This Unbelievable Glass Table Is Modeled After The Ocean Depths

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For his latest project, titled the Abyss Table, designer Christopher Duff of Duffy London constructs a detailed cross section of the sea bed from sheets of glass and wood. Inspired by mythology, he designed the piece of furniture to look like one belonging to an ancient deity, capable of pulling up chunks of the earth for his own decorative use. From above, the table resembles a topographical map laid flat, but when viewed from the side, it becomes a multilayered and multidimensional model of a three-dimensional mass forged over millennia.

The brilliance of the Abyss Table lies in part in the conflicting nature of its form and function. By its very definition, the table is not an abyss but the exact opposite: a protruding surface capable of supporting objects. Here, the liquid surface of the ocean is transmuted into an imperturbable solid, and fluid space becomes sturdy and unbroken.

On the website of Duffy London, the preliminary image of the table, which will be released this fall, is accompanied with a line from Friedrich Nietzche’s “Beyond Food and Evil:” “And when you gaze long into an abyss, the abyss also gazes into you.” This oft-quoted passage, almost always meant metaphorically, finds a very literal manifestation here. Contained in this table, the dark, unknowable emptiness that consumes the human mind moves poetically into the home, merging its mysteries with the normal routines of domesticity. Each image shown here is a digital model from which the actual table will be built. Take a look. (via Colossal)

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Sea Wreckage or Art? Mary O’Malley’s ‘Porcelain Crustaceans’

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Mary O’Malley’s Bottom Feeders is a series of oceanic ceramics that look as if they were discovered among sea wreckage. These “porcelain crustaceans” appear delicate and dangerous, as the aquatic life that crawls among the porcelain seems as if could consume and become the dish itself. Inspired by her home by the sea, O’Malley created this series with porcelain, red Iron oxide, 22 karat gold luster, and a cone 6 glaze that shes makes herself using a recipe called Alfred White. She enjoys creating work that juxtaposes seemingly disparate imagery or ideas, such as the series of urns she created that she intended to be humorous. Of this series, she says,

“What interested me with this series, is by applying the creatures to plates and bowls I was reminded of naturally occurring circumstances where nature takes over man made scenarios. Humans are constantly vying for power against the natural world but we can never quite seem to win. Once I started to create these pieces I then started to notice the same pattern going on in the world around me: moss growing on a concrete wall, barnacles growing on the side of a dock, tufts of grass poking up through cracks in the sidewalk, etc. Maybe I am interested in this series because it is a truer representation of the world we exist in.” (via)

Be sure to check out O’Malley’s Etsy shop, where you can purchase some of her work. She currently lives in New York.

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Lunar Cycle Installation Examines The Relationship Between The Moon And The Ocean.

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Pool, The Alchemy of Blue by Australian artist Lizzie Buckmaster Dove poetically celebrates the relationship between the moon and the ocean.  The stone-like pieces found in these images are the remnants of swimming pool found near the ocean in Dove’s hometown of Coledale.  The nearby ocean was slowly destroying the pool with each tide.  The two installations pictured here are a kind of homage to the powerful force of the moon on the ocean below.  She constructed the circles below with her friends to coincide with the lunar cycle.  One arrangement featured the concrete fragment’s blue hued side facing up for the corresponding blue moon.  Dove and her friends organized an empty circle with the concrete at its perimeter for another arrangement to coincide with the new moon.   [via]

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Jan Otto Schreiber

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Jan Otto Schreiber, a photographer from Hamburg, Germany, decided to explore Australia last year. He traveled by cargo ship for two months, traveling on the Panama Canal, and in that time documented his surroundings with over 250 different shots of islands, ships, and the sea. He spent weeks editing the proofs of his documentation, and ended up with 14 dreamy images.

This series is titled: Somewhere Between the Shores. A yellow-tinged, pale collection of photographs that mimics the experience of quiet nostalgia, the subtle stillness of the ocean, and the mystery inside moving silhouettes.

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Jean Pichot

Jean Pichot went to the beach with Ana on their bicycles. Jean wanted us to come with, but we forgot to RSVP – so he captured the whole thing for us. Let’s go ahead and join them.

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