Lindsay Bottos’ Webcam Selfies Overlain with Messages Of Harassment

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Lindsay Bottos, a student at the Maryland Institute College of Art, has created “Anonymous,” a series of webcam selfies overlain with anonymous messages she’s received via her Tumblr page. The messages Bottos uses criticize her appearance, body-shaming and slut-shaming the selfies she’s posted to her Tumblr page. “I get tons of anonymous messages like this every day and while this isn’t unique to women, the content of the messages and the frequency in which I get them are definitely related to my gender. I almost exclusively get them after I post selfies. The authority people feel they have to share their opinion on my appearance is something myself and many other girls online deal with daily.”

The timing of Bottos’ project coincides with a recent article published by Pacific Standard that makes the case for online harassment, especially of women, as the next issue facing women’s civil rights. Even through a medium like the internet, a platform perceived as a level playing field of expression, women receive a disproportionate amount of threats and abuse related to their gender and appearance. Bottos asserts, “The act of women taking selfies is inherently feminist, especially in a society that tries so hard to tell women that our bodies are projects to be worked on and a society that profits off of the insecurities that it perpetuates. Selfies are like a ‘fuck you’ to all of that, they declare that ‘hey I look awesome today and I want to share that with everyone’ and that’s pretty revolutionary.”

Bottos’ other projects also heavily feature text, written or embroidered, onto various surfaces. For “Get Over It,” Bottos embroidered thoughts about her sexual assault onto a tear- and mascara-stained pillowcase; for “The Morning After,” she wrote thoughts in permanent marker in places touched by a hook-up; and for “I Don’t Really Miss You,” Bottos embroidered thoughts about a relationship onto images, clothing, and mementos. Whichever medium she uses, Bottos conveys her vulnerability though language and form, rendering an honest and engaging perspective.  (via buzzfeed)

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Leaves Transformed Into Fashion Illustrations

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Malaysian based artist and designer Tang Chiew Ling creates illustrations using unconventional illustration materials. Using things like cotton and leaves, Ling will create a fashion illustration around these objects, recontextualizing them into an interesting new design. For these particular illustrations, Ling uses the natural beauty and curves of leaves found in her garden and in drains to illustrate high-end fashion for various models. With her careful and deliberate arrangement of decaying and dead leaves, Ling transforms nature into fashion. (via design boom)

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Embroidery Art Accents Photographs And Magazine Pages

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Embroidery Art

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Jose Romussi creates colorful and elegant embroidery art by stitching thread into old photographs and magazine pages. Embroidering bright colors onto sepia-toned or black and white photography, Romussi designs a sharp contrast that is thoughtful and beautiful. His subjects are often women, the fashion advertisements and models ornamented with floral and other round patterns, the dancers with straighter lines reflecting the strength and precision of form of ballet. For the dancers and ballerinas, Romussi’s embroidered accents highlight movements and bodily forms of the figures. A photograph is of course an inadequate substitute for any live performance, but Romussi’s neatly-placed thread brings a bit more life to these static images. The result is a multi-textured design that becomes immediately more compelling than its previous version.

Romussi has a background in landscape design and didn’t begin experimenting with personal artwork until fairly recently. You can stay current with Romussi’s work by visiting his tumblr page. (via farewell kingdom)

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Family Values: 5 Artists Draw Inspiration From Family

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Zhang Xiaogang

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Song Dong

Seonna Hong

Seonna Hong

The saying “home is where the heart is” very rarely relates to contemporary art.  And though the works featured here are not directly about home, they are informed to some degree by immediate family,relationships and experiences that stem from it.  In a global spectrum of east meets west these five artists come from genres ranging from Chinese Avant Garde to lowbrow painting, from surrealism to contemporary portraiture, to name a few.  The paintings, mixed media works and digital media stills of artists: Song Dong, Brooke Grucella, Seonna Hong, Aaron Holz and Zhang Xiaogang exemplify the diversity with which the artists’ loved ones have become not only the subject for the works, but also at times part of the process, as well as a platform to tell a story that becomes increasingly universal.

