Glass bottles, broken ceramic statues, buildings, and an oven are all things you’ll find in Sabine Timm’s work. If this sounds excessive, I assure you it’s not. All of these things are miniature-size and require no heavy lifting. The Dusseldorf-based artist uses found and vintage objects to assemble tiny sculptures and arrange items in an amusing way. The images, captured in photographs, don’t seem like permanent installations. Instead, Timm’s handiwork feels fleeting, like we’re seeing a scene from a play.
Timm often utilizes the same objects among assemblages. This practice weaves a narrative through several images, and we can start to imagine a world where all of these things exist. They are vignettes, depicting a fantastic yet logical place. A pile of small petals nearly cover an entire house. Broken ceramics are given a second chance by simply drawing a new body parts. Timm also solves issues like overcrowding simply by stacking houses on top of each other. Build up instead of out, right?
There is obviously a lot of play at hand in Timm’s work. Her sense of humor is very sweet and goofy; for instance, she adds a face to plastic containers, using a comb as a wild hairstyle. It’s has a broad audience and is amusing in a couple of ways. She’s giving personality to inanimate objects, which is absurd. Additionally, the things she uses to create these faces are ingenious. Timm uses a lot of toys, such as the trees out of a train set. It’s nostalgic for many viewers, but also fun for kids, too. There is a quiet sophistication to her work. The fine details are refined and innovative, yet the attitude of the images themselves are very accessible. You don’t need a formal art education to enjoy Timm’s work, and it’s able to be appreciated on a number of levels.