Sven Lamme seems to playfully sit on the fence, so to say, between art and design. In collaboration with landscaper Terra Incognita, Lamme constructed these three “seating elements” throughout a nature preserve in the Netherlands. They at once serve as kind of landmark for the natural surroundings as well as a means to passively interact with the environment. Lamme also makes use of visual puns in the design of his seating elements. The first seat a literal interpretation of sitting on the fence, and the third resembling a buoy – a reference to the lands elevation below sea level.
Aartjan Venema is a Dutch illustrator with some really crazy ideas. Venema uses a lot of digital elements in his work but maintains a really nice aesthetic that evokes some of the brushwork characters and text elements of Raymond Pettibon’s drawings. He also packs a whole lot of narrative into one image. Nazi dinosaurs? Stonehenge murder mysteries? I’ll take it. (via)
The work is made out of 40.000 plastic bags that move in the wind. The slugs are ascending this steep city staircase that leads up to a huge Catholic church, essentially signifying their slow crawl towards death. The work reminds us of religion, mortality, natural decay and the slow suffocation of commercialized societies.
Rachel de Joode is a Dutch artist living in Berlin. Recently, she’s produced a prolific number of sculptural works that break down common perception through the use of unique materials, concepts, and execution. Her work is patently of our time, drawing on themes of technology, isolation, and highly saturated levels of information exchange. But her commentary remains singular, even in the face of some fairly evident influences. De Joode is also the co-founder and art director of META magazine.
We asked the artist a few questions about what she’s been up to lately and the various processes surrounding her sculpture-making. You can find her thoughtful answers after the jump.
All images courtesy of the artist.
Let’s check in with Dutch artist/designer/illustrator mogul Parra for a second. What’s that dude been up to lately (besides a show at SFMOMA)? Well, looks like he’s still killin’ it with his idiosyncratic minimalistic style. Birds, babes, food, and his signature palette still in full force- good to know he’s not slowing down. His style has always had an element of vintage 70s illustration, but not that of this planet. If you’re craving some Parra imagery for your own consumption and can’t afford a limited run print or sculpture, you can head over to his clothing/design company and score somethign there.
Dutch painter Philip Akkerman has 200 or more self-portraits on his website. They are extremely varied stylistically but almost always share a really unsettling vibe that’s hard to articulate. In the paintings, Akkerman is usually glaring; eyebrows and lips turned downward. What’s most intriguing in these works is Akkerman’s evolution over time. He’s experimented with myriad different styles and techniques and grown as a painter, and his various transformations are all laid out in these works. Not his glare, though. That’s remained somewhat of a constant. (via)
We still have a month left of summer, but autumn will be here before we know it. And that means leaves. Everywhere. Here’s a cool little typography project to help ease the transition from season to season. Twan van Keulen is a graphic designer from the Netherlands. In a series called Falling Leaves, Van Keulen cut letters and symbols out of leaves and scanned the results, effectively creating a unique (well, it is kinda based off Helvetica) set of typography. (via)
This isn’t the first time anyone’s ever used long exposure photography to make compositions with light, but Jasper Geenhuizen (Netherlands) is doing some of the best I’ve seen. Strong colors, and perfect set up and location. This is how you do it right. There’s no gimmick to these either- I would dig these pictures with or without the light work. They emit a damp, nocturnal atmosphere that’s not easy to reproduce. In Geenhuizen’s words, “Everybody can make light graffiti, but it is truly art to be able to combine the light with the place.” Hope to see much more from this guy going forward.