Street Artist Vermibus Dissolves Outdoor Advertising To Create New Imagery

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Dissolving Europe is the latest public art intervention series by Berlin-based street artist Vermibus. Using a hacked inter-rail ticket, he has been traveling Europe with an extensive set of billboard-lock keys, using them to illegally access print billboards and advertisement frames. Once opened, he uses various solvents and paints to alter the images, sometimes removing them entirely, and even cutting and pasting others. this process destroys and beautifies, blurring the already transgressive line of advert-hacking public art interventions. The artist states, “By using the advertising space and how the human figures are represented in that space, Vermibus is removing the masks that we wear and is criticizing advertisement which takes away a person’s identity to replace it by the one of the brand.”

Continued from his website, documenting the process, “Vermibus regularly collects advertising posters from the streets, using them in his studio as the base material for his work. There, a process of transformation begins. Using solvent, he brushes away the faces and flesh of the models appearing in the posters as well as brand logos. Once the transformation is complete, he then reintroduces the adverts back into their original context, hijacking the publicity, and its purpose.” (via lizartblog)

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Federico Uribe Sculpts Colorful Worlds Using Colored Pencils, Shoes And More

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Colombian-born, Miami-based artist Federico Uribe creates illustrations and sculptures using conceptual pop art language and everyday objects. Uribe integrates these objects into his canvases, combining illustration with sculptural elements, but also builds entire worlds out of a hodgepodge of items like colored pencils, shoes, wires, and bicycle tires. He has no limits on what he’ll use in his work, and is often inspired by the very object itself. Uribe says playing with the objects reminds him of being young and interpreting cloud formations. He claims that there is a literary element involved in every piece he constructs, and he views each recycled object as a word that can change meaning within varying contexts. Of people who believe that since his work involves repurposing used items that it is ecologically sentimental, he asserts that what he does is not about making statements but transmitting feelings to people.

With an object he uses in many of his pieces – the pencil – Uribe crafts intricate and technically skilled sculpture illustrations. Using the lines of many colored pencils, Uribe is able to create the illusion of movement and fluidity, shaping faces and curves out of a straight and pointy medium. The photographs included in this post do not give Uribe’s talent true justice. I urge you to watch this short video about Uribe and his work, where his amazing amount of skilled and detailed attention is beautifully demonstrated. Uribe began as a painter who gravitated toward brooding sensuality influenced by personal feelings about the pain, guilt, and sexuality experienced in Catholicism. This emotional viscerality is maintained throughout his current work, which evokes a playfulness that is charged with intentional feeling. (via cross connect)

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Aliza Razell’s Mythological and Emotional Watercolored Photography

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Aliza Razell

Aliza Razell

Massachusetts-based visual artist Aliza Razell combines photography and watercolor painting in her series of self-portraits that feature splashes and spills of color. Razell uses watercolors to enhance the vitality of her photographs by evoking mythological and psychological themes.  One series, “Anesidora,” represents the Pandora’s jar narrative (the myth features a jar, not a box, as commonly believed) and another series, ikävä, is the Finnish word for missing or longing after something. Razell’s photography-watercolor combination perfectly captures the humanity and surreality of mythological events and the poetic evocations of a fleeting feeling. (via fubiz)

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Victoria Siemer Transforms The Human Experience Into Computerized Error Messages

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Brooklyn-based graphic designer Victoria Siemer, also known as Witchoria, has an ongoing photography series updated weekly called ‘Human Error” in which the artist digitally overlays an existential or lovelorn computerized error message over a scanned Polaroid. The error message prompts the viewer for an action or to wait, illustrating the futility of this technological exercise when perceived in the context of heartbreak or ennui. Siemer’s series elegantly pairs new technology, represented by the computerized message, with older technology, represented by the vintage mode of a Polaroid photograph, combining the nostalgia evoked by a Polaroid with the technological angst that fuels many of our modern relationships.

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Ollie Lucas’ Technicolor World Inspired By Graffiti, Glitch, And Design

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Melbourne-based artist Ollie Lucas creates works where colors swirl together with an almost preternatural smoothness, like oil diffusing in water, with more jagged and hard-line separation. Lucas says, My work has always had graphical and clean elements to it. A past life as a graphic designer is to blame there’. Creating works that span painting on enormous wooden spools, to digital works on print and more recent explorations in glitch animations, Lucas explains his influences, ‘Exposure to the graffiti scene in Melbourne has made me question harmony in my work, I have a love for filthy, dirty and weathered paint splattered surfaces, but at the same time I crave clean, modern, hardline geometrics…This is what drives my practice, combining two visual elements that are polar opposites in search for a harmony that i may never obtain.

