Perhaps the fascination for artists utilizing chrome and mirror in their works is the increasing divide between seeing ourselves more and more via social media, yet understanding ourselves less. This is particularly evident in the work of New York-based Korean multidisciplinary artist Kimsooja, which often deals with the self-perception and the self and the other. In her installation To Breathe – A Mirror Woman at the Palacio de Cristal, Parque del Retiro, in Madrid, Kimsooja transformed a classic greenhouse by removing everything and replacing it with a mirrored floor. Next, the Tague, South Korean-born artist used a translucent, light-diffracting film to coat the windows, which cause an array of naturally occurring rainbows, which were in turn continuously reflected by a mirrored surface that covered the entire floor. Like many of her projects, an audio pairing accompanied the visuals. Visitors would experience a recording of Kimsooja breathing, enhancing the contemplative yet personal and relatable mystery of the installation.
Taken from Kimsooja’s description of the project, “Outside light filters through the glass of the pavilion and reflects off the diffraction film. It diffuses into rainbow spectrums, transforming the external panorama seen from within the palace. The resulting effect is that the entire structure as well as the rays of colour reflecting off the mirrored floor. Natural light, colour, and sound are all ethereal elements within the empty space. The artist’s breathing from the performance, The Weaving Factory, bounces off the mirrors and fills the entire building to intermix with it, breaking down barriers of inside and outside, self and other, and reality and fantasy.”