Mystic Illustrations: Nicomi Nix Turner and Four Other Artists Illustrate The Occult

Nicomi Nix Turner

Daniel Martin Diaz

Amy Earles

William Crisafi

Playing on the enticement of the black mirror, or, the darker recesses of our own perceived realities, fascinations revolving around the occult has infiltrated and renegotiated the perceivable world as we know it to be. Contemporary examinations of the occult and mysticism has surged in creating a more modern vernacular of symbology rooted in spiritualism, skewing the tangible under the scope of what is sensed and experienced as opposed to what is seen. Confronting the enigma of the unknown, investigations of the preternatural have transformed the material world through its semi-erotic explorations of the unconscious and the supposed spirit world. Evoking a sense of histories long since passed, fascinations with the paranormal are found not only within its connotations with Surrealism and Dada, but has since found itself increasingly commercialized through a dilution into popular culture.

The following artists present an elusive understanding and reflection on mysticism and the occult. Straying from any form of irony, kitsch or inapt nostalgia, their employment of the occult acts instead as a new means of dialogue and spiritual resolve.

Featured artists include Nicomi Nix Turner, Daniel Martin Diaz, Jas Helena, Amy Earles, and William Crisafi.

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Deconstructed Photography: Joseph Heidecker And Four Other Artists Redefine The Photograph

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Joseph Heidecker

Matthew Brandt

Matthew Brandt

Soo Kim

Soo Kim

Nelson Crespo

Nelson Crespo

Since the first photograph, photography has ushered forth in producing a consequential depiction of truths through the containment of fleeting moments in a tangible and archival format. Instances in time are revealed as light falls upon sensitized paper, asserting the presence of each photograph’s content. The picture plane remains uniform, constricted by its own variable, physical dimensions: a synthetic simulacrum of a three-dimensional reality that will forever remain in constant flux. And yet, in spite of presenting elements of proof based within reality, the upheaval of the actual authenticity of the photograph has found itself under siege.

Through a variety of executions, the following artists working with the photographic medium twist this truism in unique and awe-inspiring ways, abolishing preconceived notions of photography through a re-presentation of the photograph. In their reconsideration of the ordinarily static picture plane, form is pushed beyond the confines of the image through the destruction, manipulation or interference of the photograph.

Featured artists include Joseph Heidecker, Matthew Brandt, Soo Kim, Eileen Quinlan and Nelson Crespo.

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Heather Cassils And Three Other Artists Present Alternative Narratives Of Female Sexuality And Identity

Heather Cassils

Heather Cassils

Laura Aguilar

Laura Aguilar

Aimee Hertog

Aimee Hertog

In the digital age and generation of the selfie, a spiraling and often disorienting importance placed on consumerism and commodities permeates even the most remote of regions. Through the billboard jungles and beehive of mass media, images relentlessly promoting youth and sexuality haphazardly depict ideals of femininity. Creating a wormhole of inadequacies, the female form has found itself in a constant tug-of-war in either defending its natural state or scrambling to correct propagated notions of aesthetic shortcomings. As Barbara Kruger famously stated on one of her notorious gelatin silver prints from the 1980’s, “You Are Not Yourself”.

The following artists featured turn these preconceived notions on their head while reconstructing a refreshing narrative of female sexuality and identity. Featured artists include  Laura Aguilar, Aimee Hertog, Heather Cassils, and Marina Santana.

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Casey Weldon And Four Other Artists Reinvigorate Pop Surrealism

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Casey Weldon

Sorro2

Mac Sorro

Leslie Ditto

Silveira2

Rafael Silveira

There’s a pervasive sense of childlike fantasy that seems to underline many pop surrealist works. Make-believe animals that don checkered coats, tight rope walkers and re-imagined cats all vibrate within and beyond the confines chosen by each artist at hand.

The alluring world of pop surrealism frequently ushers in a sense of mythical innocence and humor, unifying the superficial world of popular culture with the recesses of the unconscious. With underlying themes of fragility and the macabre delicately hidden beneath a veil of cultural kitsch, saccharine sweet dreamscapes transform and redefine a caustically bright world enamored with packaged goods. The fantastical worlds created through the lens of the following artists explores the relationship between the seemingly pristine and the accompanying bittersweet decay that dwells beneath it. Featured artists include: Casey Weldon, Mac Sorro, Rafael Silveira, Leslie Ditto, and Britt Ehringer.

