You may remember when we first featured French artist Miguel Chevalier’s work back in September for his Paris construction tunnel light installation and musical collaboration with Michel Redolfi. Revisiting traditions of Islamic art, namely mosaics and carpets, Chevalier and Redolfi have joined forces again to create a similarly interactive digital/sound project earlier this month at the Sacré Coeur church in Casablanca, Morocco. From April 3-6, “Magic Carpets” transformed the church’s floor into an interactive user interface featuring graphics evolving along with the movements of visitors. The digital light display features generative graphics that multiply, divide, grow, and transform, reminiscent of cellular and organic systems. Visitors’ shadows become a part of the light and graphics display, allowing users to become a part of the installation. The effect of combining organic and digital technologies renders the installation almost psychedelic, enhanced by the accompanying ambient music by Redolfi. To view the installation in action, be sure to check out Claude Mossessian’s video. (via design boom and inhale mag)
Bristol artist Camila Carlow creates these lovely renderings of human organs by foraging for wild plants, weeds, and the occasional animal part and then sculpting and arranging these various bits of flora. Her series, entitled “Eye ‘Heart’ Spleen,” recontextualizes images of organs such as a heart, lungs, stomach, uterus, liver, and testicles, demonstrating the reflection of internal biological structures with external natural structures. From Carlow’s site, “This work invites the viewer to regard our vital structures as beautiful living organisms, and to contemplate the miraculous work taking place inside our bodies, even in this very moment.” You can order prints and keep up with this particular project’s developments via its Facebook page. (via unknown editors)
New York City based artist Klaus Enrique constructs portraits based on painter Giuseppe Arcimboldo’s 400 year old work that features human figures with features represented by images of plant, fruit, or other organic elements. Enrique was inspired to create these portraits while photographing a human eye peeking out of leaves. He thought he could use leaves to construct facial features or masks. After some research, Enrique discovered Arcimboldo’s paintings and decided to recreate the images. This project has also inspired him to recreate other portraits, like those of Darth Vader, Gandhi, and The Terminator.
Enrique says, “Although most recognize the images immediately as portraits, there are many people who do not. At first they only see the individual parts of the image: the fruits, flowers, and vegetables. But after looking at it for a while, they realize that it’s a portrait of a person. To see that thought process being played out in real time is very satisfying to me because it mimics the thinking behind the art: that simple organic objects come together to create something more meaningful than the sum of its parts.” (via lens scratch)
Japenese artist Ishibashi Yui’s sculptures are both unsettling and serene. Using a variety of materials, such as wood, resin, cloth, clay, steel wire, and stone powder, she often depicts figures whose roots extend and project outward in many directions. These figures appear passive and complacent to these protruding branches, aware of the lack of control they have over this organic process. Some of these protrusions seem painful or unexpected, but ultimately inevitable. Often her figures are off-white, while their protrusions are green or red-hued. These figures are human-like, but their soft, round and white bodies give the viewer a sense they are also of the earth, resembling a plant’s bulb. Yui’s work makes us deeply aware of how we are intertwined with the natural world, and the balance and cycle of nourish and depletion that living and dying requires. (via hound eye)
Angelika Arendt creates her vivid sculptures out of a variety of materials. Arendt often twists and shapes polymer clay to form dripping and swirling patterns, but also uses foam, wood, and acrylic paint to fashion similar forms that are rich in texture and movement. These intricate patterns lend her work an organic touch, something psychedelically oceanic, perhaps. A quick look at her illustrations reveals her incredible ability to transform intricate two-dimensional designs into three-dimensional models. Arendt lives and works in Berlin.
Bae Sehwa’s steamed bentwood furniture ripples in airy and sinewy ways to curve around the human body. The precision in each piece is not accidental. It’s acutely planned. Sehwa digitally renders and manipulates geometric forms then returns to the actual physical form, steaming and bending the wood into a mold under a tight watch. The result is functional, organically smooth, and flawless.
According to R Gallery, “Bae Sehwa’s work is derived from the Korean concept of baesanimsu, meaning the back of the mountain and front of the water and he draws heavily from the profound connection to nature in traditional Korean theories of divination. The steam bent wooden frame of this lounge offers a narrative that includes both the tranquil, meditative qualities of flowing water and the strong, comforting silhouette of a mountain.”
It’s difficult to discern whether Lisa Kellner‘s silk installations are natural or intrusive, peaceful or menacing. Her delicate fabric structures resemble jellyfish or coral as much as something cancerous or viral. Kellner’s work intentionally inhabits this duality. Each installation is made out of silk – a medium that is at once organic but also extremely strong. Her sculptures illustrate the curious path of growth organic matter can take. Lisa Kellner says of her artwork:
“The quickest path from point a to point b is a straight line. But nature is filled with curves and crevices. And human nature always seems to prefer a more circuitous path. Whatever means are chosen, the journey one takes presents a perfect painting problem: what is the essence of a moment that took everything to get there?.”
Kristine Five Melvær is a Norwegian designer who brings a really subtle, but affective approach to the table. This Bloom lamp series is great. Inspired by natural forms, the shades call to mind “buds, fruit, or water”. Each of the three lamps are a different height, which promotes a sense of organic incongruity. The shades are made of canvas, which, though a possible fire hazard, goes along nicely with the earthy vibe of each piece. (via)