For their series Geolocation, Nate Larson and Marni Shindelman mined for Tweets with publicly available GPS coordinates. They then traveled to and photographed those data-suggested locations and present their photographs with said Tweets as captions. The results are sometimes funny, sometimes poignant, and successful in exposing perhaps how little people think of what data they are putting out into the world and how easily it can be appropriated.
There’s a lot to look at in Stephanie Kunze‘s illustrations. Minnesota-based Kunze draws with pencil and colors with Photoshop for an overall style that is contoured and slightly textured. The compositions are feminine and detailed and should feel busy, but the dream-like subjects still seem rested and calm. Worth a look is Kunze’s personal blog for a clearer picture into her thought and execution processes.
Matt Rota‘s illustrations seem to mix reality and myth — equal parts Bosch and Ernst. Rota’s sensitive lines add a surreal approach to morality and belief systems and how we respond to them. Also they just look really cool (nod to you, Krampus).
Cam Floyd has a talent for producing dream-like images. He covers the canvas with detail, color, and washed out textures. Southern born and raised, Floyd attended the Maryland Institute College of Art in Baltimore. He now relocated to LA where he works as a studio assistant to prestigious illustrator James Jean.
I recently had the chance to visit the studio of Jacin Giordano in sunny Miami Florida. Jacin and I went to college together in Baltimore where he received his BFA at Maryland Institute College of Art. He’s been quite busy as of late with shows at Fredric Snitzer Gallery in Miami as well as Galerie Baumet Sultana in Paris. As you can see from the photo above Jacin’s work is incredibly labor intensive. He uses hundreds (if not thousands) of gallons of glue, paint and god knows what else to create paintings and sculptures filled with deep crevasses and caverns waiting to be explored. Here is a sneak peak at his process, studio and his next batch of work for his 2010 solo show at Frederic Snitzer.
Since I started Beautiful/Decay while attending the Maryland Institute College Of Art I have a soft spot for artists working in Baltimore. There’s something about living Baltimore (see “The Wire” for more on that) that changes you and your artwork forever. Baltimore is a giant pot of crazy that just seeps into your work and wont let go. Keep up the good work Suzanna and make us Alums proud!
Check out Suzanna’s Flickr account here and her portfolio over here.