DIAcussion, a group show that engages in dialogue and discussion through form and subject, opens tonight at envoy enterprises, 87 Rivington St. (6-8 PM). The exhibition seems to approach its concept very directly; a lot of the interplay between the work is very pronounced, sort of in your face. This is far from a problem, as the overall quality of the show looks to be pretty high. The focus on figurative elements opens up a direct, personal vein through which we are able to consider the implications of the vastly different ways in which we approach the same goals. You can keep your questions at face value (medium vs. medium, subject vs. subject). And you can take in the decaying face of Gerald Collings’ The Hollow (above) and go all out dust-to-dust; considering the myriad ways you might choose to live your life in the face of the possibility that we all end up in the same lame, dead position eventually, that we all think we know the best way out of the maze but none of us actually find the exit in time.
All images courtesy of the artist and envoy enterprises, New York.
Mark Mulroney is currently showing new work at Mixed Greens in Chelsea. The exhibition, entitled We’re Never Getting Rescued With That Attitude, features paradisiacal scenery created with graphite and acrylic applied to both found book paper and carved wood panel, respectively. In addition to reading Gauguin’s letters from Tahiti, studying Tarzan imagery, and internalizing clichéd tropical sunsets, Mulroney investigated 30-years-worth of Playboy and Penthouse magazines in preparation for the show. Click past the jump for some installation views, and check it out in person before April 20th.
Japanese artist Mr. built an installation in the Lehmann MaupinGallery that is a gorgeous messy heap of cultural garbage/treasure. Using old anime posters, tarps, wood veneer cabinets, bouncy balls and the like, Mr’s installation overwhelms us with the incredible amounts of Stuff we as a society create; a physical version of contemporary internet culture’s constant sensory overload. His show is up for another three days, so if you’re in the NY area, catch it while you can! Press release:
“Mr. has envisioned a complex, chaotic installation that serves as immersive sculpture by forcing viewers to interact with the work and places them in a scenario that is psychologically unsettling. His new body of work aspires to blur the distinction between the interior and exterior through the construction of structures and atmospheres inhabited by familiar objects that are conversely used to communicate the unfamiliar: in this instance, an experience most people have not lived. Viewers are given insight to the psychological state of Japan all the while remaining alien to the experience. Composed of garbage and everyday objects from Japanese life, this installation stands as a reminder of the debris that blanketed Tohoku in the aftermath of March 11.”
Diana Al-Hadid is a Syrian-born artist who grew up in the US, and coming from such rich backgrounds, it is easy to see why her work deals with the disintegration of power and history. Melting statues and monuments, paintings that look like they were left out in the rain for centuries, the work in her show at the Marianne Boesky Gallery looks more like anthropological pompei-like discoveries than they do precious art objects, which is kind of the point. It encourages you to wonder what kinds of remnants our empires will leave behind for the future to dig up, or for others, maybe it is a call to arms to incite some cultural anarchy. Her show also closes on the 20th of this month, so stop by if you’re in the neighborhood!
Recently deceased Hip Hop legend RAMMELLZEE was such an enigma. I often have a hard time deciphering some of his rhetoric. But his genius is so evident. His work (on any platform, vocal or visual) was always a cut above. He always had something slightly different going on. Take his “Letter Racers” (above), for example. Customized skateboard warriors fighting epic alphabet wars? Always on another level. See more from the late great artist after the jump, and listen to “Beat Bop”, the game-changing single that included cover art from Jean-Michel Basquiat.
All photos Copyright The Estate of Rammellzee, Courtesy the Suzanne Geiss Company, New York.
Although each artwork has a unique look, the group relates through the consistent use of found and vintage papers. By using materials from the past in a contemporary moment, ordinary notions of linear time are subverted. Lamarche’s works exist in a cultural context all their own.
Greg Lamarche opens Timeless, a solo show with Joshua Liner Gallery, on October 4th. The show will present a mixture of collages, assemblage, and paintings from the New York-based artist. There’s a natural reference to graffiti here, but we’re talking about so much more than that now. Most of these are a product of the artist’s personal archive of found material, and Lamarche’s buttery flow is almost unparalleled. Timeless will be up through the 27th. Get excited.
Both artist’s work share an obtuse unearthly charm as a common language, and their work promises to have an energetic and productive conversation in their upcoming exhibition.
Great show up at FFDG in San Francisco right now. Eric Shaw and Henry Gunderson spent a couple weeks on the beast coast cooking up some vibey abstractions for us and now they’re ready to be seen! Both artist’s works definitely play off each other really nicely, and if you’re out in SF, this one is not to be missed. See more from the show below.
Trey Speegle just opened Good Luck With That, a solo show at Benrimon Contemporary in Manhattan. Speegle plays with familiar paint-by-number formulas in semi-abstract works full of color and personal significance. A few works in the show feature silhouetted horses among other elements that exist within a recognizable context, but the real star here is the artist’s subdued, flat application of color. The show will be up until October 20th, so if you’re out here, be sure to roll through.