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Valentin Ruhry’s Quietly Stunning Installation, ‘Réclamer’

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Austrian artist Valentin Ruhry often plays with ideas of Minimalism and analog technologies, using light installations as a systematic approach which reveals a metaphor of interconnectedness, even when we do not see them present. In his 2013 exhibition Réclamer at Halle für Kunst & Medien in Graz, (then travelling to Österreich), Ruhry references advertising and promotional communication, using light boxes which generally house these messages. The exhibition’s title, Réclamer, comes from Latin and French, meaning to claim, to appeal, to call back. Ruhry, who was born in Graz, Austria and now lives and works in Vienna, used the empty light to represent a loss of function, “both through their components and in and of themselves.”

This type of installation investigates many of the themes present in Ruhry’s other works. When speaking with Jon Rathenberg’s Artist Interview Tumblr, Ruhry explains his fascination and his process, “I´m not a scientist nor have I ever been educated in mechanical engineering or whatever but I have always had a strong interest in technology. For me, a jet plane or a refrigerator is as fascinating and sometimes as miraculous as the power socket on your wall. Since I don’t understand much about the technical aspects of most of the equipment that surrounds me I study there aesthetic qualities. I try to highlight them by placing aesthetics or form before function.” (via likeafieldmouse and artistinterview)

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Street Artist Vermibus Dissolves Outdoor Advertising To Create New Imagery

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Dissolving Europe is the latest public art intervention series by Berlin-based street artist Vermibus. Using a hacked inter-rail ticket, he has been traveling Europe with an extensive set of billboard-lock keys, using them to illegally access print billboards and advertisement frames. Once opened, he uses various solvents and paints to alter the images, sometimes removing them entirely, and even cutting and pasting others. this process destroys and beautifies, blurring the already transgressive line of advert-hacking public art interventions. The artist states, “By using the advertising space and how the human figures are represented in that space, Vermibus is removing the masks that we wear and is criticizing advertisement which takes away a person’s identity to replace it by the one of the brand.”

Continued from his website, documenting the process, “Vermibus regularly collects advertising posters from the streets, using them in his studio as the base material for his work. There, a process of transformation begins. Using solvent, he brushes away the faces and flesh of the models appearing in the posters as well as brand logos. Once the transformation is complete, he then reintroduces the adverts back into their original context, hijacking the publicity, and its purpose.” (via lizartblog)

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Federico Uribe Sculpts Colorful Worlds Using Colored Pencils, Shoes And More

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Colombian-born, Miami-based artist Federico Uribe creates illustrations and sculptures using conceptual pop art language and everyday objects. Uribe integrates these objects into his canvases, combining illustration with sculptural elements, but also builds entire worlds out of a hodgepodge of items like colored pencils, shoes, wires, and bicycle tires. He has no limits on what he’ll use in his work, and is often inspired by the very object itself. Uribe says playing with the objects reminds him of being young and interpreting cloud formations. He claims that there is a literary element involved in every piece he constructs, and he views each recycled object as a word that can change meaning within varying contexts. Of people who believe that since his work involves repurposing used items that it is ecologically sentimental, he asserts that what he does is not about making statements but transmitting feelings to people.

With an object he uses in many of his pieces – the pencil – Uribe crafts intricate and technically skilled sculpture illustrations. Using the lines of many colored pencils, Uribe is able to create the illusion of movement and fluidity, shaping faces and curves out of a straight and pointy medium. The photographs included in this post do not give Uribe’s talent true justice. I urge you to watch this short video about Uribe and his work, where his amazing amount of skilled and detailed attention is beautifully demonstrated. Uribe began as a painter who gravitated toward brooding sensuality influenced by personal feelings about the pain, guilt, and sexuality experienced in Catholicism. This emotional viscerality is maintained throughout his current work, which evokes a playfulness that is charged with intentional feeling. (via cross connect)

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Aliza Razell’s Mythological and Emotional Watercolored Photography

watercolor photography

watercolor photography

Aliza Razell

Aliza Razell

Massachusetts-based visual artist Aliza Razell combines photography and watercolor painting in her series of self-portraits that feature splashes and spills of color. Razell uses watercolors to enhance the vitality of her photographs by evoking mythological and psychological themes.  One series, “Anesidora,” represents the Pandora’s jar narrative (the myth features a jar, not a box, as commonly believed) and another series, ikävä, is the Finnish word for missing or longing after something. Razell’s photography-watercolor combination perfectly captures the humanity and surreality of mythological events and the poetic evocations of a fleeting feeling. (via fubiz)

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