In a recent attempt to find contemporary artists making fresh, black and white imagery, I fortunately stumbled upon Sam Moyer‘s, washed out, subtle abstractions. These images, composed of bleach and ink, are soft and elegant and fair in scale. I want one. Many more after the jump!
Joana Avillez is a radical comic book drawing machine from Manhattan, NYC. Her work exists in a universe all her own where old timey cartoons wear Geta shoes and one-of-a-kind hats, while reading old issues of Heavy Metal and Raw, over a nice hot bowl of asian soup. Buy copies of her most recent book “Life Dressing: The Idiosyncratic Fashionistas” here.
Bill Sullivan‘s large-scale works; which cover a range of meaty subject matter from lucid portraits of unwitting subjects in the street, to confounding postmodern digital prints on canvas, are both visually appealing and conceptually titillating. Even while navigating such a wide artistic breadth, Sullivan’s work is still pulled under one umbrella; that of the artist’s mind. Sullivan applies a piece of his own subjective vision to all his material, it doesn’t matter what the specific subject matter is. And this is all that can be asked of an artist.
Recently stumbled across the work of Patrick Brennan by way of his most recent solo show @ HalseyMcKay. He provides a really fresh take on painting. Lots of interesting material decisions, color usage, and compositional arrangements. I dig it…more after the jump.
I tend to be drawn towards imagery that confuses me; where I can’t quite tell what is going on. I find I ask myself that very question with many of illustrator Kelsey Dake’s drawings. But more than that, I am digging on the concentrated, black lines that feel as though gravity is getting the best of the ink… there’s a nice mix of humor in the work as well.
Daniel Weiss is a photographer from NYC practicing what he calls, “traditional street photography.” One of his bodies of work, entitled “New Yorkers,” depicts the everyday people he encounters throughout New York as the title suggests. His goal is to capture the traditional cast of characters of the big city. His other portfolio, titled “Street Scenes,” is more your basic street art. In each of his photos he aims for a timeless feel, only capturing scenes that do not give away the time period. He says that by not being able to tell if the photo was taken now or 50 years ago, “it allows you to focus more on certain, more interesting details that may be in the photograph.” He states, “Especially since I feel that most the city nowadays is in an aesthetic slump that it will never recover from.” Check out more of his work after the jump, or visit his site.
Dylan Wooters is a photographer and writer from California, living in NYC. His photographs depict his encounters through the various cities he has lived or traveled to. Mr. Wooters has also followed the Bay area graffiti scene and taken numerous photos documenting his experience. Check out his Flick’r account, as well as his website, for more of his photos and writings.