Kim Tucker’s ceramic sculptures are burly messes of gender– exorcising primal desires, akin to a Bukowski or Fante novel, with a dash of Freud, but crafted with more of a surrealistic feminine charge. Each nude, for example, sexually and emotionally gestures at our gentle need for communion from one body to the next, illustrating psychologically how we bleed failure, rejection, isolation or loss.
KCRW’s Laura Schumate laments on each figure’s soft absorption: “There’s a desire to protect them like your own children or a friend, while acknowledging their familiar sorrow within yourself.”
On that note, the entire menagerie evokes not only Tucker’s inner children, but also our own, as they engage in “psychological storytelling”– narrating open wounds we are inclined to protect, lick, mother, or share: a deep commiseration over the tragedy of bodily confinement.
Maybe a little exploitative but well done nevertheless, these shots from photographer Allan Teger are done in single exposures. Natural, bodily curves take the place of hilly landscapes as miniature “people” go about their business perfectly naturally. A nice way to celebrate the human form through re-contextualization, or just pretty shots of naked people- what do you think? Whenever I see these little plastic guys being used in such a way, I always think of Slinkachu’s “Little People Project”. I guess this is a common thing now. But Teger’s been doing it for a while. (via)
Dan Gluibizzi’s work combines voyeurism with soft wash watercolor, creating pieces that feel like you’re looking in on strangers lives from a distance. He uses images from the internet, sometimes amateur porn photos but recreates his pieces in a completely refreshing manner. Viewing his work is nothing like viewing the photos they came from, he adds a sense of curiosity and innocence in his figures that comes through beautifully in his medium.