If you’re trying to cut back on caffeine, try replacing it with Ali Smith‘s paintings; they are pure visual energy. “With their rough edges, fractured compositions and unpredictable scale-shifts, the L.A. artist paints energetic pictures whose wild swipes and slashes are not expressive — in any way, shape or form. Rather than standing in as authentic emblems of inner turmoil or heartfelt emotions, the whiplash gestures in Smith’s paintings take on lives of their own.” – Los Angeles Times
Arches and Rembrandt, leading fine art material manufacturers, present Against the Grain, a one-night art auction to raise grant funds for one Los Angeles-based student artist. With more than fifty participating artists, Against the Grain will feature works on paper that showcase diversified studio practices through a shared medium. Unlike any other charity arts auction, Against the Grain pioneers an artist community-based project in direct support of the next generation of emerging artists.
From the frenzied tableaus of Eddie Martinez to the illusory oils of Annie Lapin, the works donated to Against the Grain will have a humble starting bid of $100. Each participating artist will be provided with newly developed archival paper by Arches paper mill (France) that does not require gesso before painting with oil colors, a key advancement for the painting practice. Additionally, the artists will be given a selection of the finest quality Rembrandt oil colors from Dutch color maker, Royal Talens. Additional sponsorship of gift certificates and cash awards will be provided by local participating fine art stores, announced the night of the event.
Local curatorial entity, 5790projects, and curator Amir H. Fallah will select one student artist from a surrounding university to award funds raised from the silent auction– a grant that can be used for studio practice, tuition, or supplies. A pool of student artists will be nominated by each participating university’s Studio Art faculty, each of which will receive a studio visit from event producers 5790projects and Fallah in order to determine the prizewinner. The grant recipient will be announced at the close of the event on August 25th, 2012 at the sponsoring venue, Mark Moore Gallery (Culver City, CA).
The opening reception will also feature live DJ sets, food trucks, and beer tasting by Brouwerij West. Event tickets are $10 – and can be purchased at the link below.
See more preview images of work on auction after the jump!
Join Mark Moore Gallery and Beautiful/Decay tonight for “Second Fridays” Summer Screening Series! Each screening will be a free evening of animated featurettes, music videos, reels and video excerpts hand-picked by MMG artists, plus live DJs, refreshments and food trucks.
For the first installment of “Second Fridays,” Mark Moore Gallery artist Allison Schulnik has curated eight short films that reflect or influence her own practice, including works by Suzann Pitt, Yuri Norstein and Bruce Bickford among others. Focusing on experimental animation – which she originally received her degree in – Schulnik has selected a combination of both clay, stop-motion and traditional cell animated videos.
Mark Moore Gallery
June 10th, 8-10pm
5790 Washington Blvd.
Culver City, CA 90232
A while back I had a chance to do an interview with artist Kim Dorland- and was excited to learn that his show will be opening at Mark Moore gallery this Saturday, March 20th! I haven’t gotten a chance to see them in person yet, but these works are gorgeous. Dorland makes use of a sumptuous impasto creating narratives that are visceral, expansive and nostalgic all at once…all the more reason to see them in person.
If the still above seems uncannily familiar to you- it’s because it’s from Michael Jackson’s unforgettable music video, “Thriller;” sans MJ, flesh-eating (choreographed) Zombies, or any sign of human life, for that matter. In the video “Untitled #100, (Fantasia),” artist Josh Azzarella took two years to meticulously remove everything but the murky rolling fog of a smoke machine and ominously ambient noises. The full length feature can be viewed on the humorously titled Funk of 40,000 Years. The result is a haunting look at a seeming post-apocalyptic landscape; robbed of its ghoulish face paint and kitsch, the video is a frightening look at what is left behind. The film is certainly imbued with new symbolic meaning now that the prince of pop himself has left the building, so to speak.
Josh will be showing this video at Mark Moore Gallery this Saturday, from 5-7pm. They will also be showing artist Kim Rugg (who has a similarly “systematic” practice of cutting out every single letter from newspapers and arranging them alphabetically). Shown in conjunction, an interesting dialogue regarding notions of truth and fiction within the media ensues between the two artists. If you are in LA, this exhibition is not to be missed!
Beautiful/Decay recently had the opportunity to go behind-the-scenes at Mark Moore Gallery while artist Cordy Ryman was installing his latest exhibition, “Hail to the Grid.” As the show title implues, Ryman both riffs off the conceptual frameworks of minimalism and abstraction, and simultaneously playfully transgresses some of the movements’ core philosopies. While minimalism delights in the precision and rationality of its more reductivist tendencies, at the very core of Ryman’s sensibility is an opposing sense of spontaneity and free-form creation. Many of his works are self-referential, responding to their own materials or processes as sources of inspiration and thematic vocabulary. For instance, the cast off remnants of Velcro used to install a piece to the wall are later integrated into a grid-like abstracted collage, which, in turn, becomes the subject matter for a painting. Ryman delights in the elegance of distilled form, though instills a sense of sincerity in their physicality: hand-cutting, painting and fashioning his constituent parts with an affectionate hand. While a minimalist like Stella, for example, savored the steely finality of his imposing black paintings, Ryman in contrast frequently re-works his pieces, allowing chance and flexibility to enter into the work at any time. Even the installation of works are constantly in flux–shortly after Beautiful/Decay snapped up photographs of Ryman’s installation in process, Ryman called to inform us that one of the pieces was now on the wall and the entire exhibition looked different! Be sure to visit Ryman’s exhibition, opening this Saturday and running until Dec. 21 to see the final results! Full interview with Ryman, including his process for creating works, installation and outlook on art, below.
I particularly like the dreaminess of Todd Hebert’s above painting aptly titled, Dreamcatcher. The soft focus fireworks insinuate the mundane and transcendental in a surreal fashion. I love the feeling of feather contrasted with the light, as well. Hebert’s new works will be on display at Mark Moore Gallery beginning July 11th.