French artist Julien Spianti‘s oil paintings almost look like watercolors. The way he blends and creates depth, color, and texture creates a dreamy and familiar aesthetic. His work often features human figures in various environments that seem to bleed into the canvas. Spatial relationships are deconstructed and appear fluid, a sense of disappearing space and the blurring of boundaries. Landscapes and interiors blend into each other, and the effect created is mythical and resonant. Each painting’s evocation depends on what element of the composition he chooses to blend or blur into cloudy ambiguity. Spianti’s paintings remind me of dream images that are familiar, but hard to place, an image that lingers after you wake, knowing for certain that particular people were present, though their faces are unclear. Spianti’s work is largely influenced by his immersion in aesthetic philosophy, a field of study in which he holds a Master’s. Spianti lives and works between Brussels and Paris as a painter and filmmaker. (via two headed snake)
Laura Krifka’s work feels both classical and contemporary– a collection of myths that transcend time, stuck on the spin cycle from one era to the next. There is a soft religious quality in each face as he or she slowly responds to pending doom, lurking out of view. Such off stage suspense, feels exactly this way– theatrical.
The dramatic cliche breathes with familiarity, reminding us of our own cyclical head space in relation to history, story archetypes, life, and to our own animalistic emotions or neurotic human obsessions. It’s why we make art and why we repeat ourselves generationally and artistically.
Of her paintings, Krifka states, “I create a world populated with naive and innocent figures acting out their own legend, blind to the dangers around them or those that exist within themselves. In my work the fantasies and clichés of our own world combine and breed, creating a hyperbolic landscape populated by a society lost in their own myth.”
Seattle based illustrator Stacey Rozich’s work is littered with vibrant tribal patterns and drawings based on folklore. She brings an animated, lively, modern perspective to stories of myth. Her pattern work and line work are nothing short of exhilarating, playing reference to southwestern art, and tribal marks.