As part of our ongoing partnership with In The Make, Beautiful/Decay is sharing a studio visit with artist Alexandra Grant. See the full studio visit and interview with Alexandra and other West Coast artists at www.inthemake.com.
Alexandra’s studio is in the historic West Adams district of Los Angeles, just a short distance from Koreatown and Downtown. From the outside her building looks like a non-descript, kind of funky commercial space that in no way expresses how big her studio actually is. The place is huge with a cavernous feel to it— cold, shadowy, and resounding with echoes, it heightened every one of my senses. Everything I took in seemed exaggerated: the damp air, the bright fluorescent lights, the vibrant colors of Alexandra’s paintings, and the steady rhythm of her voice. Long after our visit those impressions continued to linger, as did much of my conversation with Alexandra. She is a force to be reckoned with— her brain is agog with ideas that she expresses in a continuous flow of conversation, often jumping from one thought to the next as they wildly run through her mind. Her energy is infectious and inspiring, and makes you feel like the world is in fact full of promise, insight and adventure. Many of Alexandra’s paintings are collaborations with writers and their ideas, which makes sense because she appreciates the complex nature of dialogue: the exchange of both concepts and language, the act of deciphering and interpreting, the twists of subtext, and the inevitable losses in translation and how we make up for them. By borrowing writers’ poetic language she utilizes the format of dialogue to create “conversation” between image and text. In engaging text and image this way, the work then becomes a liminal space that challenges the viewer’s ability to perceive and hold both elements at once.
As part of our ongoing partnership with In The Make, Beautiful/Decay is sharing a studio visit with artist Serena Cole. See the full studio visit and interview with Serena and other West Coast artists at www.inthemake.com.
Serena’s studio is in her Oakland apartment, a modest space that she has efficiently rigged to accommodate her needs. She’s set it up so that her studio takes up most of the apartment’s square footage, but she keeps things flexible with furnishings that are easily moved and rearranged. I’m always impressed with resourcefulness and am appreciative of the kind of ingenuity that comes out of necessity and that manages to circumvent a set of limitations. In fact, the idea of limitations kept coming up for me in thinking about Serena’s artwork because her pieces are very much visually dictated and confined by her reference material. Her work directly appropriates the fashion imagery of advertising campaigns and editorial spreads, highlighting the patterns and tropes used to elicit desire and encourage consumerism. In taking on this imagery, her work attempts to examine what is revealed about our collective psychology, the culture of consumption and escapism, and the complexity of fantasy. In our conversations, she acknowledged that she isn’t so much trying to create something new, but instead aims to deconstruct already existent imagery in the appropriation of it. But this is a slippery slope— in being so tightly tethered to the aesthetics of the fashion world, Serena’s work runs the risk of coming off as analogous instead of questioning. Serena is aware of this risk— in creating art within a framework already heavily loaded with well-established associations, value, and perimeters, she knows the trick is to get the viewer to recognize that there is actually a lot at stake amidst the glitz and glamour.
Ralph Pugay‘ is a Portland artist who makes awesome, lighthearted paintings. His colors and content is all comic, but his style reminds me of a combination of Waldo and Pieter Bruegel–a million things going on with lots of different characters all in one big flattened space. One of the thing i love about this, Waldo, and Pieter, is that you can spend a whole afternoon staring at and finding new, funny things in them. Confused hunters, dancing office workers, spiritual gymnasts; I can’t get enough. Check out the rest after the jump, then go look at the other 42 on his website!
Jason Shawn Alexander illustrates and paints beautiful people who are bent and crooked from the struggles of life. However, he does it in a way that’s still appealing and uplifting to view. So, when you stand in front of his work you begin to feel up and contemplative, rather than ominous and down like you’d initially imagine from the darker pigments and conditions of his subjects. Originally from the south, Jason now resides in Los Angeles and interestingly enough, besides being a figurative painter, he worked for years as a draftsman at all of the top-dog comic publishers like Dark Horse and Marvel…(via)
Created using the digital software program Painter, artist Chet Phillips of Chetart creates the most whimsical human – animal connections. Poodles as wrestlers? Monkeys smoking pipes? Make sure you check out the titles of all his pieces, they are as silly as the images. The one above is entitled Phineas H. Flabbergast.