Lucas work has often confronts two seemingly-opposing forces, graffiti and graphic design, painting and printmaking, natural landscapes with digital glitches, and blends them together. When asked how his work has changed leading up to his solo exhibition Digital Landscapes, at Pierre Peeters Gallery in Auckland, New Zealand, Lucas explains his more recent explorations and realizations in printmaking and digital creation. “It’s the first show I’ve done that is 100% digitally created. I’ve always used digital processes as a starting point in my work, however I felt a finished work needed the element of ‘hand-made’ to make it unique, to separate it from the mass produced. Since creating hundreds of drafts and moving through the paper choice/proofing and printing process I’ve come to realize a print can be just as unique as a painting.”

Though many see printmaking and painting differing in both result and creative impulse, the artist explains the harmony and connection between the two, giving value to both,“Although I have worked with many mediums in the past I still consider myself a painter, mainly because I still think like one and approach my work like a painter would. I think my work reads like a painting also.”

Ollie Lucas’ current exhibition, Digital Landscapes is on view at Pierre Peeters Gallery in Auckland, New Zealand, from now through March 5th, 2014.

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Lindsay Bottos’ Webcam Selfies Overlain with Messages Of Harassment

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Lindsay Bottos, a student at the Maryland Institute College of Art, has created “Anonymous,” a series of webcam selfies overlain with anonymous messages she’s received via her Tumblr page. The messages Bottos uses criticize her appearance, body-shaming and slut-shaming the selfies she’s posted to her Tumblr page. “I get tons of anonymous messages like this every day and while this isn’t unique to women, the content of the messages and the frequency in which I get them are definitely related to my gender. I almost exclusively get them after I post selfies. The authority people feel they have to share their opinion on my appearance is something myself and many other girls online deal with daily.”

The timing of Bottos’ project coincides with a recent article published by Pacific Standard that makes the case for online harassment, especially of women, as the next issue facing women’s civil rights. Even through a medium like the internet, a platform perceived as a level playing field of expression, women receive a disproportionate amount of threats and abuse related to their gender and appearance. Bottos asserts, “The act of women taking selfies is inherently feminist, especially in a society that tries so hard to tell women that our bodies are projects to be worked on and a society that profits off of the insecurities that it perpetuates. Selfies are like a ‘fuck you’ to all of that, they declare that ‘hey I look awesome today and I want to share that with everyone’ and that’s pretty revolutionary.”

Bottos’ other projects also heavily feature text, written or embroidered, onto various surfaces. For “Get Over It,” Bottos embroidered thoughts about her sexual assault onto a tear- and mascara-stained pillowcase; for “The Morning After,” she wrote thoughts in permanent marker in places touched by a hook-up; and for “I Don’t Really Miss You,” Bottos embroidered thoughts about a relationship onto images, clothing, and mementos. Whichever medium she uses, Bottos conveys her vulnerability though language and form, rendering an honest and engaging perspective.  (via buzzfeed)

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Leaves Transformed Into Fashion Illustrations

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Malaysian based artist and designer Tang Chiew Ling creates illustrations using unconventional illustration materials. Using things like cotton and leaves, Ling will create a fashion illustration around these objects, recontextualizing them into an interesting new design. For these particular illustrations, Ling uses the natural beauty and curves of leaves found in her garden and in drains to illustrate high-end fashion for various models. With her careful and deliberate arrangement of decaying and dead leaves, Ling transforms nature into fashion. (via design boom)

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Embroidery Art Accents Photographs And Magazine Pages

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Embroidery Art

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Jose Romussi creates colorful and elegant embroidery art by stitching thread into old photographs and magazine pages. Embroidering bright colors onto sepia-toned or black and white photography, Romussi designs a sharp contrast that is thoughtful and beautiful. His subjects are often women, the fashion advertisements and models ornamented with floral and other round patterns, the dancers with straighter lines reflecting the strength and precision of form of ballet. For the dancers and ballerinas, Romussi’s embroidered accents highlight movements and bodily forms of the figures. A photograph is of course an inadequate substitute for any live performance, but Romussi’s neatly-placed thread brings a bit more life to these static images. The result is a multi-textured design that becomes immediately more compelling than its previous version.

Romussi has a background in landscape design and didn’t begin experimenting with personal artwork until fairly recently. You can stay current with Romussi’s work by visiting his tumblr page. (via farewell kingdom)

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