I recall visiting the Yerba Buena Center for the Arts in San Francisco a couple of years ago to see Song Dong’s massive solo exhibition of works made with his family members as subjects, as well as a massive installation that incorporated decades worth of of family possessions as material.  His work is deeply personal, with a strong narrative thread, and truly draw you into his world with their reverence and profoundly flawless execution.  Zhang Xiaogang’s works from his series Bloodlines uses other family portraits as a vehicle for conveying the experiences of his immediate family that they experienced as he came of age during the Chinese Cultural Revolution.  Each piece in this series has a thin red line that weaves throughout the composition, symbolizing the connection of heritage and family.

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Photographer Alters Your Perception Of Space With Masking Tape Created with Masking Tape Scenes

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With simple masking tape, photographer Robert Chase Heishman transforms everyday spaces into flat, geometric scenes. This effect creates an illusive new space, redefined by new boundaries. Whether the tapes’ colors are bright or more subdued, the effect is stark. He creates new shapes within the photograph, or uses the tape to create a framed effect for the photograph. If the photographs were stripped of tape, the photographs would be a bit dull. By adding the tape to some of his scenes, Heishman creates the effect of a lost dimension. Because his designs are so thoughtfully shaped, it takes more than a glance at these photographs to recognize that the tape has been placed onto the scene and not the photograph. When he’s not masking his surroundings with tape, Heishman also works with video and sculpture to explore similar themes like peripheral vision, flatness, and digital affect. He lives and works in Chicago. (via from89)

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Magazine Alteration Creates Haunting And Abstract Images

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Guim Tió Zarraluki is a Spanish mixed media artist who creates work that transforms magazines into haunting and abstract images. Much of his work features portraits sourced from magazine advertisements. He alters the page with chemicals and oil pastels, transforming these “picture perfect” models into abstract, and sometimes unsettling, figures. His work maintains a photorealistic sensibility while containing something haunting and foreboding. If you look carefully, you’ll notice that the artist has left a small part of the magazine untouched or barely altered, leaving a trace of the original during his process. Tió also has a photography series of human figures with faces painted in a similar aesthetic, turning his form back in on itself to create abstracted figurative images. (via)

“The artist stages a controversial issue for contemporary society and his work becomes an exploration of the collective unconscious, which governs the aesthetic valences on all types of human monstrosities in the sign of narcissistic beauty emulation as the key to success; a parody of stereotypes that today govern the new conceptions of the meaning “human being”. (via)

You can watch him at work on a magazine page alteration here.

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Surreal Paintings Created With Liquid Resin

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DuneganMixed2  Surreal Paintings

Jessica Dunegan’s surreal paintings and portraits are beautifully complex both in content and technique.  Using a mixture of epoxy resin, acrylic paint, and archival prints, Dunegan creates organic work with physical depth. After squeezing paint into a layer of liquid resin and creating opaque, delineating strands of paint, she repeats this process many times. Much of her paintings mediate between a sense of tense turmoil or unrest and peaceful tranquility. There is something both romantic and disorienting about her subjects and composition, and her formal process speaks eloquently to this particular aesthetic.

“My subjects are more than superficial objects. They may look realistic from afar, but upon further inspection, they are comprised of suspended, chaotic lines. I want to capture each animated form in time and celebrate its imperfections.” (via)

Dunegan currently lives in Boston. You can watch a video of her process here.

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Not Your Typical Embroidery

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Most of Ana Teresa Barboza’s embroidery work centers around the body. There are usually sharp contrasts of color imagery embedded in her work, and sometimes, she will use graphite to draw on her fabric before beginning to stitch. These mixed media pieces address the fragmentation of the body, as well as the ability to mold and sculpt our bodies, and how we use them to cultivate identities. Barboza’s work also makes us deeply aware of the internality/externality of our bodies and the primality with which they exist in relation to others.

In addition to these basic concepts, her work is often humorous. Something about embroidery in general renders its subjects playful, as it never seems to take itself too seriously. It therefore becomes the perfect medium for Barboza’s subject matter. A scene that would normally be perceived as grotesque – such as a woman pulling our her entrails – becomes absurd and funny. Perhaps it has something to do with the delicacy and softness of the form and medium. Regardless, Barboza’s work leaves me with a smile.

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