Edith Waddell’s vibrant, surreal paintings form beautiful, symmetrical imagery filled with otherworldly flora and fauna. Her work combines feminine motifs, strange creatures, and delicate, pastel colors to create hybrid imagery. Full of symbolism and feminine spirituality, Waddell’s work does not just depict elements of the natural world, but the emotional, inner self. Her choice of colors seem to glow in neon hues, creating intense visuals that almost seem hallucinatory. Each composition blooms in beautiful symmetry, as they resemble inkblots tests one might see at a psychiatric exam. This resemblance reflects upon our inner psyche, as Waddell often pulls inspiration from imagery often found in her dreams. Many of her compositions resemble the female anatomy, with heavy maternal symbolism expressing the womb. Although whimsical and vivacious, there is an element of darkness that can be found in her work, like the reoccurring skull and the all-seeing eyes. There is a conflicting nature present, as there are elements of life in her budding flowers, but also death in the skulls and bones.
Originally hailing from Peru, Edith Waddell is now based out of LA. She is an artist of many talents, as she not just a painter, but an illustrator and printmaker. She often combines collage, digital, and traditional paintings to create her crossbred, botanical imagery.
“My goal is to make visible that which is overlooked, confronting the public with the dark and mysterious aspects of their own psyches, emotional struggles, and their relationship with the natural environment. My work is an invitation to make an introspective examination and reflection into our own existence, both physical and spiritual.”
The explosive street art of David Hooke, otherwise known as “MEGGS”, moves in waves of color on walls all over the world. His murals harness an incredible energy and force that radiates off the streets in vivid streaks like flames consuming the building. The Australian artist often uses powerful animals such as tigers, snakes, and lions in his work, creating an incredible composition of strong imagery. His use of diagonal lines and composition just add to the already dramatic atmosphere.
MEGGS pull inspiration from an eclectic variety of different sources such as the natural world and socio-cultural issues. His use of bold color and the occasional loud text included in his murals shows a heavy influence from pop-culture. His technique and experimental technique reflects his determination and excitement in his artistic exploration. MEGGS doesn’t just stick to the traditional spray paint. One of murals in downtown LA also includes a glow in the dark stencil layer that creates an eye-popping affect. This piece, along with other of his murals, is based off of a previously done screen print of MEGGS. You can find his work not just in LA, but also in Hong Kong, London, San Francisco, Paris, and Tokyo.
“His life manifesto is that the ‘journey is the reward’ and his work reflects his eternal search for balance. MEGGS’ emphasis on constant growth and passion for travel is demonstrated by his continual exploration of artistic techniques and mediums.”
The paintings of artist Jeff Soto are nightmarish and captivating, as they seem to glow iridescently in cool colors of greens and purples. As if from another planet, Soto’s artwork shows landscapes of an extraordinary nature, covered in shiny crystals, mossy skulls, and unforgettable owl-like creatures that stare at you with hypnotizing eyes. Each painting is a world upon a world, as many of his figures and forms sprout out from even more bizarre, living things. Even his frequently repeated spiky, happy heads contain an eerie quality. Each painting seems to have a story behind it, perhaps representing a mythical fable.
The Los Angeles based artist is a triple threat; a painter, illustrator, and muralist. As you may have guess by his surreal style, his technique is influenced by traditional painting methods, but with a razor sharp edge. Inspired by graffiti and street art, Soto’s otherworldly landscapes heavily embody a pop-surrealist, contemporary style that appears almost futuristic; like a window into the future when our planet is transformed into a whimsical landscape with foreign creatures. This is a place both frightening and beautiful, full of strange magic. His work leaves us filled with a sense of wonder, wishing that we could travel and explore these unusual places and meet these frightening creatures. Jeff Soto’s amazingly adventurous body of work draws inspiration from youthful nostalgia and pop-culture. With an ominous and haunting palette, Jeff Soto’s unique style exudes originality and imagination. (via Hi-Fructose)
Self Portrait in Black Lingerie with Camera and Mirror, 1955
Bettie Page Reclining on Sofa at Coral Gables, FL, 1954
Self Portrait in Polka Dot Bikini with Rolleicord Camera, 1963
Original personal and behind the scenes photographs of infamous pin-up models Bettie Page and Bunny Yeager are now on view at the art gallery Gavlak, in Los Angeles as part of the exhibit How I Photograph Myself. You may think this is a strange title, but it actually refers to a book that Bunny Yeager herself wrote during her lifetime. Born in 1929, Yeager was not only a wildly successful pin-up model, but also a photographer herself who very often took her own photographs. She came into modeling after meeting actress Bettie Page shortly after studying photography at Lindsay-Hopkins Technical College. Bettie Page asked Bunny Yeager to photograph her, and Yeager eventually began modeling herself. She was not only an accomplished photographer and model, but also a scriptwriter and author, publishing How to Photograph Nudes and How I Photograph Myself, hence the exhibition title. These books went on to influence such well-known photographers as Cindy Sherman and Diane Arbus.
