Sculpture artist Johnston Foster’s new exhibit, Catch & Release, opens next Saturday, May 15th, at New York’s RARE gallery. Foster, whom we featured in Beautiful/Decay Issue Y, has always created incredible somethings from the populace’s discarded nothings, but in his new show Foster also focuses on creation as his subject matter. There’s a little something for everyone in Johnston Foster’s new show: sharks, tigers, hornets, unicorns and of course a pizza pie – masterfully sculpted from a myriad of materials: pvc, bicycle spokes, marbles and a kiddie pool, to name a few.
The show opens on Saturday May 15th with a reception from 6-8pm and runs through June 19th.
Wangechi Mutu is a Kenyan born, New York based artist whose work has been featured in galleries across the globe. Her work was also featured on the cover of B/D issue L “Sex Sells.” She recently had an interview with Daily Serving’s Aimée Reid. Click here to read the interview.
New York City based designer/artist LA Hall is dedicated to spending quality time with his sketchbook, recording both the world around him and the world within him. For those of you in need of inspiration I suggest spending some time with his sketches or browsing his featured work on Cargo Collective.
In his third solo show at Team Gallery in New York, Ryan McGinley continues his exploration of youth. Known for capturing spectacular and adventuresome moments, McGinley shifts his focus in “Everybody Knows This Is Nowhere” to stark, intimate portraits. Photographed in his New York studio over 2 years, the hand-picked subjects are shown bare in black and white portraits.
New York-based designer/illustrator/art director/what have you Mario Hugo is a talented guy. Working mostly in print, he creates work that utilizes his painting skills in a way that feels very sophisticated and contemporary. Mr. Hugo is also the co-owner of an artist management firm called Hugo & Marie.
In a series entitled “Paper Mountains,” NY-based photographer Brendan Austin shoots crumbled paper in an abstracted, decontextualized way as to create the appearance of mountains. It reminds me of when I was a child and I would look at the natural folds, hills, and canyons created by my bedspread and imagine they were gigantic landscapes.
Born in 1948, New York based artist Marilyn Minter has been creating these sensual, borderline pornographic images since the 80s. Her process involves taking photographs of her subjects and then (usually) painting them on a huge scale using enamel paint on metal. Yet, as Emily Davidow says, “…the paintings feel more real than the gorgeous photographs that inspire them. Illuminating the moments when things fall apart, the paintings get more interesting as your gaze lingers on after that first arresting glance and you discover the imperfections. Hand feathered layers of enamel on metal render sweat, stubble, wrinkles and freckles lush, tactile and luminous.” The paintings are huge. I can only imagine what they look like in person.