Laurent Millet’s Collages Evoke Life And Death By Interweaving Man And Nature

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The surreal collages of men and plants that Laurent Millet creates in his series L’Herbier portray a strong connection between nature and the man. But what is that connection? The roots of the plants are always embedded in the body, replacing veins and organs, speaking of an essential. Is the body a receptacle for these plants? Are the plants a kind of succubus, living in and through the human form?

Millet’s work also connotes a strong sense of the fragility of life, echoing Genesis, “For dust you are and to dust you will return.” Plants growing in and through the body are a strong reminder of mortality, but also that there is life in death. Nothing ever really ends.

On his website, Millet’s tags for this work are revealing. “Copertino, homme, machine, vegetal, sciences, naturelles, herbier.” Man and machine, science and vegetation. Stylistically these disparate elements come together in photographs combined with botanical and anatomical illustrations. The men photographed seem preternaturally still. Are they already dead?

The series opens with this quote:

“[…] she with a knife did off the head from the body, as best she could, and wrapping it in a napkin, laid it in her maid’s lap. Then, casting back the earth over the trunk, she departed thence, without being seen of any, and returned home […] Then, taking a great and goodly pot, of those wherein they plant marjoram or sweet basil, she set the head therein, folded in a fair linen cloth, and covered it with earth, in which she planted sundry heads of right fair basil of Salerno; nor did she ever water these with other water than that of her tears or rose or orange-flower water.”
Giovanni Boccaccio, The Decameron, 1349-1353, translated by John Payne, 2007, Project Gutenberg ebook

Grotesque but beautiful, it is a reminder of how there must be life after death.

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Stunning Timelapse Captures A Seemingly Dead Plant Come Back To Life

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Videographer Sean Steininger of Tender Fox has put together a stunning video timelapsing the resurrections of the Rose of Jericho (Selaginella lepidophylla) plant. This plant can survive months and sometimes years without water, curling up and browning to the appearance of death – that is, until the presence of water quickly, and seemingly magically, brings the plant back to bright, green life. Steininger captured a time span of just 12-24 hours, documenting the fingers of foliage unfurling multiple times in order to best capture this amazing transformation. You can actually purchase a Rose of Jericho plant on Amazon, if you’d like to experience the water resurrection first-hand. (via colossal)

 

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Antonio Mora Transforms Human Portraits Into Mind-Bending Illusions

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Double exposure portraits by Spanish-based artist Antonio Mora (a.k.a. Mylovt) blend human and nature worlds into surreal hybrid artworks. Mora works with images he’d found browsing through online databases, magazines and blogs, and then fuses them together using skillful photo manipulation techniques. His seamless way of mixing various concepts together leaves the viewer with mind-tricking illusions.

“I want people to feel inspired when observing my artworks, and that is what I long for. I often look at images hundreds of times without finding anything, and then the spark just arrives. It’s a bit like fishing, a matter of patience and intuition.”

Mora describes his artworks as cocktails, mixtures of ordinary elements merged into forceful and expressive daydreams. According to the artist, his inspiration is provided by the limitless Internet itself and he feels as a medium between the two parallel worlds: real-life and the Web.

Antonio Mora originally graduated from graphic design. Right after his studies, he started a personal design studio which turned him into an art director for 15 years. Gradually, artist decided to concentrate on his art solely. Mora is one of the artists whose instant fame relies on social media: “Social networks, especially Pinterest, have been an important vehicle to spread by artworks”.

His mind-bending photo manipulations are very accessible to the public, as Mora offers anyone the chance to have their own portrait turned into an astounding work of art. (via Writeca)

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Incredibly Detailed Drawings Merge Wildlife And Human Worlds

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Graphic design and illustration studio Violaine & Jeremy create stunning graphite pencil drawings of animals and people merging with wildlife and nature. Surreal illustrations feature wild and domestic critters propped with various attributes of human world: spectacles, patterned scarves and even Victorian waistcoats.

Another humorous venture by the creative duo, Violaine Orsoni and Jeremy Schneider, is to attach lush flowery beards onto humans and wild animals. The unexpected combination of a fiercely looking gorilla sporting a Garden of Eden-like facial hair is beyond humorous. The idea seems to resonate with the latest trend of men adorning their beards with colorful blossoming flora.

Each piece of the collection demonstrates incredible attention to detail. Perfect technique of pencil hatching and shading brings Orsoni and Schneider’s intricate drawings very close to photorealism. Their studio collaborates on a variety of projects: from visual identity, to album covers, to design of the France’s leading innovation magazine, Influencia. (via KoiKoiKoi)

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Deconstructed Photography: Joseph Heidecker And Four Other Artists Redefine The Photograph

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Joseph Heidecker

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Since the first photograph, photography has ushered forth in producing a consequential depiction of truths through the containment of fleeting moments in a tangible and archival format. Instances in time are revealed as light falls upon sensitized paper, asserting the presence of each photograph’s content. The picture plane remains uniform, constricted by its own variable, physical dimensions: a synthetic simulacrum of a three-dimensional reality that will forever remain in constant flux. And yet, in spite of presenting elements of proof based within reality, the upheaval of the actual authenticity of the photograph has found itself under siege.

