In his series “tautochronos”, German artist Michel Lamoller takes multiple photographs of the same place at different times, then prints and layers them, physically carving them into one image, sculpting two-dimensional space into three-dimensions. By then photographing the transformed image Lamoller returns the work to two-dimensions, playing with space and volume, echoing the compression of time and place in his work. The deconstructed figures in the resulting photographs are a visual reminder that people are always changing and never fully revealed.
People often speak of ghosts, and that’s what these photographs bring to mind—the pieces left behind when time passes and things change. It’s almost archeological, the parts covered, the parts revealed. The remains remain, an artifact of time passed.
The photos that are mainly figural express the changes in an individual over time. Clothed, naked. Smiling, serious. Button-down, t-shirt. They are a literal portrait of days.
The images that integrate a figure into the environment are more evocative. In one image, a woman seems to be decomposing, dissolving into grass and trees. Another figure blends into a brick building, almost indecipherable. One person’s body seems to be fossilizing as cobblestones stretch up his legs like moss. A book-lined wall is interrupted by fragmented pieces of a man’s face. Are the pieces so small because the impact of the person in the space was so inconsequential?
The word tautochronos is made of two Greek parts: tauto from the combining form meaning same, chronos meaning time. In combining different moments in the same place Lamoller has stopped time. Read More >
Clubs exist for nearly everything, even things you that wouldn’t expect because they’re so strange. Ursula Sprecher and Andi Cortellini document the off-beat organizations that make it possible for people share their interests.Hats, pigeons, nudity, and Santa Claus are all real clubs that make up the series titled Hobby Buddies.
The photographs are staged portraits featuring a variety of clubs. Each image features the members, either in their costumes or with the items of interest. The coloring and lighting looks dated, and these pictures look like they could be out of a Wes Anderson film. They are quirky, humorous, and endearing, especially when you consider how connecting with people who have the same interests can make someone not feel so alone in this world. And, that’s Sprecher and Cortellini’s point. The images are dedicated to the “joy of pursuing a common cause or shared idea.” (Via It’s Nice That)
Wooden framework, first stage for mounting elephant
Assembling bones for Nodosaurus dinosaur skeleton from dinosaur bone collection
Charles Lang and Carl Sorensen working on skull of Palaeoloxodon antiquus italicus
Museum staff with fossil shark jaws under restoration
If you’ve ever been to the American Museum of Natural History in New York City, you’ve probably spent some time marveling at the grandiose installations and the larger-than life exhibits of species that are both alive and extinct. The Research Library at the museum kept incredible records of how these things were produced and have the photographs available for view on their website. These behind-the-scenes looks are fascinating, featuring taxidermy, assemblage, and the hoisting up of giant bones.
Employes built a lot of the structures from the ground up, forming armatures for what were birds, elephants, antelopes, and more. There was also fun to be had with large fossils, like a shark’s jaw, where we see one of the employees suspended in air, sitting on it, paying the giant teeth very little mind.
Removed from context, there is a surreal quality to these photographs. They represent a different time, an era when we didn’t have all the technological advances that we do today. Because of this, things in the museum have the tendency to feel dated and look aged, but these records show the amount of knowledge of craft and handiwork that had to go into the giant exhibits that we still visit today. (Via Fish Eyes)