Star Wars Imperial Forces Invade And Pillage Thomas Kinkade Paintings

Jeff Bennett - Digital Painting Jeff Bennett - Digital Painting Jeff Bennett - Digital Painting

It’s really easy to hate on Thomas Kinkade. His landscape paintings, which boasts themselves as “paintings of light,” are dull, wooden, and nearly all the same. Wholly uninteresting, Kinkade’s paintings beg to have a little pizzaz added to them. Luckily, artist Jeff Bennett has solved this problem. He’s added the Star Wars Imperial Forces to Kinkade’s work. Storm Troopers, Star Destroyers, and more invade the candle-lit houses, babbling brooks, and flower gardens. Houses are set on fire and landscaping is trampled. And, throughout it all, you are cheering for the historically “bad guys.”

Bennett’s keen Photoshop skills allow him to seamlessly integrate the two worlds, making them believable and thus very entertaining.  In a way, this series mimics the typical good vs. evil story. The exception is that who we perceive as good and evil is turned on its head. You’d think that tranquil Thomas Kinkade paintings would be harmless. But think again. Kinkade, with his lowest common denominator work, overpriced and mass produced chachkies, and greed (in 2006, his company was convicted of defrauding two Virginia gallery owners), is really the bad guy in this scenario. The Imperial Forces are helping destroy banality. (Via Adweek).

Performative Sculpture And Photography Mash-Ups

Trisha Holt - Photography

Charlie White + Katy Grannan

Trisha Holt - Photography

Man Ray + Francesca Woodman

Detroit artist Trisha Holt builds performative sculpture from blown-up photographs twisted, masked, or hugged onto live models in everyday settings, then reshoots for a surrealistic effect. This series, titled Love Child, creatively cross-breeds two iconic & artistic souls with one another. The top image, for example, is the offspring of “Charlie White Katy Grannan“. The second one is of “Man Ray + Francesca Woodman”. Both are titled so accordingly. Can you see the resemblance?

Holt’s work is a stunning collection of mash-ups which humorously and humbly troubles over its own worth in the world, playfully echoing this song by The Supremes: “Love child, love child / Never quite as good / Afraid, ashamed, misunderstood / But I’ll always love you.”

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