Mark Schoening’s Explosive Paintings

 

Mark Schoening‘s paintings appear to explode on each panel.  Colors and patterns seem to erupt like uncontrollable viruses supplanting the composition.  In a way Schoening’s work develops in a similar fashion.  Each piece begins with an idea, information.  The concept is elaborated on further and further layering glitter, resin, silkscreen, acrylic, latex, and spraypaint.  His newest works are an investigation of the way floods of information are spread and consumed.  Schoening says:

“I do not have the luxury of escape.  In this century, in this moment, few of us do.  Information piles up: the advertisements, the mechanisms, the media, the people.  I am attached to it, in the midst of it, a part of it.  However, as a painter, I am also a witness and a reactionary.”

Mark Schoening opens a new solo exhibit, Recordings of a Lone Infantryman, November 29, 2012 at Marine Conemporary in Venice, California.

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Debra Scacco unlocks the 3 keys of greatness at MARINE CONTEMPORARY

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 I felt like I was peering into Debra Scacco’s personal journals as I walked around her exhibit BIRDS OF PASSAGE at Marine Contemporary. Her large and small works on paper feature her solid penmanship, which she glides across the surface into geographical formations like States and Countries. “I Cannot Reach You” and “Hold Me” are just a couple of the repeated lines running throughout their corresponding paintings and although this may sound strange, there is almost a psychic connection between the viewer and the work that gives off the feeling of the syntax without actually having to read it. So, even if Debra wrote them in Itallian and I don’t speak or read Itallian, I would still be able to grasp the emotion trying to reach out for me. These are elegant and beautiful works that can take months and months to complete, especially the installation in the center of the room where she had to glue over 1000 golden pins together to form what looks like a map of all the pieces in the show combined onto one plane.

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