Typically, the art of drawing focuses on the finished product – the marks left on the paper that form an image. Heather Hansen‘s Emptied Gestures is as much a performance piece as it is a drawing. Appearing to use charcoal or pastel, Hansen literally steps on to the paper and begins to draw. She allows the natural movements of her body – the movements of joints, the extension of her back, stretching and contracting – to define her lines. The large-scale drawing becomes a kind of record of her moving body. Interestingly she says:
“Emptying Gestures is an experiment in kinetic drawing. In this series, I am searching for ways to download my movement directly onto paper, emptying gestures from one form to another and creating something new in the process.”
Street art has become especially exciting and unpredictable over the last several years. However, the last place many would expect to find it is on the water. The New York based street artist SWOON designed three sea vessels built from salvaged material. The “flotilla” sailed from the coast of Slovenia to Venice, Italy. Though, definitely not the street SWOON effectively brings an urban aesthetic to sea. Photographer Tod Seelie was along for the ride to document the trip. The photographs and wild journey are as amazing as the vessels themselves. The raucous mash up of materials perfectly match the crew and set the atmosphere for what was certainly a wild ride.
Katya Grokhovsky‘s series Untitled Heroic is deeply complex and familiarly conflicted. For the series Grokhovsky makes use any medium necessary – photography, performance, video, and even a cardboard cut-out installation. The artist seems to attract and repel. The series is at once confrontational, seductive, and wonderfully volatile. By way of her statement, Grokhovsky says that Untitled Heroic is, “A series of performances for photography and video, culminating in a large-scale cutboard cutout installation, whereby a female artist is dealing with frustrating desire to both attract and reject the notion of a male gaze.” Grokohovsky’s work is also the subject of an upcoming solo exhibit at New York’s Galerie Protégé.
From setting hipster traps to designing tourist lanes on sidewalks, Jeff Greenspan’s work consistently employs a certain playful cleverness that questions our social norms in relation to spaces, New York City in particular. The Statue Experiment (pictured above) is no exception. Examining our own reality as far as engaging with art and its contextual expectations is concerned, Greenspan adds a little bowl of change in front of Frank Benson’s statue for a whole new effect. In fact, it just might be the best street performance art performed by an actual object . . . or maybe it’s the audience members who are the real performers? Click on the video after the jump to see what we mean.
Ángela Lergo is a Sevilla based artist specializing in sculpture and set design. Much of her work is centered around the human body and its evocation and relationship to its environments. Her background in set design has allowed her to play with the way space, lighting, and sculpture arrangements contribute to a particular atmosphere. Though the works are sculpted and stationary, they evoke a hint of performance in their presentation. Using human figures as a mode of expression, Lergo creates dream-like landscapes and resonances that are both poetic and emotional. Lergo uses a variety of materials for her installations, including ground stone, polyester resin, epoxy resin, wax, LED lights, video, sandstone, aluminum, feathers, industrial containers, and black oil.
Experimental design/art studio Cohen Van Balen‘s new project 75 Watts features an actual factory, assembly line, and workers. However, the product the assembly line workers are constructing does absolutely nothing. Well, almost nothing. The purpose of the product is simply to choreograph the movements of the workers as they construct it. 75 Watts illustrates the complex dance of production, consumption, and the human relationships therein regardless of the product. The project received its name from a rather creepy quote from the book Marks’ Standard Handbook for Mechanical Engineers: “A labourer over the course of an 8-hour day can sustain an average output of about 75 watts.” Check out the video to see the dance of the pointless product.
Dutch artist Iepe Rubinigh and the Anonymous Crew took the term “street art” very literally with their piece Painting Reality. The group, equipped on bicycles, purposely spilled over 130 gallons of eco-friendly water soluble paint in a Berlin’s busy Rosenthaler Platz intersection. The cars then acted as brushes spreading the various colors through street. An abstract painting detailing the fluid-like flow of traffic unfolded over the next several minutes and 2,000 cars. Painting Reality introduced pleasantly bright color to otherwise drab asphalt. More than that, though, the “strokes” of paint documented the moving life of a city. Check out the video to the see paint drop and spread.
Artist Lisa Park‘s performance titled Euonia – a Greek word that can be translated as “beautiful thinking”. The title is apt as Park’s thought’s are central the beauty of her performance. She makes use of an EEG headset which monitors various brainwaves and eye movement. The resulting information is translated into sound directed to one of five speakers. A shallow pan of water sits on each speaker, vibrating and shimmering with each of Park’s various thoughts. Park associated each of the five speakers with a different emotion and would recall various memories of people important to her in order to manipulate the speakers. She had hoped to develop the ability, through practice, to end her performance in silence but could not – an outcome perhaps more interesting than she had intended. It may be the brain is much more difficult to quiet than it seems. Be sure to check out the video to see Lisa Park’s brain in action. [via]