraries cherry pick and conceal these realities.” Packing a very heavy/important message makes his work that much more interesting.