What is so interesting about these photographs, besides the obvious appeal and seductiveness of the pin-up style clothing and curvy women, is that Bunny Yeager was able to become so successful both as the photographer and model; the artist and the muse. Her femininity and beauty was laid out on a silver platter as a model, yet she could be taken seriously in a time when men dominated almost any scene. To portray yourself in such a sexual way and also sought after as a woman in your craft would still be an accomplishment today, let alone in the 1940s and 50s. Bunny Yeager was able to work against the traditional male gaze, and create her own photographic style that is both delicate and alluring. How I Photograph Myself will be on view at Gavlak from July 25th to August 29th.
Remi Rough has been incredibly active in the past few years marking the globe repeatedly with his juicy geometric art on huge urban buildings, other unlikely structures and in numerous galleries and museums. The prolific international artist returns to SOZE Gallery in Los Angeles July 19th to open his latest installment of work in his solo exhibit “Remi Rough: Further Adventures in Abstraction.” This exhibit, featuring a mother-load of over fifty new works on canvas, wood and paper, continue the evolution of Rough’s aesthetic, adapted from the mammoth swallowing scale on the streets to intimate smaller works in juicy vibrant palettes. The crisp clean lines and darting yet fluid sense of movement in these works create a tension in their depth, while maintaining a minimal pristine quality in their draftsmanship.
Documentary filmmaker and photographer Angela Boatwright spent about six months recording the punk-rock scene in East Los Angeles. The series, titled East Los, takes an in-depth look those who are active in it. This not only includes shows, but delves deeper to showcase the individual lives outside of the mosh pits. We see this facet of the Latino community in their homes, with grandparents, and their unique personal styles.
This project uses still images as well as video footage from various events. East Los gives us a glimpse into a probably unfamiliar “backyard” music scene; It champions and explores youth, catharses, and the idea of family. We see love, friendships, injuries, and ice cream. It’s not just something that these people do on the weekends, but is a lifestyle that is a framework for how to view the world. (Via Feature Shoot)
Motion designer Dan Marker-Moore has a beautiful collection of collaged time-lapse photographs depicting the light and color transitions in the sky due to the movements of the Sun and Moon. In his series, “Timeslice,” Marker-Moore layers images taken within seconds or minutes of each other, demonstrating the spectrum of beauty to be found in the (mainly) Los Angeles skyscape. His talent for capturing time-lapse beauty first came to the attention of the internet when his images and short time-lapse video of the full moon rising in LA, a series of 11 still frames that were captured over a time period of 27 minutes and 59 seconds, were featured by art and science blogs. Since then, he has added more photographs to his “Timeslice” series, creating a gorgeous collection of the sky in transition. You can check out more of his images via his website or Instagram. (via jeda vu)
Dumb Starbucks, a parody store located in a Los Angeles strip mall, opened its doors on February 7th, 2014. From the sign up front, to the cd’s next to the cash register, everything had original Starbucks branding except for the fact that the word dumb was printed in front of each and every SB logo.
The author of DS was unknown until earlier this week, when comedian Nathan Fielder held a press conference at the parody store revealing that he was responsible. Until then, Conceptual artist Marc Horowitz was taking credit for it on Twitter:
“Would love to do interviews about #dumbstarbucks — just waiting for @TODAYshow or @jimmykimmel” as well as “my project is causing quite a stir – lol.”
After the mystery was solved, Nathan Fielder released a video in the Dumb Starbucks youtube channel that assured his newfound ‘customers’ that DS was “no joke, this is a real business,” a business, he says,”from which I plan to get rich from.” The serious sounding Fielder, assures that he can keep it going, however, yesterday (February 10th, 2014) the city of Los Angeles closed the place down due to a lack of health permits. It is hard to believe that that was the only reason for the shutdown , as the real Starbucks was not happy with the parody coffee shop calling itself Dumb Starbucks.
“We appreciate the humor but they can’t use our name,” Starbucks spokesman Jim Olson told CNNMoney. “It’s a protected trademark. It’s our trademark.”