Enter To Win A Free Craftsy Portrait Painting Class With Micah Ganske

"Sleeping Dragon" by Micah Ganske, instructor of Narrative Portraiture

“Sleeping Dragon” by Micah Ganske, instructor of Narrative Portraiture

"Sleeping Dragon" detail, by Micah Ganske, instructor of Narrative Portraiture

“Sleeping Dragon” detail, by Micah Ganske, instructor of Narrative Portraiture

Narrative Portraiture/ Craftsy

Craftsy is an online art class company and community that offers hundreds of different arts and crafts eguides, online classes and other tools for sparking your inner creativity and honing new skills.  With progressive video components, a personalized accessible platform and incredibly affordable prices and free resources, Craftsy makes art education available to all.  Take advantage of Craftsy’s exclusive offer for Beautiful/Decay readers to enter in a giveaway to win Micah’s class valued at 34.99 by following this link! Narrative Portraiture: Painting in Acrylic is an engaging class in both technical and conceptual arenas, and we are proud to say it’s taught by a friend and colleague of Beautiful/Decay: Micah Ganske.

Micah Ganske received his MFA at Yale and has exhibited widely, including in Art Basel Miami.  His gorgeous, thought provoking painted works are featured here, along with images of class demos.  As an accomplished professional artist whose goal is “to make work which inspires and engages the viewer in what I truly believe is important and what drives me,” Ganske passes his insights and technical skill onto his students in an interactive online class that students can take at their own pace, anytime, anywhere.

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CANSON WET PAINT GRANT RECIPIENT: Micah Ganske

Micah Ganske’s paintings will give you a headache….in a good way. The unbelievable amount of detail that goes into his often large-scale paintings is absolutely a testament to his passion and dedication to the subjects he addresses. Detail doesn’t even seem to describe the amount of disciplined attention that goes into each piece. In his paintings, which can measure up to 120” x 150”, Ganske will draw in every window on every building and every car. In another painting, a giant tripod supporting a tiny digital camera in the foreground has such smooth gradation on the metal, you know exactly how it would feel if you could reach into the image. The result is something that demands attention.

Once you get over the amazement of how much visual information he provides the viewer, (a process that takes a fair amount of time) the signification of the layered symbolism begins to appear. Ganske explains that he wants “the world that [his] work exists in to be a streamlined synthesis of all visual stimulation [he] has ever taken in; nothing sacred, all sources brought down to the same level.” Once all on the same playing field, Ganske imprints his opinions about the way people interact with the natural world and the technological world. Most recently, Ganske is currently pursing a body of work titled, Tomorrow Land, which combines both a disappointment in the broken promises of mid-century technology, and a hopefulness borne from knowing that certain individuals are still devoted to exploring new frontiers and changing the way we think about the world.

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