A new batch of character-driven, graphic paintings from Teddy Troops progenitor Flying Fortress was recently on display at Brooklyn’s Mighty Tanaka Gallery. As always, lots of clean lines froms FF’s steady claw. This show is closed, but the gallery is now holding a promising group exhibition entitled “Generations”.
Jeremiah Maddock is a hard guy to pin down. Many have spoken of him as some sort of ghost- a shadowy figure that passes through bars and cafes with a suitcase full of muted drawings, and an unknown past. This legend surrounding the artist, who lives -most of the time- in New York City, creating richly patterned mixed media works populated with ghoulish creatures and tramps, is likely a product of his obvious lack of desire for external validation. It’s clear that Maddock, who has no personal website, maintains a very pure process; he is interested more in the act of creating -and the motivations behind such an act- than any finished product.
I caught up with Jeremiah in-between his extensive travels throughout the interior of the country. Read the interview after the jump, which includes the artist’s thoughts on steez-biting Mayans, art fairs with Josh Keyes in high school, and collaborating with the dead.
Ted Mcgrath is an artist and musician currently living in Brooklyn, NY. His scribbly illustrations have appeared in a myriad of publications including The New York Times, New York Magazine, Bloomberg Business Week, NYLON, The Village Voice, and Bust.
In a recent attempt to find contemporary artists making fresh, black and white imagery, I fortunately stumbled upon Sam Moyer‘s, washed out, subtle abstractions. These images, composed of bleach and ink, are soft and elegant and fair in scale. I want one. Many more after the jump!
Joana Avillez is a radical comic book drawing machine from Manhattan, NYC. Her work exists in a universe all her own where old timey cartoons wear Geta shoes and one-of-a-kind hats, while reading old issues of Heavy Metal and Raw, over a nice hot bowl of asian soup. Buy copies of her most recent book “Life Dressing: The Idiosyncratic Fashionistas” here.
Bill Sullivan‘s large-scale works; which cover a range of meaty subject matter from lucid portraits of unwitting subjects in the street, to confounding postmodern digital prints on canvas, are both visually appealing and conceptually titillating. Even while navigating such a wide artistic breadth, Sullivan’s work is still pulled under one umbrella; that of the artist’s mind. Sullivan applies a piece of his own subjective vision to all his material, it doesn’t matter what the specific subject matter is. And this is all that can be asked of an artist.
Recently stumbled across the work of Patrick Brennan by way of his most recent solo show @ HalseyMcKay. He provides a really fresh take on painting. Lots of interesting material decisions, color usage, and compositional arrangements. I dig it…more after the jump.