The 9 Worthies is a series of sculptures produced by art project Salão Coboi. Each sculpture highlights pieces from the autumn/winter 2012 fashion collections…as worn by polymer resin monsters. The creatures model clothing from brands and designers such as Maison Martin Margiela, Jil Sander, Raf Simons, ACNE and Paul Smith. Sculpted, hand painted and signed by Salão Coboi, each piece is part of an edition of twenty.
Salão Coboi (Portuguese for Cowboy Salon) is the personal project of artist Apolinário Pereira. Originally, the project began as a “collective that was born in 2009 two days after Michael Jackson’s death in the European Wild West (Portugal)”. Pereira now operates Salão Coboi as a solo project.
As part of a summer workshop at Duke University’s Center For Documentary Studies, Frith Gowan and Ayanna Seals created a short film about printmaker Bill Fick. The video cuts back and forth between an interview with Fick and footage of the artist’s lino cut process. It’s always great to get a glimpse into a talented artist’s process, but the interview is really insightful as well. Fick, who features monsters and skulls pretty heavily within his work, speaks about what his subject matter might indicate about his personality, his interests, and his response to the world. He never takes himself too seriously though, which is nice to see. Watch the video after the jump. (via)
A little while back, Flickr user Rafa Toro uploaded this great set of images from a series of collectible horror stickers produced in the 80s called Monstruos Diabolicos. I find myself returning to it again and again to bask in its sticky, vintage awesomeness. Find some of my favorites after the jump, and check out Toro’s own rendtions in his “Redux” set of digital illustrations.
Bill McRight, of Philly powerhouse Space 1026, employs gnarly printmaking skills in the creation of images not confined to a place in time. In McRight’s work, Garish figures sans-pupils populate a stark environment of violence, movement, and open mouths containing sharp teeth. But it all looks so good that the reaction of the viewer is inclined toward pleasure rather than pain.
The boombastic Superoboturbo illustrations remind me of how excited I used to be when I saw monkeys on television. I used to be obsessed with those little fuzzy guys, and I’m beginning to swoon for this man’s work the same way. His controlled pallette and friendly line-weight make for a rambunctious duo that make it hard to pull my eyes away.
Also, he recently broke his leg so maybe send him a nice note or a little work to help cheer him up/pay the medical bills at: email@example.com