For artist Felice Varini it’s all about your point of view. Varini takes this idea to its extremely literal conclusion. From the perfect perspective his painted geometric shapes seem to float in front of your eyes. However, in reality Varini works hard to make only appear this way. In reality his pieces are huge, cover entire structures (at times multiple buildings), and carefully prepared to be seen from a precise viewpoint. His large optical illusions underscore the subjective nature of art – it’s all about your point of view.
The work of artist Christopher Derek Bruno playfully interacts with perspective shifts. Some of his art only comes into a cohesive whole when viewed from a very specific angle. Other pieces have multiple forms depending on where a viewer is standing. In a way, his art uses literal multiple perspectives to comment on multiple social perspectives. As his work changes from one vantage point to another, the reading of any work of art changes with each viewer. In this way one piece becomes several.
The work of artist Michael Murphy emphasizes personal perspective. Murphy builds upon several layers to construct a larger image only seen from a precise angle. When stepping away from that angle the image descends back into abstraction. Murphy uses this to express the social and political ideas implied several of his pieces. A portrait of Barack Obama diffuses to reveal very many shades of skin tones which accumulate to form a whole portrait. The simple shape of a Christian Crucifix is dismantled into an iconology of the symbol – a visual conversation of contemporary issues associated with the religion.