Through a variety of executions, the following artists working with the photographic medium twist this truism in unique and awe-inspiring ways, abolishing preconceived notions of photography through a re-presentation of the photograph. In their reconsideration of the ordinarily static picture plane, form is pushed beyond the confines of the image through the destruction, manipulation or interference of the photograph.

Featured artists include Joseph Heidecker, Matthew Brandt, Soo Kim, Eileen Quinlan and Nelson Crespo.

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Haunting Knitted Animal Pelts Draw Attention To the Plight Of Endangered Species

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Stretched and bound over wooden frames, the animal pelts of Australian artist Ruth Marshall are so utterly realistic looking that it is difficult to believe that they are not in fact fur and hide. Constructed out of knitted yarn, they compel us to consider the endangered species killed and skinned by poachers and collectors. Though illegal, the devastating skin trade has taken the lives of thousands of tigers in the past thirteen years, leaving only an estimated 3,200 tigers in the wild. Before poaching practices, deforestation, and other damaging factors contributed by humans, there were approximately 100,000 of this magnificent creatures around the globe.

Marshall learned of the plight of wild cat species while working at the Bronx Zoo and the Wildlife Conservation Society, an experience that moved her deeply. With her Big Cat Series, she hopes to provide a sustainable and humane alternative to tiger, leopard, and jaguar pelts. The nuances of each life-sized work is touchingly based on a real animal, whom the artist became acquainted in captive conditions. A few are modeled after skins owned by collectors. The project effortlessly illustrates the value of artisan work, which ultimately could hold higher commercial value than black market pelts.

Here, Marshall transforms a cruel practice into a labor of love. Where animal pelts have come to represent a cruel and grotesque opulence and greed, she introduces knitting, a craft associated with nurturing and care. As a result, her pieces are both disarming and lovely,a refreshing jolt of sustainability and activism. To learn how you can help save the tigers and other animals, please visit World Wildlife Fund and the Wildlife Conservation Society. (via Dark Silence in Suburbia)

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Heather Cassils And Three Other Artists Present Alternative Narratives Of Female Sexuality And Identity

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Heather Cassils

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Laura Aguilar

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In the digital age and generation of the selfie, a spiraling and often disorienting importance placed on consumerism and commodities permeates even the most remote of regions. Through the billboard jungles and beehive of mass media, images relentlessly promoting youth and sexuality haphazardly depict ideals of femininity. Creating a wormhole of inadequacies, the female form has found itself in a constant tug-of-war in either defending its natural state or scrambling to correct propagated notions of aesthetic shortcomings. As Barbara Kruger famously stated on one of her notorious gelatin silver prints from the 1980’s, “You Are Not Yourself”.

The following artists featured turn these preconceived notions on their head while reconstructing a refreshing narrative of female sexuality and identity. Featured artists include  Laura Aguilar, Aimee Hertog, Heather Cassils, and Marina Santana.

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Eddy Stevens’ Magical Paintings Capture The Bond Between Woman And Horse

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In his soulful, surreal paintings, Eddy Stevens imagines a world dominated by intuition and emotion, abandoning the mundane for an ethereal landscape dominated by female sensual power. In his wondrous vision, the woman, a heroine modeled after his wife Sophie, sheds her clothes, forging a primal connection with the natural world. The horse, in his majestic equine glory, mirrors the innocent nakedness of the woman, his massive muscles rippling parallel to her bosom.

In Stevens’s evocative images, raw, exposed sexuality is a source of spiritual strength rather than shame, fueling miracles like levitation and mysterious candle lights. Here, the domestic space of the house cannot contain the divinity of woman, and its walls crumble at her feet; she, like the horse, is free to roam infinite wildness.

Stevens’s cornerstone motifs, the nude female and the white horse, are reminiscent of the work of surrealist master Salvador Dalí, whose 1946 painting The Temptation of Saint Anthony also imagined the gift of levitation. But Stevens’s impressive body of work differs in its treatment of the nude and the equine creature; where Dalí presents them as perverse and frightful temptations, both symbols of the desires of the flesh, Stevens depicts them tenderly, as embodiments of purity and strength. This vision is perhaps most fully realized in “Birth of a Dream,” a painting depicting a trinity of nudes following a horse as he ascends into the clouds above. In a stunning reversal of Dalí’s imagery, the parade is shown from the back; instead of falling to earth, they climb to the holy heavens. Take a look. (via HiFructose)

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