I first saw Allison Krumwiede’s art at the LA Zine Fest and still can’t believe she isn’t like the biggest most important artist ever. Her pop culture work is incredible and her talent literally spans across every medium – from digital rendering to needlepoint. Whereas most artists spend their entire lives trying to perfect one thing like pen and ink drawings, she can easily switch between a brush and a needle like a civilian trades forks for knives at a dinner table. So, it’s rare that someone like Allison comes around, extremely freaking rare! She is definitely a talent to watch out for, especially considering she’s already done commercial work for some of the country’s media bigwigs like The New York Times and The Village Voice within a year of graduating from Art Center.
Ellen Schinderman curated the first part of her contemporary needlepoint exhibit Home is Where The Needle Marks at (Sub)Urban Home, with a second round of art to follow on Saturday, June 16th at PopTART gallery. After building a network of artists working within the medium via personal interactions and social media sites like Flickr, Ellen assembled a group that is really pushing the boundaries of concept and subject matter. For example, Mark Bieraugel presented several pieces that featured the titles of porno mags he used to keep hidden in his room as a teenager, which were hand sewn onto camouflage patterns – in essence, still keeping them hidden. There was also Robert Marbury who took pictures of graffiti in bathroom stalls and turned them into circular pieces that you’d expect to see in a wonderful little old lady’s house, except for the fact they say things like “I heart boobs” and “I heart dicks for din-din.”