Wookiees Leave The Screen And Land Next-Door In This Quirky Photo Series

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Chewbacca is a Wookiee. Bipedal and furry, a “big walking carpets,” Star Wars Wookiees run and fight and shoot. In Mako Miyamoto’s photo series, found on his website Neon Werewolf, Wookiees do much more: yoga on the lawn, roller skate in knee socks and satin jacket, swim underwater, water the lawn. In fact, Miyamoto’s Wookiees could be your next-door neighbor…in a furry mask.

“Masks have always intrigued me; being born near Halloween may have had something to do with it. I’ve always been fascinated by how they hide the person behind them while at the same time bring forth pieces of [their selves] that at first glance were shadowed by their expressions.” (Source)

This whimsical series alternates between mash-ups of TV Shows and movies (Star Wars and The Heist; Star Wars and Game of Thrones) and everyday scenes with a twist (salad bar and Wookiee, ping pong and Wookiees, wedding day and Wookiees). Funny and slightly alarming, the masks’ staring eyes, fixed grimaces, and cascades of fur make the scenes bizarre mimicries of life. Each image is individually titled, and they include “Kiss My Ace II”, “Stop Blocking my Fist with your Face”, and “Corndog Airplane.” The series is ongoing—idea after idea, Wookiee after Wookiee. Miyamoto says:

“I get my inspiration from all over; thrift stores, books, movies, open spaces, the coast, clouds, Stanley Kubrick, Portland, John Carpenter, the golden hour, the way that reflections create an unreachable reality, things that are orange, and the ocean. But not necessarily in that order.” (Source) (Via Feature Shoot)

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Collages By Kalen Hollomon Blend Ordinary Images With Provocative Cut Outs

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Visual artist Kalen Hollomon, recently titled the “cut out king of New York”, is blurring the lines between the social conformity and taboo with his mixed media artworks. His collages feature mundane city life moments, high fashion editorials and old advertisements blended with clippings from vintage pornography scenes.

“I am always concerned with what lies beneath the surface – with relativity, perception, sexuality and pop culture. My images are reality manipulation, manipulating other people’s identities. The idea of and ability to alter the value or meaning of an image or object by adding or subtracting elements is really exciting to me – adding or taking away elements from something until it becomes the sexiest it can be at that moment.”

Holomon is christened to be the child of the iPhone generation. Snapped with a smartphone camera, his creative collages started gaining exposure thanks to the social media platforms Instagram and Twitter. However, the same attention has forced the artist to censor some of his works. Hollomon says he “had accounts shut down and posts removed for as little as butt cheeks”.

Beyond the absurdity and wit, Hollomon’s work also represents the new trend of privacy-lacking public photography. His instant iPhone images from New York’s streets and subways rarely deal with any permissions for public use. That unawareness is exactly what turns such works into powerful socio-documentary messages. (via Dazed)

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Ben Frost’s Subversive Mash-ups of Greasy Food And Figures Of Popular Culture

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Australian artist Ben Frost creates image mashups that combine fast food, pills, and iconic figures of popular culture. He paints these celebrities on things like McDonald’s french fry sleeves and boxes for prescription drugs. We see Superman, Popeye, Mr. T, and even Snoopy the Dog all painted on objects that symbolize excess and gluttony.

Frost finds inspiration for his work from graffiti, collage, photo-realism, and sign writing. It’s not a surprise, as he tags things much like a graffiti artist would. His work is subversive and doesn’t hold back any punches. I’ve included stuff here that’s generally safe for work, but if you check out his website, you’ll see a lot of hyper-sexualized manga-inspired characters. But even with these relatively tame images, you can still sense the scathing critique of the mainstream. Greasy meals, too many pills, and processed foods are rotting our health in a similar fashion that television, media, and politics are rotting our brain.

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Star Wars Imperial Forces Invade And Pillage Thomas Kinkade Paintings

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It’s really easy to hate on Thomas Kinkade. His landscape paintings, which boasts themselves as “paintings of light,” are dull, wooden, and nearly all the same. Wholly uninteresting, Kinkade’s paintings beg to have a little pizzaz added to them. Luckily, artist Jeff Bennett has solved this problem. He’s added the Star Wars Imperial Forces to Kinkade’s work. Storm Troopers, Star Destroyers, and more invade the candle-lit houses, babbling brooks, and flower gardens. Houses are set on fire and landscaping is trampled. And, throughout it all, you are cheering for the historically “bad guys.”

Bennett’s keen Photoshop skills allow him to seamlessly integrate the two worlds, making them believable and thus very entertaining.  In a way, this series mimics the typical good vs. evil story. The exception is that who we perceive as good and evil is turned on its head. You’d think that tranquil Thomas Kinkade paintings would be harmless. But think again. Kinkade, with his lowest common denominator work, overpriced and mass produced chachkies, and greed (in 2006, his company was convicted of defrauding two Virginia gallery owners), is really the bad guy in this scenario. The Imperial Forces are helping destroy banality. (Via Adweek).

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Performative Sculpture And Photography Mash-Ups

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Charlie White + Katy Grannan

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Man Ray + Francesca Woodman

Detroit artist Trisha Holt builds performative sculpture from blown-up photographs twisted, masked, or hugged onto live models in everyday settings, then reshoots for a surrealistic effect. This series, titled Love Child, creatively cross-breeds two iconic & artistic souls with one another. The top image, for example, is the offspring of “Charlie White Katy Grannan“. The second one is of “Man Ray + Francesca Woodman”. Both are titled so accordingly. Can you see the resemblance?

Holt’s work is a stunning collection of mash-ups which humorously and humbly troubles over its own worth in the world, playfully echoing this song by The Supremes: “Love child, love child / Never quite as good / Afraid, ashamed, misunderstood / But I’ll always love you.”

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