As part of our ongoing partnership with In The Make, Beautiful/Decay is sharing a studio visit with artist Marci Washington. See the full studio visit and interview with Marci and other West Coast artists at www.inthemake.com.
We visited Marci in her backyard studio in Berkeley. It sits just behind her home, a kind of garage/storage space that got converted into a cottage. It’s comfortable and functional, with an open feel to it. Marci is full of gusto— she talks with her hands, takes on all kinds of facial expressions, and she’s funny as hell. She enthusiastically moved through our conversations, at turns awkward and eloquent, but always unguarded and real. We talked about a lot of things, but her affinity for the landscape of the English moorlands, particularly within the context of Romantic Literature, really struck me. Those rolling, uncultivated hills covered in low-growing grass, shrouded under heavy fog and moody skies have wholly captured Marci’s imagination. And it makes sense that they have— much of what interests Marci is mirrored in that rugged, desolate scenery. In various Romantic and Gothic works of literature, the moorlands often represent mystery, mysticism, liberation, turmoil, and passion; they frequently echo the psychological state of the characters, and reveal their greatest desires and fears. Marci’s current work references not just the physical landscape of the moors, but also speaks to themes found in a lot of this kind of literature, and the universal emotions that are evoked—all those feelings and ideas that run wild with mystery, awe, darkness, terror and beauty. I think Marci is after a particular kind of mood that toes the line between terrifying and thrilling, creating a response that’s simultaneously overwhelming and invigorating. All of this plays into her sensibilities as an artist, but also as a person: her love of Edward Gorey and his eerie illustrated books, her unflinching need to feel everything very deeply, her leanings towards the bizarre and unique, and her fondness for the not-entirely-explained. It’s pretty damn amazing that come November Marci will be showing work in England, not far from the wild and lonely moors that have taken up so much of her imagination.
Renee French has been making comics for a long time. But for a few years now, she’s maintained a sketchblog full of spontaneous, faded graphite drawings that draw their appeal from creative character design and dubious narrative elements. Think of the black and white surrealist aesthetics of a Travis Louie painting, scaled and repackaged for children’s book production.
Dylan Rabe is a fellow artist and friend and colleague of mine. His illustrative works contain all things one could hope to see in a painting. Executed with bold colors and painstaking attention to detail, they fuse together theatrical narratives with assemblages of eccentric subjects, symbolic props, aged furniture, and elaborate décor; he successfully fits all such things into a single painting, typically creating medium to large-scale works. Dylan derives influence from a variety of sources such as 1950′s pulp art, soap operas, science fiction and romance novels. His work is enigmatic and enchanting, and I hope to see Dylan’s work gain further recognition in the future.
Mark Alsweiler has some new work out and it’s just as intriguing as his last. Each piece is eerie, full of color and texture, and references a different time. I love the pilgrim like characters who seem to have wandered into a different dimension. His work shows people doing normal tasks in this disappearing, melting atmosphere. I’m excited to see what’s up next for this talented gent.
Emma Löfström is a Swedish illustrator and artist whose work is eerie, narrative and has an otherworldly depth. Each of her pieces has this air of mystery behind it with subjects ranging from nature to magic to surrealistic creatures. Some of her works seem like a storybook which I for one would be enamored to get my hands on.
Seattle based illustrator Stacey Rozich’s work is littered with vibrant tribal patterns and drawings based on folklore. She brings an animated, lively, modern perspective to stories of myth. Her pattern work and line work are nothing short of exhilarating, playing reference to southwestern art, and tribal marks.
Chicago-based illustrator Deb Sokolow is a conspiracy theorist. Or at least that’s what her work seems to suggest. Creating long, linear, installation-based drawings which look similar to the kind of thing your typical movie serial killer has on his wall, Sokolow pays tribute to the great American tradition that is the modern conspiracy. Her work always has a strong narrative, usually featuring a nameless narrator uncovering some kind of sinister plot; plots which may involve anything from office life to the government (of course) to gangster movies to Barbara Walters.