Matt Rich resides in Boston, where he relies on color theory and a keen eye to develop his collage paintings: a visual cacophony of latex painted sheets cut into shapes then taped together.
Minus a frame or stretcher bars, these pieces surrender to vivid organic forms when pieced together. Sometimes, Rich even paints both sides before piecing, in order to “discover” accidental color pairings when flipping the work over.
Of his collection, Rich hopes viewers and visitors walk away with a poetic experience: “The warm glow of relief after effort or a crisis has been averted. An understanding that life will continue as before, but differently.”
Heidi Whitman’s Invisible Cities consists of a series of floating paper cutouts mapping real, ancient, and fictitious city routes and passages. Seeing the outlines of cities from this perspective makes you question how our cities are built and how truly organic and ever-changing the concrete and stone roads, streets, and passages that we take are. Heidi’s work can be seen this month at Christopher Henry Gallery in NYC from March 25th-April 23rd.
Just so you know, these works are a combination of paper cut outs, painting, and the occasional black haired monster. So, Julien Langendorff, that must have taken forever to cut out all those tiny paper shapes. Color me impressed. I love the smiling skulls juxtaposed against the bold, rainbow color pallet. These skeletons were young once too, and they certainly still know how to get down.