French street artist and photographer Etienne Lavie‘s photography series, “OMG, Who Stole My Ads?” envisions the city of Paris without advertisements, replaced by stunning classical works. Lavie photographs the street scenes and paintings separately, and combines them later with digital editing. The result is a beautifully effective and realistic utopian city where people aren’t surrounded by images that encourage conspicuous consumption, but are instead living among masterpieces that decorate their chaotic urban world. (via huffington post)
Janol Apin’s “Métropolisson” is a creative project that illustrates the literal translations of the names of various Parisian Metro station stops. The collection of photographs features more than 100 images of Apin’s friends posing in the underground subway stops; from an astronaut in the Champ de Mars station, to a couple dancing tango under the Argentine stop, he leaves nothing out.
With clever puns and creative costumes, Apin makes it possible for this work to be understood by anyone…there’s obviously no need to speak French to capture the essence of this work. Almost every snapshot from this series is comprehensible through the upbeat and universal imagery that the photographer creates. (via Bored Panda)
Even in his commercial work French photographer Laurent Chehere clearly has a creative and curious eye for his surroundings. An avid traveler, Chehere enjoys exploring the cities he visits. This becomes especially evident in his series Flying Houses. The series contains a number of photographs of floating buildings. The buildings seem otherwise ordinary, perhaps tethered by power lines, quietly floating in the sky. Chehere achieved the effect by taking photographs of buildings throughout the suburbs of Paris and digitally manipulating them. A gallery statement (translated from French) from a recent solo exhibit explains Chehere’s inspiration for the series:
“The artist isolates buildings from their urban context and frees them from their stifling environment. Houses fly in the clouds, like kites. Inspired by a poetic vision of old Paris and the famous short film The Red Balloon by Albert Lamorisse, Laurent Chéhère walked the districts of Belleville and Ménilmontant gazing at their typical houses. The images of the artist seize an unexpected levitation: held to the ground by unseen hands, like so many balloons used by the boy, these old buildings floating in the sky, sliding on the surface, they reveal to us their hidden beauty. Some houses are adorned with drying laundry or flower pots, outweigh other brands and shops fleeing the flames of a fire … All seem to find a second life. Uprooted from their hometown, they go to new heights. It’s a true invitation to travel and metaphor for the transience of the world, Flying Houses Laurent Chéhère’s series plunges us into a dreamlike and changing world full of gaiety and humor.”
Bina Baitel is a French product designer whose takes previously distinct pieces of furniture–futons, stools, lamps– and combines them to make some wild looking objects. Like most great product design, they look more like sculptures than they do products. We could all probably use some more melting lamps in our lives. (via)
Francois Leroy is a freelance illustrator from Paris, France whose digital works incorporate everything necessary to push art forward into generation upgraded. With ease he navigates the difficult territories of 3D typography, design, context, motion graphics, and execution – all while retaining his own identifiable aesthetic. His website not only offers a glimpse into his portfolio, but also several cool free downloads, which deviate from the norm. One is of a 100-layer Photoshop file that you can make a visual remix of and another is a asset-pack of transparent .PNG files you can use to add texture to your work. The crazy thing is that he actually shot the textures himself, which is really cool since you usually don’t get a chance to see the people behind things like that. (via)
Parisian artist Suzy Lelièvre makes some fascinatingly illogical and decidedly nonfunctional objects. (Unless being awesome can be considered a function?) Chief among her objects are variously contorted tables and benches, along with a set of what she calls “gravity dice.” Her appropriations of ordinarily useful items are a bit surreal; in fact, the work of another French native, Marcel Duchamp, comes to mind, who mastered the art of strange-making one overturned urinal and stacked bicycle wheel at a time.
Ruben Brulat is from Paris and his entire series features a lone naked man in the wilderness and in office spaces at night. Think of him as a modern Bigfoot.