Matt Irie has been working on this group of highly satisfying paintings which I’d like to share with you. See more after the jump, plus an array of other projects including “Stupid Sculptures” and collaborative works with Dominic Talvacchio.
London based artist Phil Ashcroft explores & investigates the Urban Landscape and unveils, through both 2D & 3D mediums, sometimes somewhat ominous and often playful, the hidden possibilities within.
Really really nice geometric abstractions from Chicago dude – Todd Chilton. Thoughtful, painty, very awesome.
Chris Duncan is a fabulous Oakland based artist that I have had the pleasure of spending some time with over the past year. His installations, performance, drawing, painting, book making, sculpture and print-work are not only ambitious, but easy to get lost in, and most importantly, totally gorgeous! One of the hardest working artist in the game.
Andreas Fischer’s “Ghost Town” is currently on view in our lovely city of Chicago. Ghost Town, which is on view at two separate venues, Hyde Park Art Center and The Gahlberg Gallery, shows us two distinct selections of Andreas’s portraiture and imagined landscapes. There is a nice anonymous quality to these locations and figures, with titles like “Original Location” and “Sunday Best”. Plus, the work actually becomes more engaging after you read about it, which in my opinion, is often not the case.
Artist Tristram Lansdowne is a Canadian born artist currently living and working in Toronto. His paintings focus on “ideas of permanence and function inherent in our constructed environments”. Lansdowne references the 19th century Romantic ruin and juxtaposes it within an isolated urban setting, thus exhibiting his pessimistic view of human progress.
In the ‘Spin Series’ artist Paul Henry Ramirez addresses social and aesthetic issues with abstract paintings. Each painting is set on a turntable and the audience is invited to rotate the painting. Ramirez creates a collaborative relationship between viewer and artist by making his paintings interactive. This makes it possible for the viewer to find the ‘internal logics, tensions, and interactions that order the multiple parts of the constructed configurations’. I really enjoy the image of the painting as it is spinning, but also like the sexually implicit imagry that emerges from the paintings when they are static.