An Imaginary City Of Famous Artists’ Buildings

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Italian architect and illustrator Federico Babina has created 27 fantasy buildings that meld famous artists and the places where they might live. The series “Archist City” is a clever melding of cross-sectional drawings of buildings and the signature styles of artists including Andy Warhol, Damien Hirst, Pablo Picasso, Keith Haring, Joan Miró, Josef Albers, and Piet Mondrian. The result is a cohesive group of easily identifiable buildings—in fact, pairing the artist with the correct drawing is part of the fun.

“Art, architecture and sculpture are historically linked by an unbreakable thread, we find examples of paintings and sculptures having a direct influence on architectural design. … Painting sculpture and architecture have always been complementary disciplines that influence each other and feed to grow and develop along common paths.”

Babina’s skilled artwork makes this look easy, but in actuality first fitting the artists’ iconic styles into an architectural framework, then keeping all of the buildings consistent in execution is the mark of a very skilled artist. Some of the artists play well together: Mondrian and Albers and Rothko for example. Others would seem to defy architecture, like Dali, Haring, and Miro, yet Babina has brought them into his imaginary cityscape. The identical background texture and color, font, and scale relative to the paper help tie the pieces together.

The silhouetted figures help sell these as buildings instead of artworks and the cross-cuts reveal wonderful details: Andy Warhol’s building includes soup cans and his Marilyn Monroe paintings; the huge shark in Damien’s Hirst’s building references his 1991 work “The Physical Impossibility of Death in the Mind of Someone Living.”

“These images represent an imaginary and imagined world of shapes that uses the brush to paint architecture.”

What fun it would be to inhabit this world of huge imaginations, awesome ability, and lasting artistic legacy.

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Stunning Photographs Made Entirely Of Disease-Causing Bacteria

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During his graduate studies in microbiology, artist Zachary Copfer invented a new type of photography, one grown entirely of living bacteria. By exposing sections of microscopic organisms to radiation, he accelerates their growth, allowing them to multiply and compose vivid photographic portraits. Copfer’s subjects include both artists and scientists who inspire him; famous images Albert Einstein and Pablo Picasso are replicated in Serratia marcescens, a human pathogen often associated with infections of the urinary tract and respiratory systems. The portrait of Stephen Fry is made of bacteria found in the actor’s own body.

Copfer’s portraits closely resemble the art of Roy Lichtenstein; his faces bear the same comic book-style polka dots made famous by the legendary pop artist. Also like Lichtenstein’s paintings and prints, they are duplicates of mass-produced, iconic public domain images. But quite unlike the work of Lichenstein and his colleagues, Copfer’s images are imbued with an undeniably unique and human tenor. These bacterial cells, some drawn from the bodies of the subjects they portray, are corporeal and therefore inevitably personal. In contrast the ink used by the pop artists, these cells will someday die. Though iconic, these portraits are ultimately of mortal men, and the fact that they are rendered here in disease-causing bacteria only underscores that fact.

In addition to portraiture, Copfer experiments with photographs of celestial bodies. Here, in glowing green E. coli genetically modified with GFP, the vast cosmos are paradoxically formed from the microscopic, reminding us that in the end, all matter great and small is profoundly interconnected. Take a look. (via Jezebel)

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Art Masterpieces Recreated With Meat

 

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While looking at sausage, most people only see sausage– mouth watering deliciousness; Karsten Wegener, however, sees a work of art by Jeff Koons, Damien Hirst, or Vincent Van Gogh. Each playful photograph translates a meaty culinary treat into a classic contemporary masterpiece, acknowledging the food’s curvacious qualities and raising the bar for its standard of use.

As Anthony Bourdain says, “Context and memory play powerful roles in all the truly great meals in one’s life.” The same thing goes for artworks we admire and aspire to create.

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Barbie As Famous Works Of Art

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Jocelyne Grivaud reinvents Barbie as famous works of art and cultural icons throughout the ages.

“This design needed time to take root, as often. The whole story began one day, in November 1967, with a present, all tenderness.

It was pink, vaporous and extremely delicate. With the patience of an angel, my mother had secretly knitted a dressing gown and tiny bootees for my Barbie. It seems to me there were more clothes, but these bootees, with their little pink knots on top totally fascinated me.
Then I grew up. The doll vanished, but I kept in mind the elegance and grace of my Barbie as well as a little bootee deep down my secret box.
One day, the idea of extending the happy part of my childhood through pictures I love took shape. Barbie is often criticized for being too blonde, too superficial, too skinny,  too “ideal marketing”, too “this” and too “that”…. My aim was to adjust this so famous profile to different emblematic representations.

Here’s my personal contribution as a birthday present to my mascot, Barbie, superimposed on the vision of artists whose work I greatly appreciate.
Let me thank them all for creating such intense pictures. Many thanks to Ruth Handler for creating this dolly model that enraptured me throughout my childhood.”

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