Belgium just got a whole lot more colorful with the new Pantone Hotel™ opening in Brussels. As a company, Pantone is all about color, with professional color-matching tools for the graphic arts, apparel, home furnishings and interior design, retail paints in partnership with Fine Paints of Europe, as well as an extensive product line based on their iconic color swatches.
The Pantone Hotel™ merges this world of color with an upscale hospitality experience, creating seven color-palettes for the 59 rooms and suites, plus meeting rooms and a rooftop terrace.
“Impeccably designed by Michel Penneman and Olivier Hannaert, The Pantone Hotel™, Brussels showcases the color of emotion with a distinctive hue on each colorous guest floor. From vivid to subdued, for business or leisure, our unique boutique design hotel perfectly suits your savvy palette and colorful imagination.
From a design perspective, The Pantone Hotel™, Brussels is built on an exceptional use of contrast; a white canvas provides clean space for saturated colors to pop. Guest rooms feature unique photography by esteemed Belgian photographer Victor Levy.”
With a choice of large or extra large rooms, staying at the hotel can give you all the minimalistic color thrill with none of the discarding of inappropriately colored objects that you’d have to do at home. You can even acquire your own piece of the Pantone Universe—the concierge sells products from mugs and cups to iPhone and iPad covers. (Via Fast Co. Design. Photos via Pantone)
Really nice work from Australian artist Abbey McCulloch. There’s almost a fashion illustration vibe with these paintings, which feature female figures staring at you from eyes weighed down with heavy makeup. And so often when an artist does cite fashion illustration as an influence, what they really mean is straight up fashion illustration placed in a gallery setting. That wouldn’t be the case with McCulloch’s work, whether she drew direct inspiration from the realm of fashion or not. Her palette selection is so good. And the expressions on her subjects’ faces, captured with just a few brushstrokes, are uncommonly evocative. Click past the jump to see more. (via)
I really like these illustrations from Sandra Beer of Frankfurt, Germany. They somehow have a dirty and nostalgic feel all at once. If I encountered the animals and youngsters of Beer’s portfolio in the real world, I wouldn’t know whether to go in for the hug or run to safety. Where others may have tried for crowd pleasingly cuteness on some of her subjects, Beer’s not afraid to bring out the ink splotches and faded palette. Also, this aesthetic carries throughout all of her work, including the digital stuff. (via)
Jon Boam is an illustrator living and working in the UK. He works in a nice, muted palette which he applies in flat vectors to sci-fi line work. I especially like how repetitious some of his stuff is. It looks like he doesn’t easily become bored with drawing one robot after another. And I’m definitely not bored either. The comics influence in Boam’s work is fairly evident, but not heavy handed, which is always nice to see. Now you know what your work would look like if you never stopped doodling in your 3rd grade Arithmetic notes.
Portlander Kyle Jorgensen combines ethereal, cosmic subject matter with explicitly tactile media selections, and it really works. In the age of Photoshop, a lot of this type of imagery is often generated through digital means. It’s really nice to see a guy just go all out homegrown. Great palette here as well. Click past the jump, and then check out his blog for more.
The boombastic Superoboturbo illustrations remind me of how excited I used to be when I saw monkeys on television. I used to be obsessed with those little fuzzy guys, and I’m beginning to swoon for this man’s work the same way. His controlled pallette and friendly line-weight make for a rambunctious duo that make it hard to pull my eyes away.
Also, he recently broke his leg so maybe send him a nice note or a little work to help cheer him up/pay the medical bills at: firstname.lastname@example.org